Understanding the Nikon Df, amazing jpegs & other things

gabriel foto

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A case for Df?

I have been a little intrigued by the Nikon Df. I guess some of you have been too, judging by the combustible debate on this forum and others.

One can be interested for different reasons, I guess. Size. Retro wheels. Retro looks. That D4 sensor.

Me, I was caught mostly by its compactness. But there is one thing I bet you didn't know about the Df:

The Df is not Nikon's smallest and lightest full-frame DSLR.

What?

No, this is the smallest and lightest full-frame DSLR ever, from any manufacturer.

Most people have not yet realised this - not even the reviewers at DpR. It is even smaller than my Nikon D600. I like that.

Which is best, the Nikon Df or the D600 / D610?

I was surprised by the DpR review because it was mentioned in detail how you can use old manual Nikkor lenses. Like this was a new feature of the Df worth particular mention.

Using mostly old manual focus Nikkor Ai and AiS lenses, the D600 can of course do anything the Df can. If I had any pre-Ai lenses, the Df would be able to use them as well, but I don't. I have a dozen old mechanical Nikkor Ai and AiS and use all the 9 presets in the memory bank.

I assign U1 for manual lenses, because these lenses require a slightly different Auto-ISO setting (slowest allowable shutter speed works differently) I use U2 for VR lenses. These, too, require a slightly different setting than the ones without VR. I love U1 and U2. They never forget. No matter how much you fiddle with your settings, every time you return to U1 or U2, they are unchanged. The Df does not have this feature.

Twin memory cards is very useful, and safe.

The D600 has a built-in flash. The grip feels a little better in my hand.

Movie is fine I guess, but haven't used it.

And I love the D600 sensor.

Autofocus, aperture in live view, shutter speed...

People seem upset that the Nikon Df does not offer the right AF module, or for that matter, an 1/8000 second, or continuous aperture setting in live view.

At that outrageous price point, we have the right to expect something back, don't we? Nikon should know better. Dumbing-down a new camera like that. Just using cheap parts from their parts bin. Greed, that's what it is.

Right?

I am not sure whether anyone (including DpR) has realised that the 51-point AF module of the D800 or D4 takes up a lot more space at the bottom of the camera body than the 39-point module of the Df, or the D600 / D610.

For the very compact Df, the 39-point module is the only option.

What, you are probably saying, even the little D7100 has 51-point AF? Yes, and there is a reason for this: Dx cameras have a smaller sensor, smaller shutter module and smaller mirror. This leaves more space under the mirror housing for the big AF modules.

The same reasoning goes for the aperture control in live view (with G lenses) Nikon's lens bayonet requires a spring-loaded lever on the lens which opens and closes the aperture. In order to move this to correct settings when using live view, a step motor is necessary. There is no room for this in the Df, just like on the D600 / D610.

I don't know about the choice of shutter mechanism in the Df and D610. They are not only slightly slower, but also quieter. What other differences are there? Vibration? Cost? Power consumtion? Or is it simply that they take up less space in a compact body?

Nikon does not issue press releases to explain these things to us. Instead, the internet forums fills with steamed up voices.

Is the AF system capable enough?

I can only speak for the D600, which for all I know is identical to the Df. Personally, I use the centrepoint, focus and recompose. The AF is excellent and finds focus quickly and accurately in all situations, including near-complete darkness.

I don't use the AF assist lamp, I find it disturbing. You cannot aim that towards someone in a dark room.

For other shooters, the 51-point module would have been better. If there was room for it. But there are other options for these people, bigger cameras.

Manual Controls

The exposure compensation wheel is a thing I would have liked to see on any camera. I find the lock ok. You can turn it with three fingers, the index pressing the lock, the thumb and next finger turning the dial.

A manual wheel for ISO is less motivated in my book. I use auto ISO, which is brilliant on the newest Nikons (do you know how it has changed from the D3, D300 or D700?). Turning Auto ISO on or off by a simple switch would be good, though, when I occasionally wish to use a tripod and longer shutter speeds.

I guess the Df is targeted at people who shoot with all manual settings. For somebody who wishes to set ISO, shutter speed and aperture manually, it seems reasonably well laid out.

If this is the case, in the interest of logical consequence, the kit lens should have had an aperture ring. If it did, I would have bought one to replace my 50/1.8G.

Using Nikkor Ai or AiS lenses (or AF / AF-D lenses), this is the one manual control I need more than anything. The aperture ring. But, as you know, this particular ring happens to sit on the lens so no need to buy another body for that. (I mostly use 'A' setting)

Viewfinder

The viewfinder of my D600 is ok for manual focusing, and the Df, just like the D800, is identical. The size, that is. The Df may have a subtly different screen, nobody seems to know exactly. I have not seen any difference.

However, these viewfinders are not like my old F2, FA or FE/FM finders - the newer FX finders are considerably smaller. I have checked. Combined with a screen which is not really optimal for manually focusing bright lenses, the new finders are far from perfect.

Many have pointed out that Nikon should have provided interchangeable screens for the Df. I am sorry to say, this is really a stupid omission on their part. They would even have made money selling these screens. Hopefully they will realise this and offer to change screens at their service centres at a later date.

The remedy?

First, install a DK-17 magnifier. The Df is ready for it. It can even be done on the D600 / D610 (if someone politely asks, I can show you how). Some lenses are more difficult to focus than others. For example, I had huge difficulties focusing my 24/2,0 AiS until I got the magnifier for my D600.

Secondly, there are alternative screens for the D600 / D610, same as the D800. I am sure these can be fitted in the Df as well. Although you may opt to have a camera technician do it for you and it may void your warranty, at least partly.

Design

People (men) who drive huge trucks, well-fed, with fat wallets, using a D4 with the Holy Trinity (plus maybe a couple of 'the big guns') will probably not understand this:

Sometimes small and unassuming is the key to getting a photo. There are 130 facial muscles, and we can differ between thousands of expressions. Whenever we haul up a big camera and aim that huge lens at them, our motif is gone, in fact our reason for taking a photo in the first place is no longer there. The person freezes.

This is the most attractive thing about the Nikon Df, I think, apart from size and weight. The Nikon Df is the most unassuming full frame DSLR ever. It looks a little like the old camera your dad used for his Kodachrome. Well done, Nikon.

In reality, it is not so small. But if used with two hands, supporting a small lens with the palm of your left hand, it is fine to use.

Build Quality

In their review, DpR (and, I am sure, a few others) came to one particularly remarkable conclusion.

