hey newbies, DOF will rock your world!!

I was just wondering how and with what you shot the duck shot with.
I have yet to ever see that short of a depth of field from any Gx
camera. It looks like a 35mm with a 300 2.8.
Actually, you were extremely close. A 300f/2.8 lens on a 35mm camera has about the same DOF as a 400f/2.8 lens on a D60, and that's what I used. I was just demonstrating that while the longer telephoto lenses don't have less DOF, they do have a nice blur effect due to the perspective distortion. That being said, I could have taken the same shot with a 28mm lens (and gotten closer) and the duck just behind the first one would have looked about the same.
I hate to say it looks photoshopped but the foreground focus looks
a bit unatural for a Gx camera and mighty shallow. If you are
getting this out of camera I would really like to know how! :)
Nope, no photoshop. Actually, I moved back from the Duck just to get the whole duck in focus, because when I was closer I couldn't get the DOF across it's body.
If you are getting
that shallow with a Gx, are you using a 2x adapter lens?
Sorry to repeat myself, but you will not get shallower DOF with a 2x adapter lens. You will get slightly blurrier backgrounds. I used to use the telephoto adapters to do this on the G2, but it's so tough I've given up. I've sold my Tiffen 2x, and am going to sell my Canon 1.5x. Here's a shot I happen to have from the G2+1.5x:



Jason
 
DOF is effected by...

Aperture
Focal Length
Camera to Subject distance
It's important to note that focal length is a squared term, and so is subject distance.... so they cancel. So, you can actually reduce your list to two things..

1) aperture
2) subject magnification

Subject magnification is how big the subject is in the frame. The key to short DOF is to eliminate as much of the border around the subject as you can, which is done by increasing subject magnification. To increase subject magnification, you can either zoom in, or get closer... which is important to realize in low light situations, so you don't create extra camera shake when you could have had the same effect by getting closer.

jason
 
I'm not sure if this will rock your world but hopefully some newbies will benefit from this tip. How to get better family pics with your cam.

I use to take several photos with my subjects in front of a window in daylight - like sitting on a couch. The subjects were always underexposed. Now I put my cam in P Mode, select center weighted light metering, meter the subject by half pressing shutter - and press the (* )button at the same time. Make sure you meter on some contrasty clothing and not the subjects face. Now recompose the shot and shoot. Your pic will come out great.

Additionally, set you cam to shoot in ISO 50 in P Mode vs the auto mode. Pics have less noise.

Anyone else have some simple useful tips?
so, if you're not a newbie, then leave this thread - it'll just
make you laugh :-)

otherwise, if you're like me (very new to photography), then read on!

I've had my G2 for a few weeks now, and have only now worked out
how to take a proper shot using short Depth of Field - you know,
the blurry effect you can have on backgrounds.

Heres how I did it with my G2:
  • goto AV mode
  • zoom the lens all the way out
  • change the apature to 2.5 (or as low as it will go)
  • take pic of subject relatively close up.
  • vioila! blurry background!!!!
isn't photography great!!! trying doing that on a Point and Shoot!!
:-))

 
Didn't you mean "...changing to tele..." in the first sentence? It
would make more sense and would fit the rest of your text.
No, you can not shoot f/2.0 and full telephoto on any G1, G2, or G3
camera.
Yes, at full tele, the G3 will only allow f/3.0.
DOF is inversely proportional to the subject magnification
squared. This means you can ignore focal length (zoom) with a
given framing of a subject.

I went on further to say that you will get a slightly blurrier
image with a telephoto, despite having the SAME DOF. Think of it
this way. Take a blurry tree in the background. Now enlarge it
200%. It's now blurrier to the eye. Telephoto lenses have this
perspective distorting effect. I have some excellent 900mm shots
of me in front of the sun to show this... ths sun is bigger than my
whole head.

Jason
I've done a little research because I was taught many times and read everywhere that DOF was dependent on aperture, subject distance and focal lenght and what you wrote went the opposite direction. Check http://www.dpreview.com/learn/Glossary/Photographic/Depth_of_field_01.htm .

