Matt Mikulla Photography
Leading Member
I just wanted to lay out some thoughts about shooting Fuji.
My first Fuji was the original X100 and I fell in love with it. Despite the quarks, it came with me everywhere and I made a ton of amazing photographs. My catalog and stats prove it.
At the time my main body and system was a Canon 60D and eventually bought a full frame Canon 6D. My first digital was a 10D.
I sold my Canon gear and bought a Fuji X100T and an XT-1. Still have the XT-1. Including several Fuji lenses.
But it's time to move on years later. Technology has and I can still sell an X-T1 for a good value.
What are my options?
The XT-2 could be a good buy but honestly the XH-1 intrigues me. No time to wait for the XT-3 and it doesn't seem interesting without IBIS. I have manual lenses that I could breath new life into with IBIS.
So I'm faced with purchasing the XH-1 or the Sony A7iii. Dumping all my Fuji lenses to convert completely.
Previously I loved having both the X100 series and the body with interchangeable lenses for the hard work.
Unfortunately there are several issues that I ran into constantly. The main issue was weak batteries. Yes, I had carry several batteries.
If you've photographed an event with Fuji's you know the challenge. Best scenario is to buy a bunch of Fuji batteries and have them all charged. Count on at least six for a real day job.
In 2018 that's just unacceptable.
I feel like Fuji was groundbreaking in mirrorless but they have not been able to compete with Sony at the level where most people buy cameras.
Let's face it. Most invest in a camera system based on lenses.
Fuji lenses are some of the best. But there are few 3rd parties making good lenses for Fuji. However, Tamron, Sigma, and and other lens manufacturers are making lenses for Sony.
Most camera owners own a single body and lens system.
Fuji excels by offering several body styles. X100, X-3/XT-2/X-H1. But Sony ultimately has the body/sensor options with an insane number of lens options.
A photography kit is an investment.
How far can I take the Fuji APSC kit? When will we move beyond 24 MP and 30 MP?
I know I can get a Sony A7iii for the same cost as a Fuji XH-1. And if I need more resolution down the line I can upgrade my body.
With the Fuji I am limited. Fuji sensors, especially APSC will always be behind Sony.
I may still get the XH-1 because it's the same MP as the A7iii, but what is the future of the APSC sensor compared with Full Frame Sony?
We already know that Sony sensors are already pushing higher MP.
Obviously it depends on what your final output is. I make fine art prints.
Conclusion:
Fuji was the first to jump into the mirrorless market and had the advantage.
Fuji is now hobbled because they rely on Sony for sensors, chose APSC, and have a limited number of lens manufacturers and options compared to competitors.
Fuji's biggest opportunity is to release a lower cost medium format system to take over the now affordable competitive Sony full frame system.
Maybe this was Fuji's plan all along. APSC to develop the system and customer base. GF medium format to satisfy professional shooters..
My first Fuji was the original X100 and I fell in love with it. Despite the quarks, it came with me everywhere and I made a ton of amazing photographs. My catalog and stats prove it.
At the time my main body and system was a Canon 60D and eventually bought a full frame Canon 6D. My first digital was a 10D.
I sold my Canon gear and bought a Fuji X100T and an XT-1. Still have the XT-1. Including several Fuji lenses.
But it's time to move on years later. Technology has and I can still sell an X-T1 for a good value.
What are my options?
The XT-2 could be a good buy but honestly the XH-1 intrigues me. No time to wait for the XT-3 and it doesn't seem interesting without IBIS. I have manual lenses that I could breath new life into with IBIS.
So I'm faced with purchasing the XH-1 or the Sony A7iii. Dumping all my Fuji lenses to convert completely.
Previously I loved having both the X100 series and the body with interchangeable lenses for the hard work.
Unfortunately there are several issues that I ran into constantly. The main issue was weak batteries. Yes, I had carry several batteries.
If you've photographed an event with Fuji's you know the challenge. Best scenario is to buy a bunch of Fuji batteries and have them all charged. Count on at least six for a real day job.
In 2018 that's just unacceptable.
I feel like Fuji was groundbreaking in mirrorless but they have not been able to compete with Sony at the level where most people buy cameras.
Let's face it. Most invest in a camera system based on lenses.
Fuji lenses are some of the best. But there are few 3rd parties making good lenses for Fuji. However, Tamron, Sigma, and and other lens manufacturers are making lenses for Sony.
Most camera owners own a single body and lens system.
Fuji excels by offering several body styles. X100, X-3/XT-2/X-H1. But Sony ultimately has the body/sensor options with an insane number of lens options.
A photography kit is an investment.
How far can I take the Fuji APSC kit? When will we move beyond 24 MP and 30 MP?
I know I can get a Sony A7iii for the same cost as a Fuji XH-1. And if I need more resolution down the line I can upgrade my body.
With the Fuji I am limited. Fuji sensors, especially APSC will always be behind Sony.
I may still get the XH-1 because it's the same MP as the A7iii, but what is the future of the APSC sensor compared with Full Frame Sony?
We already know that Sony sensors are already pushing higher MP.
Obviously it depends on what your final output is. I make fine art prints.
Conclusion:
Fuji was the first to jump into the mirrorless market and had the advantage.
Fuji is now hobbled because they rely on Sony for sensors, chose APSC, and have a limited number of lens manufacturers and options compared to competitors.
Fuji's biggest opportunity is to release a lower cost medium format system to take over the now affordable competitive Sony full frame system.
Maybe this was Fuji's plan all along. APSC to develop the system and customer base. GF medium format to satisfy professional shooters..