Reviewers have a difficult task. If you want to review a performance at the opera, you would be better off to know something about opera. A reviewer needs to know something, and show respect for what he or she doesn't fully understand.

I believe I have a balanced idea about the Nikon Df, I am not a fan, probably not buying one, but I find this part of DpR's review pathetic.

If someone thinks he can judge the "build quality" of a camera (how do you define that?) put together from thousands of precision-made metal parts, glass, composites and amazingly complex electronics by holding it and turning a few knobs, he has surely missed something very fundamental.

Ming Thein even had the nerve to question if the chrome version was in fact made from chromed plastic.

What is the possible explanation? I can only guess:

- At a distance, the Df looks like it would be rather small

- In your hand, it surprisingly turns out to be bigger than you thought

- Still, rather light weight

- Must be more or less empty inside

- I know nothing about the technology behind camera making but I have the right to trust my feelings, and it feels hollow. Cheap.

I am sure that the Df, just like the D600 / D610, is extremely well made. There are a lot of contemtuous remarks about the D610 or Df or D7100 cameras being 'prosumer'. Maybe they should have been made of cast iron instead of magnesium alloy and composite, and they would have instilled the respect they deserve.

Image quality

I don't own a Df but I was curious whether its jpegs are as good, clean and malleable as those from my D600. If they are, I may perhaps get a Df sometime.

I realise this forum is (mostly) inhabited by people who believe very seriously in doing things by the book, like using Manual, shooting raw and processing every picture in the latest version of the preferred software. Pictures are often judged by their histogram and pixel sharpness, not by visual impact. Please allow me challenge you.

Thing is, I shoot jpeg exclusively with my D600. With previous cameras like the D40, D90, D7000 or D700 I had to use RAW, at least sometimes. This all changed with the D600. I doubt I could get RAW look as good as jpegs from the D600.

At the same time, I get ADL (great!), near-perfect and automatic control of contrast, colours and sharpening, high ISO noise, correction of CA, distortion, vignetting, HDR... what did I miss? I don't spend any time at my computer other than for sorting pictures, and perhaps cropping.

Still, sometimes a picture comes out with less than perfect light and clarity. This, too, can be fixed with the D600 jpegs. So how about the Df? If the Df jpegs cannot be tweaked, I would never buy one.

This is one of the sample shots from DpR, with shadows lifted. I hope I am not bending any rules by using this picture as a test bench. The software I used? Well, one of the best turns out to be Nikon View NX2 (yes, the free software that comes with your camera). LR5 is just as good, and better at highlight recovery, but has other drawbacks, so I use View.



From DpR, jpeg sooc. Df + AF Nikkor 35mm f/2D, 1/125s, F8, ISO 400
From DpR, jpeg sooc. Df + AF Nikkor 35mm f/2D, 1/125s, F8, ISO 400



Same jpeg picture, Shadow Protection 100, Brightness -5 or so, using Nikon View NX2
Same jpeg picture, Shadow Protection 100, Brightness -5 or so, using Nikon View NX2

Please be sure to zoom in to see the differences in trees and bushes, and inside the black windows. Looks ok to me, and exactly what I sometimes do with my D600 files. And which was never possible with previous cameras.

Cheers, Gabriel
 
A case for Df?

I have been a little intrigued by the Nikon Df. I guess some of you have been too, judging by the combustible debate on this forum and others.

One can be interested for different reasons, I guess. Size. Retro wheels. Retro looks. That D4 sensor.

Me, I was caught mostly by its compactness. But there is one thing I bet you didn't know about the Df:

The Df is not Nikon's smallest and lightest full-frame DSLR.

What?

No, this is the smallest and lightest full-frame DSLR ever, from any manufacturer.

Most people have not yet realised this - not even the reviewers at DpR. It is even smaller than my Nikon D600. I like that.

Which is best, the Nikon Df or the D600 / D610?

I was surprised by the DpR review because it was mentioned in detail how you can use old manual Nikkor lenses. Like this was a new feature of the Df worth particular mention.

Using mostly old manual focus Nikkor Ai and AiS lenses, the D600 can of course do anything the Df can. If I had any pre-Ai lenses, the Df would be able to use them as well, but I don't. I have a dozen old mechanical Nikkor Ai and AiS and use all the 9 presets in the memory bank.

I assign U1 for manual lenses, because these lenses require a slightly different Auto-ISO setting (slowest allowable shutter speed works differently) I use U2 for VR lenses. These, too, require a slightly different setting than the ones without VR. I love U1 and U2. They never forget. No matter how much you fiddle with your settings, every time you return to U1 or U2, they are unchanged. The Df does not have this feature.

Twin memory cards is very useful, and safe.

The D600 has a built-in flash. The grip feels a little better in my hand.

Movie is fine I guess, but haven't used it.

And I love the D600 sensor.

Autofocus, aperture in live view, shutter speed...

People seem upset that the Nikon Df does not offer the right AF module, or for that matter, an 1/8000 second, or continuous aperture setting in live view.

At that outrageous price point, we have the right to expect something back, don't we? Nikon should know better. Dumbing-down a new camera like that. Just using cheap parts from their parts bin. Greed, that's what it is.

Right?

I am not sure whether anyone (including DpR) has realised that the 51-point AF module of the D800 or D4 takes up a lot more space at the bottom of the camera body than the 39-point module of the Df, or the D600 / D610.

For the very compact Df, the 39-point module is the only option.

What, you are probably saying, even the little D7100 has 51-point AF? Yes, and there is a reason for this: Dx cameras have a smaller sensor, smaller shutter module and smaller mirror. This leaves more space under the mirror housing for the big AF modules.

The same reasoning goes for the aperture control in live view (with G lenses) Nikon's lens bayonet requires a spring-loaded lever on the lens which opens and closes the aperture. In order to move this to correct settings when using live view, a step motor is necessary. There is no room for this in the Df, just like on the D600 / D610.

I don't know about the choice of shutter mechanism in the Df and D610. They are not only slightly slower, but also quieter. What other differences are there? Vibration? Cost? Power consumtion? Or is it simply that they take up less space in a compact body?

Nikon does not issue press releases to explain these things to us. Instead, the internet forums fills with steamed up voices.

Is the AF system capable enough?

I can only speak for the D600, which for all I know is identical to the Df. Personally, I use the centrepoint, focus and recompose. The AF is excellent and finds focus quickly and accurately in all situations, including near-complete darkness.

I don't use the AF assist lamp, I find it disturbing. You cannot aim that towards someone in a dark room.

For other shooters, the 51-point module would have been better. If there was room for it. But there are other options for these people, bigger cameras.

