I can't even imagine what a 4K RAW video file would be like! I've got an i7 Haswell 4770k @ 3.5 GHz that's overclocked on an Asus Gryphon, 32 Gigs RAM, 4Gig video card, a 500Gig SSD (for system & software) and 3 4TB HDs, not to mention the off-site storage. All of this would fall to its knees with a few hours of 4K RAW files!
Nice system, similar to mine but no NAS.
It's not as bad as you think. Red raw has about 5:1 compression and it's also bayer sub sampled with further size savings, around 200GB /hour for 4K. Red has been capable of 4K since the beginning, 8 years ago, but most finishes in HD/2K which is much the same.
If your system has a good GPU or two and Resolve then your making movies. A NAS is a nice idea.
For editing just make proxy files with Resolve, then relink to the originals for the grade and mastering. Any newish laptop can edit HD proxy files.
Our computers make Prores proxy files at 150fps, or 6x realtime, divide that by 4 for 4K.
It's all about the workflow. Try editing 4K Red raw for a week and its's not fun.
Uncompressed raw is really a waste of space especially with new Prores XQ codec but Prores HQ or 444 is pretty harmless.
It's funny all the home movie makers insisting on 4K when Hollywood produces very little.
TV, the 4K standard is still being developed but it will be H265.
https://www.arri.de/news/news/alexa-xrxt-supports-new-prores-4444-xq/
4K, it looks good if you don't sit too far away from your TV or the cinema screen.
8K will be pure marketing.