I used the online DOF calculator ( http://dfleming.ameranet.com/dofjs.html ) to get some figures for the G3:

At 7.2mm and f/4.0, subject at 6ft, DOF is 3.25 to 38.3ft.
At 28.6mm and f/4.0, subject at 6ft, DOF is 5.7 to 6.33ft.

These figures go hand in hand with my experience and everything I ever heard or read on DOF. It's the same with my video camera. When I shoot an interview, I back off enough to be able to use full tele.

The perspective compression phenomenon of tele lenses is obvious but I'm not sure it affects DOF directly. It might be independent from it.

We might be saying the same thing but from different angles or we might be talking about two different things. I don't know. What I do know is that when I zoom in, I get a shallower DOF and the above figures confirm it.
--
Marc Jutras
G3 + 420ex
http://www.marcjutras.com
 
Not true, Gowan:
On the contrary,
up to one meter,
in my experience,
the Macro setting
helps the AF to
achieve a focus in
less time! (At least
that’s true for my
G2.
For portrait it won't work that well, the camera will be unable to
focus at anything over 50 cms or so. I guess it might work for
extreme closeups :D
--
db.
 
It could very well be, shame I don't have a G2 to try it out right now. But I take your word for it.
Not true, Gowan:
On the contrary,
up to one meter,
in my experience,
the Macro setting
helps the AF to
achieve a focus in
less time! (At least
that’s true for my
G2.
--
Gowan
G3 - MV5i
 
I've done a little research because I was taught many times and
read everywhere that DOF was dependent on aperture, subject
distance and focal lenght and what you wrote went the opposite
direction. Check
No, nothing I said went in the opposite direction of any good info. What I said was that the DOF is inversely proportional to the square of focal lenght, and inversely proportion to the square of subject distance. Because of this focal length cancels subject distance almost perfectly, and you get the same DOF.

I'll be happy to give you my G2 if I'm wrong.
I used the online DOF calculator
( http://dfleming.ameranet.com/dofjs.html ) to get some figures for
the G3:

At 7.2mm and f/4.0, subject at 6ft, DOF is 3.25 to 38.3ft.
At 28.6mm and f/4.0, subject at 6ft, DOF is 5.7 to 6.33ft.
You used the calculator wrong. Now you've got two entirely different pictures because you've changed the subject magnification. Let's fill in the calculator with the correct information:

At 7.2mm and f/4.0, subject at 1.5ft, DOF is 1.24 to 1.89

So, with 28.6mm you have .63 feet of DOF and at 7.2mm you have .65feet of DOF. A difference of 1/4". That difference is partially due to errors in the calculator, and partilaly real. But as we can see, within reason, the DOF is the same.
These figures go hand in hand with my experience and everything I
ever heard or read on DOF. It's the same with my video camera.
When I shoot an interview, I back off enough to be able to use full
tele.
There have been many pages put up to dis-prove this myth. Do a search, or tell me if you can't find them.
The perspective compression phenomenon of tele lenses is obvious
but I'm not sure it affects DOF directly. It might be independent
from it.
Of course it doesn't effect DOF, but it increases blur of the background. This is not short DOF, but has similar appearance.
We might be saying the same thing but from different angles or we
might be talking about two different things. I don't know. What I
do know is that when I zoom in, I get a shallower DOF and the above
figures confirm it.
As I've shown from your calculator, the figures do not show it. We aren't talking about the same thing, because you specifically mentioned "backing off" and "use full tele."

Jason
 
These figures go hand in hand with my experience and everything I
ever heard or read on DOF. It's the same with my video camera.
When I shoot an interview, I back off enough to be able to use full
tele.
I think it's worth pointing out that I used to think this too. It just made sense I thought. Over the years, with the help of some very intelligent people on the topic of DOF (Karlg for instance) I've finally learned the difference aspects of DOF. Actual examples of this in action help too, as do calculators that show this effect.

Jason
 
What I said was that the DOF is inversely proportional to the
square of focal lenght, and inversely proportion to the square of
subject distance.
Whoops, I guess I got carried away with "inversely." Obviously they wouldn't cancel (instead sum) if they were both inverse relationships. DOF is proportional to the square of subject distance.