Manual Controls

The exposure compensation wheel is a thing I would have liked to see on any camera. I find the lock ok. You can turn it with three fingers, the index pressing the lock, the thumb and next finger turning the dial.

A manual wheel for ISO is less motivated in my book. I use auto ISO, which is brilliant on the newest Nikons (do you know how it has changed from the D3, D300 or D700?). Turning Auto ISO on or off by a simple switch would be good, though, when I occasionally wish to use a tripod and longer shutter speeds.

I guess the Df is targeted at people who shoot with all manual settings. For somebody who wishes to set ISO, shutter speed and aperture manually, it seems reasonably well laid out.

If this is the case, in the interest of logical consequence, the kit lens should have had an aperture ring. If it did, I would have bought one to replace my 50/1.8G.

Using Nikkor Ai or AiS lenses (or AF / AF-D lenses), this is the one manual control I need more than anything. The aperture ring. But, as you know, this particular ring happens to sit on the lens so no need to buy another body for that. (I mostly use 'A' setting)

Viewfinder

The viewfinder of my D600 is ok for manual focusing, and the Df, just like the D800, is identical. The size, that is. The Df may have a subtly different screen, nobody seems to know exactly. I have not seen any difference.

However, these viewfinders are not like my old F2, FA or FE/FM finders - the newer FX finders are considerably smaller. I have checked. Combined with a screen which is not really optimal for manually focusing bright lenses, the new finders are far from perfect.

Many have pointed out that Nikon should have provided interchangeable screens for the Df. I am sorry to say, this is really a stupid omission on their part. They would even have made money selling these screens. Hopefully they will realise this and offer to change screens at their service centres at a later date.

The remedy?

First, install a DK-17 magnifier. The Df is ready for it. It can even be done on the D600 / D610 (if someone politely asks, I can show you how). Some lenses are more difficult to focus than others. For example, I had huge difficulties focusing my 24/2,0 AiS until I got the magnifier for my D600.

Secondly, there are alternative screens for the D600 / D610, same as the D800. I am sure these can be fitted in the Df as well. Although you may opt to have a camera technician do it for you and it may void your warranty, at least partly.

Design

People (men) who drive huge trucks, well-fed, with fat wallets, using a D4 with the Holy Trinity (plus maybe a couple of 'the big guns') will probably not understand this:

Sometimes small and unassuming is the key to getting a photo. There are 130 facial muscles, and we can differ between thousands of expressions. Whenever we haul up a big camera and aim that huge lens at them, our motif is gone, in fact our reason for taking a photo in the first place is no longer there. The person freezes.

This is the most attractive thing about the Nikon Df, I think, apart from size and weight. The Nikon Df is the most unassuming full frame DSLR ever. It looks a little like the old camera your dad used for his Kodachrome. Well done, Nikon.

In reality, it is not so small. But if used with two hands, supporting a small lens with the palm of your left hand, it is fine to use.

Build Quality

In their review, DpR (and, I am sure, a few others) came to one particularly remarkable conclusion.

Reviewers have a difficult task. If you want to review a performance at the opera, you would be better off to know something about opera. A reviewer needs to know something, and show respect for what he or she doesn't fully understand.

I believe I have a balanced idea about the Nikon Df, I am not a fan, probably not buying one, but I find this part of DpR's review pathetic.

If someone thinks he can judge the "build quality" of a camera (how do you define that?) put together from thousands of precision-made metal parts, glass, composites and amazingly complex electronics by holding it and turning a few knobs, he has surely missed something very fundamental.

Ming Thein even had the nerve to question if the chrome version was in fact made from chromed plastic.

What is the possible explanation? I can only guess:

- At a distance, the Df looks like it would be rather small

- In your hand, it surprisingly turns out to be bigger than you thought

- Still, rather light weight

- Must be more or less empty inside

- I know nothing about the technology behind camera making but I have the right to trust my feelings, and it feels hollow. Cheap.

I am sure that the Df, just like the D600 / D610, is extremely well made. There are a lot of contemtuous remarks about the D610 or Df or D7100 cameras being 'prosumer'. Maybe they should have been made of cast iron instead of magnesium alloy and composite, and they would have instilled the respect they deserve.

Image quality

I don't own a Df but I was curious whether its jpegs are as good, clean and malleable as those from my D600. If they are, I may perhaps get a Df sometime.

I realise this forum is (mostly) inhabited by people who believe very seriously in doing things by the book, like using Manual, shooting raw and processing every picture in the latest version of the preferred software. Pictures are often judged by their histogram and pixel sharpness, not by visual impact. Please allow me challenge you.

Thing is, I shoot jpeg exclusively with my D600. With previous cameras like the D40, D90, D7000 or D700 I had to use RAW, at least sometimes. This all changed with the D600. I doubt I could get RAW look as good as jpegs from the D600.

At the same time, I get ADL (great!), near-perfect and automatic control of contrast, colours and sharpening, high ISO noise, correction of CA, distortion, vignetting, HDR... what did I miss? I don't spend any time at my computer other than for sorting pictures, and perhaps cropping.

Still, sometimes a picture comes out with less than perfect light and clarity. This, too, can be fixed with the D600 jpegs. So how about the Df? If the Df jpegs cannot be tweaked, I would never buy one.

This is one of the sample shots from DpR, with shadows lifted. I hope I am not bending any rules by using this picture as a test bench. The software I used? Well, one of the best turns out to be Nikon View NX2 (yes, the free software that comes with your camera). LR5 is just as good, and better at highlight recovery, but has other drawbacks, so I use View.

From DpR, jpeg sooc. Df + AF Nikkor 35mm f/2D, 1/125s, F8, ISO 400
From DpR, jpeg sooc. Df + AF Nikkor 35mm f/2D, 1/125s, F8, ISO 400

Same jpeg picture, Shadow Protection 100, Brightness -5 or so, using Nikon View NX2
Same jpeg picture, Shadow Protection 100, Brightness -5 or so, using Nikon View NX2

Please be sure to zoom in to see the differences in trees and bushes, and inside the black windows. Looks ok to me, and exactly what I sometimes do with my D600 files. And which was never possible with previous cameras.

Cheers, Gabriel
gabriel,

thanks for a brilliant breakdown of the camera, BY FAR the best review/critique i have read on this site for the Df. i particularly liked the part where u described the possible rationale why 39-point was used instead of 51-point, likely due to its size. if that's true, it makes perfect sense to me.

i still will always contend i don't think there's much of a difference to people who are being photographed with a Dxx vs the Df (see bold quote above). i think it's overall more about the size of the lens more than anything else. i said before, a 70-200mm is going to have the same effect regardless of the camera body, Df et al.

but overall, i really enjoyed this read. well done.
 
