B, E, F, H, and I appear the sharpest, but all have some haloing along the right side of the subject's face - to me - the 'most important' edge in this photo - ie where haloing/artifacting would be the most distracting if it wasn't handled well.
Imo, it seems that in F, H and I, the light edge has been reduced enough to lessen the halo, but still is enough to sharpen. In E and B the light edge is a bit brighter, B being brighter than E, and relatively distracting.
Between F, H and I, all good imo, H seems to have the most even tone along the lighting line on that side of the face, with I being a close 2nd. F, while still good, is lighter at the chin and something going on at the eyebrow.
This is all under the assumption that 'the subject's right side of the face' is important to the photo. I'd be interested and open re: how others view this, and which methods are which.
I'll admit that at first glance without inspection, E stood out as the sharpest, but H would be in my album folder.
Kent
Imo, it seems that in F, H and I, the light edge has been reduced enough to lessen the halo, but still is enough to sharpen. In E and B the light edge is a bit brighter, B being brighter than E, and relatively distracting.
Between F, H and I, all good imo, H seems to have the most even tone along the lighting line on that side of the face, with I being a close 2nd. F, while still good, is lighter at the chin and something going on at the eyebrow.
This is all under the assumption that 'the subject's right side of the face' is important to the photo. I'd be interested and open re: how others view this, and which methods are which.
I'll admit that at first glance without inspection, E stood out as the sharpest, but H would be in my album folder.
Kent