Jason
 
Let me see if I have this correct:

Both agree on Aperature - that leaves Focal Length and Camera to Subject Distance. Jason puts both of these together and calls them Subject Magnification. In other words you can increase your magnification by zooming in with tele or moving closer to your subject. Both of these will increase your Subject Magnification but DOF will not change due to cancellation.

Correct?
DOF is effected by...

Aperture
Focal Length
Camera to Subject distance
It's important to note that focal length is a squared term, and so
is subject distance.... so they cancel. So, you can actually
reduce your list to two things..

1) aperture
2) subject magnification

Subject magnification is how big the subject is in the frame. The
key to short DOF is to eliminate as much of the border around the
subject as you can, which is done by increasing subject
magnification. To increase subject magnification, you can either
zoom in, or get closer... which is important to realize in low
light situations, so you don't create extra camera shake when you
could have had the same effect by getting closer.

jason
 
Let me see if I have this correct:

Both agree on Aperature
Yep.
  • that leaves Focal Length and Camera to
Subject Distance. Jason puts both of these together and calls them
Subject Magnification.
Yes, I put them together because they have the same effect. That way, it gives the photographer options.
In other words you can increase your
magnification by zooming in with tele or moving closer to your
subject. Both of these will increase your Subject Magnification
Yes, you've got it up to this point. Increase your subject magnification, and you decrease your DOF.
but DOF will not change due to cancellation.
What cancels is DOF when you don't change subject magnifcation. So, if you zoom in and don't change subject magnification (by moving back as was mentioned earlier) the DOF will stay the same. Also, if you move closer and zoom out appropriately, the DOF will stay the same (terms cancel.)

Here's a DOF chart for the D30 from the forums exper on DOF, Karlg. Notice focal length and subject distance aren't on the chart. I made a similar chart for the G2 way back when I used it much, but deleted it since. You can make your own from the DOF calculator posted earlier:

http://www.fototime.com/ {D6DE395C-A0C9-4E3F-B2A6-CF0AD316A0AE} picture.JPG
 
OK. Now I really get what you mean by "subject magnification". I get the same effect by either getting closer to the subject or zooming in. I just didn't call it that (or anything else!). Glad to know it now.

There's still one point I don't get and it's about what you did with the calculator.
I used the online DOF calculator
( http://dfleming.ameranet.com/dofjs.html ) to get some figures for
the G3:

At 7.2mm and f/4.0, subject at 6ft, DOF is 3.25 to 38.3ft.
At 28.6mm and f/4.0, subject at 6ft, DOF is 5.7 to 6.33ft.
You used the calculator wrong. Now you've got two entirely
different pictures because you've changed the subject
magnification. Let's fill in the calculator with the correct
information:

At 7.2mm and f/4.0, subject at 1.5ft, DOF is 1.24 to 1.89

So, with 28.6mm you have .63 feet of DOF and at 7.2mm you have
.65feet of DOF. A difference of 1/4". That difference is
partially due to errors in the calculator, and partilaly real. But
as we can see, within reason, the DOF is the same.
I understand why you say my figures produce different pictures because of the subject magnification relative to the frame. What I don't get is why you use 1.5ft and not 6ft.

At 1.5ft the difference is indeed subtle. But at 6ft, my figures remain correct (but the magnification problem remains). They're actually comparing DOF without considering subject magnification. They show what DOF you'll get by using those settings.

I think that in order to compare 7.2mm with 28.6mm, we would have to calculate the distance at which we get the same magnification and then compare the resulting DOF.

I just ran a not really scientific test. I played around with my G3 and its zoom using a fixed subject. I first started with 7.2mm and filled the frame with my target. It was approximately 1ft from the camera. To get the same magninification at 28.8mm, I had to be approximately 4ft from the target.

Using these values, I get this from the calculator:

7.2mm f/4.0 subject at 1ft DOF = 0.88 to 1.16ft depth = 0.28ft
28.6,, f/4.0 subject at 4ft DOF = 3.86 to 4.14ft depth = 0.28ft

I just demonstrated your point perfectly!