A case for Df?

I have been a little intrigued by the Nikon Df. I guess some of you have been too, judging by the combustible debate on this forum and others.

One can be interested for different reasons, I guess. Size. Retro wheels. Retro looks. That D4 sensor.

Me, I was caught mostly by its compactness. But there is one thing I bet you didn't know about the Df:

The Df is not Nikon's smallest and lightest full-frame DSLR.

What?

No, this is the smallest and lightest full-frame DSLR ever, from any manufacturer.
Well, yes and no. Yes when you are very strict with the numbers, no when you aren't. The Canon EOS 6D is equally compact and light.

Df - 6D:

Height 110mm - 110.5 mm. Difference: 0.5mm

Width 143.5mm - 144.5mm. Difference: 1mm

Depth 66.5mm - 71.2mm. Difference: 4.7mm, most of which is because of the more elaborate eyecup design.

Weight 765 grams - 770 grams. Difference: 5 grams.
Most people have not yet realised this - not even the reviewers at DpR. It is even smaller than my Nikon D600. I like that.

Which is best, the Nikon Df or the D600 / D610?

I was surprised by the DpR review because it was mentioned in detail how you can use old manual Nikkor lenses. Like this was a new feature of the Df worth particular mention.

Using mostly old manual focus Nikkor Ai and AiS lenses, the D600 can of course do anything the Df can. If I had any pre-Ai lenses, the Df would be able to use them as well, but I don't. I have a dozen old mechanical Nikkor Ai and AiS and use all the 9 presets in the memory bank.
I am using 5 pre-Ai lenses on my 6D. The Df is not the only one for that...
I assign U1 for manual lenses, because these lenses require a slightly different Auto-ISO setting (slowest allowable shutter speed works differently) I use U2 for VR lenses. These, too, require a slightly different setting than the ones without VR. I love U1 and U2. They never forget. No matter how much you fiddle with your settings, every time you return to U1 or U2, they are unchanged. The Df does not have this feature.

Twin memory cards is very useful, and safe.

The D600 has a built-in flash. The grip feels a little better in my hand.

Movie is fine I guess, but haven't used it.

And I love the D600 sensor.

Autofocus, aperture in live view, shutter speed...

People seem upset that the Nikon Df does not offer the right AF module, or for that matter, an 1/8000 second, or continuous aperture setting in live view.

At that outrageous price point, we have the right to expect something back, don't we? Nikon should know better. Dumbing-down a new camera like that. Just using cheap parts from their parts bin. Greed, that's what it is.

Right?

I am not sure whether anyone (including DpR) has realised that the 51-point AF module of the D800 or D4 takes up a lot more space at the bottom of the camera body than the 39-point module of the Df, or the D600 / D610.

For the very compact Df, the 39-point module is the only option.
Good point, not all AF modules have the same "height". Whether the 51-point AF module is too "high" I can not verify, but it may well be possible. Both the D300 and D700 seemed to need more space under the mirror box.
What, you are probably saying, even the little D7100 has 51-point AF? Yes, and there is a reason for this: Dx cameras have a smaller sensor, smaller shutter module and smaller mirror. This leaves more space under the mirror housing for the big AF modules.
OH, but now I am doubting that again. Yes, APS-C cameras have a smaller sensor. Yes, they have a smaller shutter. Yes, they have smaller mirrors. However. The mirror box is exactly the same size as with an FF camera. And none of the mentioned smaller parts are positioned under the mirror box. The D7100 seems to have the same space for the AF module, so I guess the 51-point module will have fitted just fine, after all.
The same reasoning goes for the aperture control in live view (with G lenses) Nikon's lens bayonet requires a spring-loaded lever on the lens which opens and closes the aperture. In order to move this to correct settings when using live view, a step motor is necessary. There is no room for this in the Df, just like on the D600 / D610.

I don't know about the choice of shutter mechanism in the Df and D610. They are not only slightly slower, but also quieter. What other differences are there? Vibration? Cost? Power consumtion? Or is it simply that they take up less space in a compact body?

Nikon does not issue press releases to explain these things to us. Instead, the internet forums fills with steamed up voices.

Is the AF system capable enough?

I can only speak for the D600, which for all I know is identical to the Df. Personally, I use the centrepoint, focus and recompose. The AF is excellent and finds focus quickly and accurately in all situations, including near-complete darkness.

I don't use the AF assist lamp, I find it disturbing. You cannot aim that towards someone in a dark room.

For other shooters, the 51-point module would have been better. If there was room for it. But there are other options for these people, bigger cameras.

Manual Controls

The exposure compensation wheel is a thing I would have liked to see on any camera. I find the lock ok. You can turn it with three fingers, the index pressing the lock, the thumb and next finger turning the dial.

A manual wheel for ISO is less motivated in my book. I use auto ISO, which is brilliant on the newest Nikons (do you know how it has changed from the D3, D300 or D700?). Turning Auto ISO on or off by a simple switch would be good, though, when I occasionally wish to use a tripod and longer shutter speeds.

I guess the Df is targeted at people who shoot with all manual settings. For somebody who wishes to set ISO, shutter speed and aperture manually, it seems reasonably well laid out.

If this is the case, in the interest of logical consequence, the kit lens should have had an aperture ring. If it did, I would have bought one to replace my 50/1.8G.
That would mean a serious redesign of the lens, making it expensive. But I guess the higher price of the Df should cover for that... They should have just offered the 50mm f1.4 Ai-S as kit lens, but I guess they do not want to ramp up the production of that lens.
Using Nikkor Ai or AiS lenses (or AF / AF-D lenses), this is the one manual control I need more than anything. The aperture ring. But, as you know, this particular ring happens to sit on the lens so no need to buy another body for that. (I mostly use 'A' setting)

Viewfinder

The viewfinder of my D600 is ok for manual focusing, and the Df, just like the D800, is identical. The size, that is. The Df may have a subtly different screen, nobody seems to know exactly. I have not seen any difference.

However, these viewfinders are not like my old F2, FA or FE/FM finders - the newer FX finders are considerably smaller. I have checked. Combined with a screen which is not really optimal for manually focusing bright lenses, the new finders are far from perfect.

