Hen3ry wrote:
This stuff is voodoo science.
There's a lot of voodoo, prejudice, non-science, sweeping generalizations and joking going on here. I can provide a decent gloss on a good part of the science.
PROVIDED ONE USES THE SAME SENSOR TECHNOLOGY, you should get around 4 times the number of photons as an upper limit in each cell of the sensor, given the same number of cells (resolution) on a base that is 2X bigger. Saturation number of photons is just proportional to the volume of the cell; the 4 comes from: same depth (from "same technology" assumption), one factor of two for each of "height" and "width" of the cell).
The "shot noise" (random variation just from the fact that sampling a constant but random stream of photons) goes as the square root of the number of photons in the sample. (Easy stats, but I won't explain.) So, a 4x increase in sample size that goes along with the larger size of a full-size sensor results in 1 / (square root of that factor), or 1/2 the noise.
So, POTENTIALLY (see below) you get a decrease of noise, technically defined, by a factor of two. That is not very much by real-world measures. It is the same as reducing your exposure by 2 stops (reducing the number of photons per cell by a factor of four).
But, if you are in low-light conditions already, this factor of 2 can be a killer. For low light, you know, people often would kill for a lens with a two-stop advantage. BUT, if noise is not the issue, e.g., you are in (let's call it) good light, then there just is no advantage AT ALL for the larger sensor, by this noise standard
More caveats: (1) A greater number of photons per cell POTENTIALLY allows you more color resolution (differentiating more shades of color). BUT, color resolution, as far as I know, is limited these days more by technology (are your pix saved with 12 bit resolution or 14?) than by POTENTIAL number of photons per cell.
(2) Shot noise (above) is really simple mathematically, which accounts for the reason people pick it out as "science." But, then, as I pointed out, if noise is NOT the issue, then shot noise is completely irrelevant to (that measure) of quality. Of course, if you LIKE a little noise (certainly has its virtues, in some situations), then noiselessness is a BAD property.
(3) Even for noise, there are other kinds of noise, such read-out noise, which comes from the chip technology and is not so easy to understand mathematically as shot noise is. Read noise can dominate shot noise, so the above simple calculations are also not relevant when read noise is at issue. The 4x better per doubling the sensor, as far as I know, simply does not apply to read noise. I can't tell you the situations under which read noise dominates shot noise. (I could look it up, but so can you.)
(3) Just to re-iterate, this all is under the assumption of constant sensor technology. But, clearly, sensor technology IS changing. So a full-frame sensor from a few years ago just will NOT get that 4-fold increase in saturation number of photons (2x in conventional noise units). I'm kind of thinking that, these days, 3 years, or maybe a few more, roughly is getting you the equivalent of the inherent advantage of FF sensor over 4/3, EVEN IN THE LIMITED DOMAIN OF WHERE SHOT NOISE IS THE DOMINANT NOISE, AND YOU ACTUALLY CARE ABOUT NOISE (which you don't--or shouldn't--with "good light"). So, that 5-year old FF camera will JUST compete with a modern 4/3, by my estimate.
So, there is some real science here, and there is a factor of 4 there...somewhere. But it is just not relevant unless noise is your only measure, AND when noise is actually visible (which it is NOT in "good light").