Film emulsions were inconsistent from lot to lot as well. I recall buying many 'bricks' of the same E6 film, all from the identical emulsion number that got housed in a dedicated refrigerator. Then running controlled film tests for both color and exposure with my pro lab. Specific CC filters were used for each emulsion to counter visual changes to target a norm. It's one reason why I would go to A&I in those days, to consult with Ish, the owner who had an incredible eye for color and a master of process control.