Many have pointed out that Nikon should have provided interchangeable screens for the Df. I am sorry to say, this is really a stupid omission on their part. They would even have made money selling these screens. Hopefully they will realise this and offer to change screens at their service centres at a later date.
The problem is the LCD in the view finder, which makes it difficult to also do interchangeable focus screens. For the same reason the Canon 5D mk III does not offer the interchangeable screens the 5D and 5D mk II offered. I am happy my 6D does, it helps a lot with judging focus with my Nikkor 55mm f1.2, Canon FL 55mm f1.2 and Nikkor 85mm f1.8 (among others).
The remedy?

First, install a DK-17 magnifier. The Df is ready for it. It can even be done on the D600 / D610 (if someone politely asks, I can show you how). Some lenses are more difficult to focus than others. For example, I had huge difficulties focusing my 24/2,0 AiS until I got the magnifier for my D600.

Secondly, there are alternative screens for the D600 / D610, same as the D800. I am sure these can be fitted in the Df as well. Although you may opt to have a camera technician do it for you and it may void your warranty, at least partly.

Design

People (men) who drive huge trucks, well-fed, with fat wallets, using a D4 with the Holy Trinity (plus maybe a couple of 'the big guns') will probably not understand this:

Sometimes small and unassuming is the key to getting a photo. There are 130 facial muscles, and we can differ between thousands of expressions. Whenever we haul up a big camera and aim that huge lens at them, our motif is gone, in fact our reason for taking a photo in the first place is no longer there. The person freezes.

This is the most attractive thing about the Nikon Df, I think, apart from size and weight. The Nikon Df is the most unassuming full frame DSLR ever. It looks a little like the old camera your dad used for his Kodachrome. Well done, Nikon.

In reality, it is not so small. But if used with two hands, supporting a small lens with the palm of your left hand, it is fine to use.

Build Quality

In their review, DpR (and, I am sure, a few others) came to one particularly remarkable conclusion.

Reviewers have a difficult task. If you want to review a performance at the opera, you would be better off to know something about opera. A reviewer needs to know something, and show respect for what he or she doesn't fully understand.

I believe I have a balanced idea about the Nikon Df, I am not a fan, probably not buying one, but I find this part of DpR's review pathetic.

If someone thinks he can judge the "build quality" of a camera (how do you define that?) put together from thousands of precision-made metal parts, glass, composites and amazingly complex electronics by holding it and turning a few knobs, he has surely missed something very fundamental.

Ming Thein even had the nerve to question if the chrome version was in fact made from chromed plastic.

What is the possible explanation? I can only guess:

- At a distance, the Df looks like it would be rather small

- In your hand, it surprisingly turns out to be bigger than you thought

- Still, rather light weight

- Must be more or less empty inside

- I know nothing about the technology behind camera making but I have the right to trust my feelings, and it feels hollow. Cheap.

I am sure that the Df, just like the D600 / D610, is extremely well made. There are a lot of contemtuous remarks about the D610 or Df or D7100 cameras being 'prosumer'. Maybe they should have been made of cast iron instead of magnesium alloy and composite, and they would have instilled the respect they deserve.

Image quality

I don't own a Df but I was curious whether its jpegs are as good, clean and malleable as those from my D600. If they are, I may perhaps get a Df sometime.

I realise this forum is (mostly) inhabited by people who believe very seriously in doing things by the book, like using Manual, shooting raw and processing every picture in the latest version of the preferred software. Pictures are often judged by their histogram and pixel sharpness, not by visual impact. Please allow me challenge you.

Thing is, I shoot jpeg exclusively with my D600. With previous cameras like the D40, D90, D7000 or D700 I had to use RAW, at least sometimes. This all changed with the D600. I doubt I could get RAW look as good as jpegs from the D600.

At the same time, I get ADL (great!), near-perfect and automatic control of contrast, colours and sharpening, high ISO noise, correction of CA, distortion, vignetting, HDR... what did I miss? I don't spend any time at my computer other than for sorting pictures, and perhaps cropping.

Still, sometimes a picture comes out with less than perfect light and clarity. This, too, can be fixed with the D600 jpegs. So how about the Df? If the Df jpegs cannot be tweaked, I would never buy one.

This is one of the sample shots from DpR, with shadows lifted. I hope I am not bending any rules by using this picture as a test bench. The software I used? Well, one of the best turns out to be Nikon View NX2 (yes, the free software that comes with your camera). LR5 is just as good, and better at highlight recovery, but has other drawbacks, so I use View.

From DpR, jpeg sooc. Df + AF Nikkor 35mm f/2D, 1/125s, F8, ISO 400
From DpR, jpeg sooc. Df + AF Nikkor 35mm f/2D, 1/125s, F8, ISO 400

Same jpeg picture, Shadow Protection 100, Brightness -5 or so, using Nikon View NX2
Same jpeg picture, Shadow Protection 100, Brightness -5 or so, using Nikon View NX2

Please be sure to zoom in to see the differences in trees and bushes, and inside the black windows. Looks ok to me, and exactly what I sometimes do with my D600 files. And which was never possible with previous cameras.

Cheers, Gabriel
 
I don't know, and don't doubt, that they would be differently sized, but I don't think that the smaller D7100 sensor leaves any more room to accommodate one than a D600/D610. Not the way Nikon uses the F mount - where all the physical distances are kept the same in DX as the are for FX. The mirror distance, flange distance, pentaprism distance, and very likely AF module distance are all fixed in relation to the mount throat and sensor plane (the register). Space would have to be the same, and indeed a D7000 (39pt) and a D7100 (51pt) use essentially the same chassis.

I could be wrong too, I've never cut open my D7000, and I don't own a D7100.

However, the only parameter I'm really interested in is the low light capability of the AF module. What sort of light will cause it to hunt, and what sort of light will cause it to give up entirely? My D800 can get shots where the D7000 ultimately gives up. Nikon claims that the Multicam 4800FX module is improved over the Multicam 4800DX module - notably in low light acquisition, but reviews seem decidedly mixed. DPR's own review says that the Df starts to struggle in light as bright as 4 to 5ev, which is no where near the -1ev rating Nikon gives.

Others seem quite happy with D600/D610 low ev autofocus and find it improved over the D7000. Curious about what you think.
 
I am using 5 pre-Ai lenses on my 6D. The Df is not the only one for that...
Care to share what adapter you are using with your F-mount lenses?

I'm considering mounting some manual Zeiss, Nikon & Voigtländer lenses on a Canon DSLR, any input from your experience would be appreciated, should you wish to share.
 
