Mel Snyder
Senior Member
You step inside this church and are overwhelmed by the intricate beauty of a building first constructed in 1015, repeatedly destroyed (once made into a mosque) and rebuilt in a cornucopia of architectural styles. Named after King Matthias, it was the site of the coronation of the last Habsburg king, Charles IV.
I love church, synagogue and mosque architecture, because invariably, they each reflect the aspirations of citizens maintained over extended periods - more than 1000 years in the case of St. John the Divine in New York City, nearly 1000 years in some European cities.
These are some of the images I made with a variety of lenses on my NEX-6, all handheld despite the fact that, except for pin spots, it's really pretty dark. We entered at dusk when the exterior and windows are lit largely by the many artificial lights shown on the last image in the series.

The altar, shot with the 55-210
[ATTACH alt="A 180 degree image from a balcony, with the Rokinon 8mm, corrected in Photoshop Elements with the Image Trends "Hemi" plug-in"]317409[/ATTACH]
A 180 degree image from a balcony, with the Rokinon 8mm, corrected in Photoshop Elements with the Image Trends "Hemi" plug-in
[ATTACH alt="For all the criticism of the 55-210 being "dark" and "soft," I was very pleased with its performance, thanks to its excellent OSS, which let me shoot at f8 @1/25th all the way across the church to capture this image."]317410[/ATTACH]
For all the criticism of the 55-210 being "dark" and "soft," I was very pleased with its performance, thanks to its excellent OSS, which let me shoot at f8 @1/25th all the way across the church to capture this image.

A cropped (about 150-degree) image shot with the Rokinon, corrected in Lightroom for the fact that I tipped the lens up to capture more of the ceiling and less of the floor
[ATTACH alt="One of the most successful verticals shot with the Rokinon - rotated 90 degrees in Photoshop, corrected with Image Trends "Hemi" plug-in, then rotated back."]317412[/ATTACH]
One of the most successful verticals shot with the Rokinon - rotated 90 degrees in Photoshop, corrected with Image Trends "Hemi" plug-in, then rotated back.

Shot with the 16mm f2.8 and UWA - of the more than 8,000 shots over my 3 week trip, at least a third were shot with this combination

Shot by pushing the NEX-6 and Rokinon through a metal grate, to get a full 180 degree view

Another less-than-180 Rokinon shot, after correcting for vertical issues in Photoshop

Just could not get the NEX-6/Rokinon high enough to make a fully correctable image, but hey, it shows the detail I wanted to capture and remember.
[ATTACH alt="My "walk in and shoot" image - first one into the church. I always preset my camera )16mm + UWA, usually ISO 1600) for the worst-case scenario - some petit fonctionnaire appears to tell me "no photos!." As in this case, such shots are rarely my best or sharpest, but at least a sweeping take of the interior."]317418[/ATTACH]
My "walk in and shoot" image - first one into the church. I always preset my camera )16mm + UWA, usually ISO 1600) for the worst-case scenario - some petit fonctionnaire appears to tell me "no photos!." As in this case, such shots are rarely my best or sharpest, but at least a sweeping take of the interior.
I hope you enjoy these images - if you haven't visited it, put it on your bucket list. Not quite up to Prague, which is in a class of its own.
I love church, synagogue and mosque architecture, because invariably, they each reflect the aspirations of citizens maintained over extended periods - more than 1000 years in the case of St. John the Divine in New York City, nearly 1000 years in some European cities.
These are some of the images I made with a variety of lenses on my NEX-6, all handheld despite the fact that, except for pin spots, it's really pretty dark. We entered at dusk when the exterior and windows are lit largely by the many artificial lights shown on the last image in the series.

The altar, shot with the 55-210
[ATTACH alt="A 180 degree image from a balcony, with the Rokinon 8mm, corrected in Photoshop Elements with the Image Trends "Hemi" plug-in"]317409[/ATTACH]
A 180 degree image from a balcony, with the Rokinon 8mm, corrected in Photoshop Elements with the Image Trends "Hemi" plug-in
[ATTACH alt="For all the criticism of the 55-210 being "dark" and "soft," I was very pleased with its performance, thanks to its excellent OSS, which let me shoot at f8 @1/25th all the way across the church to capture this image."]317410[/ATTACH]
For all the criticism of the 55-210 being "dark" and "soft," I was very pleased with its performance, thanks to its excellent OSS, which let me shoot at f8 @1/25th all the way across the church to capture this image.

A cropped (about 150-degree) image shot with the Rokinon, corrected in Lightroom for the fact that I tipped the lens up to capture more of the ceiling and less of the floor
[ATTACH alt="One of the most successful verticals shot with the Rokinon - rotated 90 degrees in Photoshop, corrected with Image Trends "Hemi" plug-in, then rotated back."]317412[/ATTACH]
One of the most successful verticals shot with the Rokinon - rotated 90 degrees in Photoshop, corrected with Image Trends "Hemi" plug-in, then rotated back.

Shot with the 16mm f2.8 and UWA - of the more than 8,000 shots over my 3 week trip, at least a third were shot with this combination

Shot by pushing the NEX-6 and Rokinon through a metal grate, to get a full 180 degree view

Another less-than-180 Rokinon shot, after correcting for vertical issues in Photoshop

Just could not get the NEX-6/Rokinon high enough to make a fully correctable image, but hey, it shows the detail I wanted to capture and remember.
[ATTACH alt="My "walk in and shoot" image - first one into the church. I always preset my camera )16mm + UWA, usually ISO 1600) for the worst-case scenario - some petit fonctionnaire appears to tell me "no photos!." As in this case, such shots are rarely my best or sharpest, but at least a sweeping take of the interior."]317418[/ATTACH]
My "walk in and shoot" image - first one into the church. I always preset my camera )16mm + UWA, usually ISO 1600) for the worst-case scenario - some petit fonctionnaire appears to tell me "no photos!." As in this case, such shots are rarely my best or sharpest, but at least a sweeping take of the interior.
I hope you enjoy these images - if you haven't visited it, put it on your bucket list. Not quite up to Prague, which is in a class of its own.
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