enzoshadow
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Pretty cool !
Eric,Thanks! I don't have the 19mm any more. If you look through the lens with both caps off you should be able to see where the image is being blocked first (look through the front or back straight through, then start rotating it off to one side).
On the Sigma 60mm I was able to expand the image circle significantly by removing the rear baffle (flare performance will probably be much worse now, but haven't tested). Just 3 small screws hold in the baffle on that lens.
The remaining issue with the 60mm is actually the plastic holder for the rear element group. It could maybe be modified to get even more image circle. A small update to the 60mm from Sigma would probably let it work full frame. I don't think it would take them much R&D money.
Eric
+1 as mine is coming in the morning. And you see my testing with 19 and 30 without the baffle hopefully in the weekend. If not, sometime early next week.Pretty cool !
What you are seeing (black circle), is most likely the rear baffle. I would think that the sigma 19mm actually covers the whole FF sensor. Could you or anyone else validate that hypothesis ? I just unscrewed the three screws on my Sigma 19mm for testing - trivial effort and the baffle certainly is a physical obstruction.
If that really works, that would strongly influence my A7(R) buying decision ...
(and not just mine i think)
Thanks !!!
Murx
There isn't a rear baffle on my Sigma 19 mm ?

You might not get 30mm, but a crop to remove the vignetting would probably give you about the FOV of a 35mm with maybe about 85-90% of the pixels intact. That's not too bad for a f2.8 lens a lot of people only paid $99 for. You could always buy the $800 FE 35mm f2.8 to get all the pixels.Huh -
I need a "translate google-translate function" ;-)
For the sigma 30 mm i think the answer is - "better -- but not good enough .. ?"
My problem is that I already ordered the $800 FE 35mm f/2.8. And the lens and the A7 is coming this morning if the UPS driver is on time; otherwise, it is no delivery as I have to leave for work and lunch appointment. I will report back how it goes. If I can use my best value Sigma 30mm f/2.8 to 90%, I will likely think about saving that $800 and replace it with something cheap as in a $300 with manual focus as an interim solution until Sigma react with a true FE lens.You might not get 30mm, but a crop to remove the vignetting would probably give you about the FOV of a 35mm with maybe about 85-90% of the pixels intact. That's not too bad for a f2.8 lens a lot of people only paid $99 for. You could always buy the $800 FE 35mm f2.8 to get all the pixels.Huh -
I need a "translate google-translate function" ;-)
For the sigma 30 mm i think the answer is - "better -- but not good enough .. ?"
Thank you
Russell
Advice: shoot 16:9 with the sigma 30 (sans baffle), buy a CZJ Flektogon 2.4/35 or a Distagon 28/2.8 for MF, throw a party with the rest of the money.My problem is that I already ordered the $800 FE 35mm f/2.8. And the lens and the A7 is coming this morning if the UPS driver is on time; otherwise, it is no delivery as I have to leave for work and lunch appointment. I will report back how it goes. If I can use my best value Sigma 30mm f/2.8 to 90%, I will likely think about saving that $800 and replace it with something cheap as in a $300 with manual focus as an interim solution until Sigma react with a true FE lens.
Big Cheers, (I have +1 liking on all people who helps in this thread)
Hin
I have downloaded an example from the link shown above & then applied some Vignetting/perspective/colour correction to show what can be achieved . The photo was shot using Sigma 30mm on A7 camera at F8.0 - the back baffle had been removed.Hin Man said:http://www.dchome.net/forum.php?mod=viewthread&tid=1234863&extra=page=1
The comment #10 have a bunch of shots with the removal of the baffle. Looks promising in f/2.8 to f/8.0, the severe vignette happen in f/22 in the sample. f/5.6 is good to use for most cases -- I think. But I can't tell until more tests come.
Great work, it is very promising. I wish I have my A7 and I will be all over it as it is in my best interest that a good series of 19/30/60 with the art series can work like 90% in FF with some loss of detail on the corner. I don't mind as I want a solution until Sigma or other great companies staff up the FE mount like the E mount. I will keep my FE 35mm f/2.8 that I order but I don't like the full pricing of $800 a piece. With a $800 pricing, I expect something as in FE 35mm f/2.0. And I don't need OSS in a 35mm with fast speed. I need AF though; otherwise, I would have gone to Voiglander 35mm f/1.4 or something similar in the $600 range.I have downloaded an example from the link shown above & then applied some Vignetting/perspective/colour correction to show what can be achieved . The photo was shot using Sigma 30mm on A7 camera at F8.0http://www.dchome.net/forum.php?mod=viewthread&tid=1234863&extra=page=1
The comment #10 have a bunch of shots with the removal of the baffle. Looks promising in f/2.8 to f/8.0, the severe vignette happen in f/22 in the sample. f/5.6 is good to use for most cases -- I think. But I can't tell until more tests come.
F 8.0 original from dchrome.net link
some correction applied as described above ,still with slight hint of Vignetting but which would be unnoticeable in many shots ?