I am using 5 pre-Ai lenses on my 6D. The Df is not the only one for that...
Care to share what adapter you are using with your F-mount lenses?
I am using a cheap one with simple focus confirmation chip mainly, I also have one with an EMF chip which I can set the correct max. aperture on (not too interesting, unless one shoots mainly wide open). The latter one is too thin, so lenses focus past infinity. Not too much of a problem, but a bit careless and makes the distance scale pointless.

I am about to order this one, which seems to have the right thickness, especially for my Nikkor-S•C 55mm f1.2:

I'm considering mounting some manual Zeiss, Nikon & Voigtländer lenses on a Canon DSLR, any input from your experience would be appreciated, should you wish to share.
Well, I am enjoying the Eg-S "super precision" focus screen for the manual focus lenses. It works pretty well (of course, dark view finder with small aperture lenses in lower light conditions).

Currently I use the following MF lenses on the 6D: Voigtländer 20mm f3.5 SL II, Nikkor-H 50mm f2, micro-Nikkor AUTO 55mm f3.5, Nikkor-S•C 55mm f1.2, Canon FL 55m f1.2, Nikkor-H 85mm f1.8, Nikkor-Q 135mm f3.5, Old Delft 140mm f1.8 and Tamron SP 500mm f8.

Focus confirmation is more precise on some lenses than on others, depends on certain aberrations. The 55mm f1.2 is pretty precise, the 85mm f1.8 spot on. The 50mm f2 a little bit of a gamble (but the Eg-S focus screen helps out more than enough).

Sorry OP to get more off-topic, hope you don't mind (answering JF69).
 
Autofocus, aperture in live view, shutter speed...

People seem upset that the Nikon Df does not offer the right AF module, or for that matter, an 1/8000 second, or continuous aperture setting in live view.

At that outrageous price point, we have the right to expect something back, don't we? Nikon should know better. Dumbing-down a new camera like that. Just using cheap parts from their parts bin. Greed, that's what it is.

Right?

I am not sure whether anyone (including DpR) has realised that the 51-point AF module of the D800 or D4 takes up a lot more space at the bottom of the camera body than the 39-point module of the Df, or the D600 / D610.

For the very compact Df, the 39-point module is the only option.
Good point, not all AF modules have the same "height". Whether the 51-point AF module is too "high" I can not verify, but it may well be possible. Both the D300 and D700 seemed to need more space under the mirror box.
What, you are probably saying, even the little D7100 has 51-point AF? Yes, and there is a reason for this: Dx cameras have a smaller sensor, smaller shutter module and smaller mirror. This leaves more space under the mirror housing for the big AF modules.
OH, but now I am doubting that again. Yes, APS-C cameras have a smaller sensor. Yes, they have a smaller shutter. Yes, they have smaller mirrors. However. The mirror box is exactly the same size as with an FF camera. And none of the mentioned smaller parts are positioned under the mirror box. The D7100 seems to have the same space for the AF module, so I guess the 51-point module will have fitted just fine, after all.
The same reasoning goes for the aperture control in live view (with G lenses) Nikon's lens bayonet requires a spring-loaded lever on the lens which opens and closes the aperture. In order to move this to correct settings when using live view, a step motor is necessary. There is no room for this in the Df, just like on the D600 / D610.

I don't know about the choice of shutter mechanism in the Df and D610. They are not only slightly slower, but also quieter. What other differences are there? Vibration? Cost? Power consumtion? Or is it simply that they take up less space in a compact body?

Nikon does not issue press releases to explain these things to us. Instead, the internet forums fills with steamed up voices.
Hi Brightcolours,

The lens mount sits a little higher in the D7100 and no, the mirror box not the same size. The mirror box is smaller than in the D600 and the available space below is around 5 mm higher in the D7100.

In the Df, the available space is even smaller. See picture below, taken from Camera Size. You can compare to other bodies as well, like the D800. Link here: http://camerasize.com/compare/#440,495

I appreciate your comments about lenses and viewfinder screens. I am aware that you are using Nikkor Ai lenses with an adapter for Canon mount, as you have pointed out numerous times before. I am sure that you are happy with this combination even if you miss some functionality.

But, please, can I suggest that we do not turn this thread into another canon vs nikon thread? We have had quite a number of those.



5a20f4f6593c4eccae59a55772cea769.jpg
 
Well, I am enjoying the Eg-S "super precision" focus screen for the manual focus lenses. It works pretty well (of course, dark view finder with small aperture lenses in lower light conditions).
Sorry OP to get more off-topic, hope you don't mind (answering JF69).
No, that little detour is ok, so far. Just hoping we could start a more serious thread, trying to analyse and understand the Nikon Df, and its siblings.

And I am interested to note that you, like others, are using the Eg-S screen. This is one of the screens that can be used for the D600 / D610, the D800, and likely the Df.

Please feel free to comment on my first post, everyone.

Gabriel
 
Good OP post. I would like to add some more points.

Some of the heaviest criticism is about the price for what you get with the Df.

*The Df is made in Japan hence will cost a lot more to make than in Thailand.

*Is made for a niche market and not intended to be a replacement for current models or to be a big seller.

*Most Japanese manufacturers now outsource their bread and butter product lines to cheaper manufacturing countries whilst retaining home manufacture of their premium products. To justify keeping home manufacture a higher emphasis is placed on high quality manufacture.

* Bjorn Rorslett and a Nikon Norway head technician have partially disassembled the Df and report manufacture and materials of the highest quality.

I can relate to this. I said this in a previous post. My business uses many tools from a Japanese manufacturer which makes tools in Japan and China. The Chinese tools are very good and can cost as half as much as comparable Japanese made tools. Components, design and performance is essentially similar and outwardly appear of similar quality but shortcuts are made. Time and heavy use however eventually exposes the Chinese product weaknesses. They just don't last as well as the premium Japanese tools.
 
The Df is not Nikon's smallest and lightest full-frame DSLR.

What?

No, this is the smallest and lightest full-frame DSLR ever, from any manufacturer.
Maybe full frame DSLR, but some would also look at this:

http://camerasize.com/compare/#495,487

The Sony A7, which is a full frame, is MUCH smaller full frame camera, even if it isn't a DSLR. But it is full frame and has removable lenses, and a viewfinder....