Now, I understand completely and agree with you.
--
Marc Jutras
G3 + 420ex
http://www.marcjutras.com
 
so, if you're not a newbie, then leave this thread - it'll just
make you laugh :-)
I'm going to visit these newbie only threads more often Egg they are just swarming with experts! I think I learned more about DOF here than in the more so callsofisticated teaching sites. Thanks for all the info guys.
--
Gheth
 
One question - will a bounce flash make any difference to do photo
I took? Will the DOF effect change in any way with a bounce from a
420EX for example?
Use of flash will not affect DOF. Bouncing it will illuminate the
background further and possible making the background more
noticable, but it will not change any focus quality in regards to
DOF.

Have fun! Glad you are getting that 420ex. Wish I got a
commission check with it! :)

Cheers,
Zack Arias
Atlanta, GA

http://www.usedfilm.com
--Zack, Very interesting discussion and I love that calculator. I wish Canon would incorporate a DOF scale into the manual focus option. As to the 420 changing DOF, I have been using it to allow me to increase my f-stop (reduce aperture) which increases DOF so, In effect, the 420 does affect DOF, albeit in a backdoor sort of way. Right?
Bill R
 
Using these values, I get this from the calculator:

7.2mm f/4.0 subject at 1ft DOF = 0.88 to 1.16ft depth = 0.28ft
28.6,, f/4.0 subject at 4ft DOF = 3.86 to 4.14ft depth = 0.28ft
Macro people tend to think in terms of subject magnification a lot, but the more natural instinct is to do it in terms of subject distance etc.. I think though, that people are even better at determining the field of view of an image over determining distance. That's why I am a fan of it. So, if you know your group shot is about 10 feet wide, you know from that chart exactly what aperture you need to get say 2 feet of DOF.

Jason
 
You know... I have no farging idea. I was taught the three items. It's like electricity. I don't know how it works but I use it everyday.

I have gotten into the DOF is the same through the FLs before and I was never totally convinced on just the image mag theory or law or whatever. Gimmie that 300 2.8 DOF on a G2 and I will be in heaven but alas... I have to use an acutal 300 2.8 to get it.

And if you newbies think DOF rocks (which it does however you use it or get it...) you should try a 4x5 with swings and tilts! Butter...

Cheers,
Zack Arias
Atlanta, GA

http://www.usedfilm.com
 
DOF is effected by...

Aperture
Focal Length
Camera to Subject distance
It's important to note that focal length is a squared term, and so
is subject distance.... so they cancel. So, you can actually
reduce your list to two things..

1) aperture
2) subject magnification

Subject magnification is how big the subject is in the frame. The
key to short DOF is to eliminate as much of the border around the
subject as you can, which is done by increasing subject
magnification. To increase subject magnification, you can either
zoom in, or get closer... which is important to realize in low
light situations, so you don't create extra camera shake when you
could have had the same effect by getting closer.

jason
As far as using wide angle and getting close to eliminate camera shake.... this is fine UNLESS you want to compress the subject to background distance, in which case telephoto must be used.

Michael
 
Let me see if I have this correct:

Both agree on Aperature - that leaves Focal Length and Camera to
Subject Distance. Jason puts both of these together and calls them
Subject Magnification. In other words you can increase your
magnification by zooming in with tele or moving closer to your
subject. Both of these will increase your Subject Magnification
but DOF will not change due to cancellation.

Correct?
Correct, as long as we're talking about rather big magnifications, or, IOW,

subject distances much smaller than the hyperfocal distance. In the general DOF formula, Focal length and Subject distance can NOT be replaced completely by the magnification. It's just that the "rest" that can't be expressed by magnification gets very small for small distances. Small enough to be ignored safely. Once subject distance approaches the hyperfocal distance, short focal lengths feature MUCH bigger DOF than long lenses.

Thomas Bantel
 
Correct, as long as we're talking about rather big magnifications,
or, IOW,
subject distances much smaller than the hyperfocal distance. In the
general DOF formula, Focal length and Subject distance can NOT be
replaced completely by the magnification. It's just that the "rest"
that can't be expressed by magnification gets very small for small
distances. Small enough to be ignored safely. Once subject distance
approaches the hyperfocal distance, short focal lengths feature
MUCH bigger DOF than long lenses.

Thomas Bantel
The formula blows up at extremely large magnifications, not small ones.

Can you show us an example of what you're talking about with any DOF calculator?

Jason
 

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