--

= John
 
Hi Brightcolours,
The lens mount sits a little higher in the D7100 and no, the mirror box not the same size. The mirror box is smaller than in the D600 and the available space below is around 5 mm higher in the D7100.
I must be looking wrong, to me the bottom (and top) on the mirror box look the same... Also the amount of space between the mount ring and the bottom of the camera look very similar.
In the Df, the available space is even smaller. See picture below, taken from Camera Size. You can compare to other bodies as well, like the D800. Link here: http://camerasize.com/compare/#440,495

I appreciate your comments about lenses and viewfinder screens. I am aware that you are using Nikkor Ai lenses with an adapter for Canon mount, as you have pointed out numerous times before. I am sure that you are happy with this combination even if you miss some functionality.
Yes, no automatic aperture in my set up, so with smaller apertures one has to close the aperture before taking the image.
But, please, can I suggest that we do not turn this thread into another canon vs nikon thread? We have had quite a number of those.
I wasn't trying to make it a 6D vs Df thread, I merely wanted to point out that for all intends and purposes the Df and 6D are similar in size and weight :) .
 
I don't know, and don't doubt, that they would be differently sized, but I don't think that the smaller D7100 sensor leaves any more room to accommodate one than a D600/D610. Not the way Nikon uses the F mount - where all the physical distances are kept the same in DX as the are for FX. The mirror distance, flange distance, pentaprism distance, and very likely AF module distance are all fixed in relation to the mount throat and sensor plane (the register). Space would have to be the same, and indeed a D7000 (39pt) and a D7100 (51pt) use essentially the same chassis.

I could be wrong too, I've never cut open my D7000, and I don't own a D7100.

However, the only parameter I'm really interested in is the low light capability of the AF module. What sort of light will cause it to hunt, and what sort of light will cause it to give up entirely? My D800 can get shots where the D7000 ultimately gives up. Nikon claims that the Multicam 4800FX module is improved over the Multicam 4800DX module - notably in low light acquisition, but reviews seem decidedly mixed. DPR's own review says that the Df starts to struggle in light as bright as 4 to 5ev, which is no where near the -1ev rating Nikon gives.

Others seem quite happy with D600/D610 low ev autofocus and find it improved over the D7000. Curious about what you think.
I read this too, and was rather astounded by the sloppy writing in parts of the review. This was one of them...

The Autofocus section on page 11 first tries to imply that Nikon uses the 4800FX module in the Df for money-saving purposes, and then goes on to claim that this module, which is specified down to -1EV, starts hunting around 4,5EV.

Like all AF modules, the 4800FX has different sensitivities to light in different parts of the sensor area - more senstive in the middle, around the centre point. It is all described in the manual.

DpR does not specify how they made the Df start hunting but it is not difficult. Just use the outer points, which you are not supposed to use, in a dark room. But by doing so, you reveal a certain lack of knowledge about the camera you are 'testing'.

Like you, I have noted that other reviewers have not been able to make the Df stumble. My D600, which uses the same AF module, is impressive in the dark.

Gabriel
 
thanks for a brilliant breakdown of the camera, BY FAR the best review/critique i have read on this site for the Df. i particularly liked the part where u described the possible rationale why 39-point was used instead of 51-point, likely due to its size. if that's true, it makes perfect sense to me.

i still will always contend i don't think there's much of a difference to people who are being photographed with a Dxx vs the Df (see bold quote above). i think it's overall more about the size of the lens more than anything else. i said before, a 70-200mm is going to have the same effect regardless of the camera body, Df et al.

but overall, i really enjoyed this read. well done.
Thank you dread tai for your comment,

this is valuable for me - whenever you present more or less new points of view, feedback becomes important!

As to the size differences, I agree, in some cases. A big lens, like your 70-200 f/2.8, with its lens hood mounted, will pretty much hide the camera behind it when it is pointed towards a subject. But most often the camera is very visible, and there is a great difference in how you perceive, for example, a D4 and a Df.

Add to this, if you choose to use a Df with small lenses - for portraits, say a little 85mm or 105mm f/2.5 - the whole package will be perceived as a very harmless thing. Using such small lenses on a D4 will not create the same effect, unfortunately.

again, thanks /Gabriel
 
Good OP post. I would like to add some more points.

Some of the heaviest criticism is about the price for what you get with the Df.

*The Df is made in Japan hence will cost a lot more to make than in Thailand.

*Is made for a niche market and not intended to be a replacement for current models or to be a big seller.

*Most Japanese manufacturers now outsource their bread and butter product lines to cheaper manufacturing countries whilst retaining home manufacture of their premium products. To justify keeping home manufacture a higher emphasis is placed on high quality manufacture.

* Bjorn Rorslett and a Nikon Norway head technician have partially disassembled the Df and report manufacture and materials of the highest quality.

I can relate to this. I said this in a previous post. My business uses many tools from a Japanese manufacturer which makes tools in Japan and China. The Chinese tools are very good and can cost as half as much as comparable Japanese made tools. Components, design and performance is essentially similar and outwardly appear of similar quality but shortcuts are made. Time and heavy use however eventually exposes the Chinese product weaknesses. They just don't last as well as the premium Japanese tools.
Thank you chooflaki for your post.

I agree entirely. Production cost can not reasonably have been a high priority when the Df was conceived at Nikon. There is no way that the Df could be cheap to produce, being built in relatively small numbers in Sendai. This is an expensive niche product, and will remain so.

Then again, I worry about the profits for camera companies all the time. Nikon, just like Sony and Pentax and Fujifilm and Olympus and others, try their utmost in offering something new, amazing, innovative or just generally very good, and developing new products takes a huge toll on finances.

Then the new products are proudly introduced, and the nagging and ranting and sarcasm starts on forums such as this one. It is really pathetic, and the camera companies are all suffering badly. In the end, a few of them will surely go down. And we, the consumers, will suffer because development of new cameras and lenses will stall.

I think forum members have a responsibility. We may not be potential buyers for every product, but I think that such effort on the camera companies' side commands a civil behaviour, and a lot of respect.

Gabriel
 
The Df is not Nikon's smallest and lightest full-frame DSLR.

What?

No, this is the smallest and lightest full-frame DSLR ever, from any manufacturer.
Maybe full frame DSLR, but some would also look at this:

http://camerasize.com/compare/#495,487

The Sony A7, which is a full frame, is MUCH smaller full frame camera, even if it isn't a DSLR. But it is full frame and has removable lenses, and a viewfinder....

--

= John
http://www.laninga.com
http://www.flickr.com/photos/laninga/sets/
Thank you for your point John,

the Sony A7 is really amazingly small for a full frame camera.

However, I am sure you realise that it is a mirrorless camera, with a corresponding short distance between mounting flange and sensor, no mirror, no pentaprism.

Nevertheless, it is going to be an interesting camera once there is a choice of reasonably priced lenses on the market. Until then, a more complete Sony A7 system will be very attractive, with somewhat limited use perhaps, and rather expensive.

Gabriel
 
I think Nikon 'might' cook the numbers a little when it comes to stating AF performance. You look for a central target with enough contrast and even in low light the module may manage to get the shot. I use this trick often with my D7000. However, side-by-side with the D800 there's no contest. The Multicam 3500 unit, even on older D700s, is more sensitive in challenging low-light, low contrast scenarios, and is more so across a greater area of the frame.

Maybe, what testers are reporting is influenced by their own use? For example, many people are doing well enough shooting indoor sports or stages, where there are usually an abundance of brightly coloured, high contrast patterns (ie, uniforms and costumes) to lock on to.

I don't think DPReview would intentionally skew their results, they may simply have been testing in relatively low contrast scenarios where the camera gives up sooner.

It would be interesting to put a series of Nikon Multicam 3500 models, and Multicam 4800DX and FX models side by side in a controlled test with the exact same lighting and targets, and then turn down the brightness and measure the point at which each camera/AF unit begins to hunt, and ultimately fails.

My cursory guess, based only on models I have used, including D300, D700, D3, D800, D7000, and D600, is that AF performance of all Multicam 4800 models, including DX and FX are relatively similar, with perhaps a small edge to FX, but none of them quite as good as even older generation Multicam 3500 units, notwithstanding Nikon's published specs.

In increasing order of performance I would guess that:

D7000 ~ D600/D610/Df < D300 ~ D700† < D3/D3s/D3x* < D800/D7100 < D4*

† At times the D700 seemed to me just a little surer than the D300, but not anything I ever saw quantified. Maybe a similar parallel to what folks see with the D7000 to D600 comparison?

* There is some inkling that perhaps the vertical grip FX bodies, despite having the same modules are more responsive.
 
I think Nikon 'might' cook the numbers a little when it comes to stating AF performance. You look for a central target with enough contrast and even in low light the module may manage to get the shot. I use this trick often with my D7000. However, side-by-side with the D800 there's no contest. The Multicam 3500 unit, even on older D700s, is more sensitive in challenging low-light, low contrast scenarios, and is more so across a greater area of the frame.

Maybe, what testers are reporting is influenced by their own use? For example, many people are doing well enough shooting indoor sports or stages, where there are usually an abundance of brightly coloured, high contrast patterns (ie, uniforms and costumes) to lock on to.

I don't think DPReview would intentionally skew their results, they may simply have been testing in relatively low contrast scenarios where the camera gives up sooner.

It would be interesting to put a series of Nikon Multicam 3500 models, and Multicam 4800DX and FX models side by side in a controlled test with the exact same lighting and targets, and then turn down the brightness and measure the point at which each camera/AF unit begins to hunt, and ultimately fails.

My cursory guess, based only on models I have used, including D300, D700, D3, D800, D7000, and D600, is that AF performance of all Multicam 4800 models, including DX and FX are relatively similar, with perhaps a small edge to FX, but none of them quite as good as even older generation Multicam 3500 units, notwithstanding Nikon's published specs.

In increasing order of performance I would guess that:

D7000 ~ D600/D610/Df < D300 ~ D700† < D3/D3s/D3x* < D800/D7100 < D4*

† At times the D700 seemed to me just a little surer than the D300, but not anything I ever saw quantified. Maybe a similar parallel to what folks see with the D7000 to D600 comparison?

* There is some inkling that perhaps the vertical grip FX bodies, despite having the same modules are more responsive.
Matsu,

Intentionally skewing... - I hope you are right! But considering other wordings in DpR's preview ('silly') and review, why not?

you may be right concerning your list, basically. In low light the D600, in my experience, is a big improvement over the D7000. And I am sure the D800 and D4 are even more sensitive and responsive than the D600 / D610.

Still, many people claim the D600/D610 is more responsive than the D300 & D700 so it might well be that the list should be shuffled around a little.

Testing would of course be interesting, out of pure technical curiosity. For bird or sports or event shooters, the AF module may be a significant factor in choosing your camera. But of course, testing would arrive at different results depending on what you are looking for - low light sensitivity in the central area, low light sensitivity in the periphery, AF coverage, tracking or what?

But (please excuse my repeting this) for my kind of casual shooting, the D600 has a very impressive AF performance and will not go hunting in the dark.

Gabriel
 
637e028f5352495081492ee54d5b559a.jpg

This is mashy, posterized, and unnatural light distribution.

--
http://www.libraw.org/
Dear Iliah,

* Mushy, yes, absolutely. But please take a look at the original - a slightly underexposed rendering of bushes and trees at dusk, shot against the clear sky in the west, just after sunset. Is it more or less mushy than the original, do you think?

* Posterized, I did not notice. Where do you see this effect?

* Unnatural light - yes, I guess it is. I am not a fan of 'pseudo-HDR' effects, but that is essentially what you get when you take a sunset picture and lift the shadows. I used this picture as a test bench and picked it because it seemed to to be the one with the deepest shadows in DpR's gallery.

(On the subject of HDRs, I probably agree with you, but whether one likes this effect or not is purely a matter of personal taste. But, to its defence, perhaps you would agree that the adjusted jpeg has a little more 'pop' than the original?)



But please stop for a while and consider this:

You have more than 15000 posts on this forum. I am sure you have seen more or less everything worth seeing. Right?

First, before going too deep in the shortcomings of this particular image, please stop and consider the 'bigger picture'. This is not a 18 Mb RAW, adjusted in a state-of-art software. It started as a jpeg, and after a 5-second tweak in Nikon View NX2 it is still a jpeg.

- Now, how many times have you actually seen a jpeg converted into a very different jpg, with shadows lifted a couple of stops?

- How many cameras do you think offer this possibility?

- Can you do this with a Canon FF ? / a DX camera ? / a compact camera ? / previous generation Nikon FX cameras ?

- How is this tweak affected by initial settings - exposure, ISO, ADL?

- Can this simple tweak be used to create a usable picture?

- Can you do it with any software?

I enclose the original again, below.

d29d627b58b34e8e85378bd52d2e9bda.jpg

Best, Gabriel
 
please take a look at the original
I looked. It is a boring, poorly composed and exposed photo, a snapshot, absolutely not something I would be using as an example, and especially not as a starting point to show how good are jpegs for processing. As far as processing you suggested, yes, I know Nikon View shortcuts. Result is - extreme noise, awkward colour, and voids in shadows brought to visibility. Photoshop is the better tool by far. Even better, if it starts with a proper shot.
 

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