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--Thanks, mike, for the reply.
Something i don't see mentioned in any of the reviews: once you get the pocket wizards, younneed one for each speedlight. With radio Poppers, you can mix the radio signal with the original signal. Is that correct? If so, that's a lot of money saved.
--Sorry i didn't explain myself, mike. This is what i meant:
Let's say you have 5 flashes to be used off-camera. With pocket wizards you need one transmitter and 5 receivers. With the radio poppers you could get by with one transmitter and 2 receivers IF 3 of your flash units are within range of the camera's own signal. That is a very important difference, because, most of the time, at least a couple of speedlights are near the subject. This is the main reason i'm leaning toward the radio poppers; if cost were the same i'd go with pocket wizards, thogh.
NOT TRUE! RP simply extends the Nikon AutoFP via radio. It's my understanding that the PW uses some non-standard protocol to enable HSS. I was using my flashes just the other day at 1/2000 with the RP, and it worked great.only the PW's will provide higher Hypersynch speeds
Again, check your source. The RP simply extends EVERY Nikon feature via radio. It's PW that decided to interrupt the Nikon language to enable certain "features."Your reasoning to stick with the RP's for the IR conversion to radio is sensible, but you still lose the Hypersynch capability,
Yes, if you are going to spend that kind of money, you want HSS. To my knowledge, the RP, PW, and Quantum remote systems are the only ones that provide this feature. Make sure YOU understand all the features that each system provides before purchasing. Don't rely on what other's tell you. Like I said above, the Dave Black videos really helped me since I like to shoot sports.BTW, I have been investigating other systems, but it seems the all have severe limitations (the most common one being the lack of sync beyond 1/250). In the end, I prefer to pay more for a headache-free solution.
--That didn't take long! Scroll down to the bottom of the page. All the videos are good, but the motocross and surfer ones are pretty concise on what he does. Really neat!!
http://www.daveblackphotography.com/workshop/11-2010.htm
Yes, if you are going to spend that kind of money, you want HSS. To my knowledge, the RP, PW, and Quantum remote systems are the only ones that provide this feature. Make sure YOU understand all the features that each system provides before purchasing. Don't rely on what other's tell you. Like I said above, the Dave Black videos really helped me since I like to shoot sports.BTW, I have been investigating other systems, but it seems the all have severe limitations (the most common one being the lack of sync beyond 1/250). In the end, I prefer to pay more for a headache-free solution.
You are correct. Here is something else to consider....I have been watching all their videos and the two syatems seem very capable to me. Hard decision![]()
Well... this is going to be very embarrassing for you. I'm correct on both counts.NOT TRUE! RP simply extends the Nikon AutoFP via radio. It's my understanding that the PW uses some non-standard protocol to enable HSS. I was using my flashes just the other day at 1/2000 with the RP, and it worked great.only the PW's will provide higher Hypersynch speeds
Again, check your source. The RP simply extends EVERY Nikon feature via radio. It's PW that decided to interrupt the Nikon language to enable certain "features."Your reasoning to stick with the RP's for the IR conversion to radio is sensible, but you still lose the Hypersynch capability,
If you want to learn what the RP's can do, instead of spreading misinformation, check out Dave Black's video's where he shoots hockey, surfers, and motorcyclers, all using high speed sync with two RP receivers and 8 Nikon SB-900's in remote mode. Those videos are what convinced me that RP was the best route for me. If I can find a link, I'll come back and post it.
HSS isn't Hypersync. RadioPoppers can't do Hypersync. Hypersync enables you to retain full power output whilst exceeding your maximum x-sync. HSS doesn't. Where a PW can power an SB900 at full output to 1/800s with no loss, the standard Nikon HSS and RP's both lose 2.6 stops PLUS the 1.6 stops increase between 1/250s and 1/800s that PW provide - a total loss on behalf of RadioPoppers of 4.2 stops. 4.2 stops !!
HSS forces your flash to pulse to emulate a continual ambient type illumination and reduces output by 2.6 stops. Hypersync doesn't.
Your indoctrination by Dave Black's video towards the Radiopoppers is nothing new. Before you start slinging allegations, I suggest you reread my post and then go and check your own facts.
The use of 8 speedlights used in David Blacks video in HSS, I can match using only 1 (one) Quantum.
The PW system is capable of providing +1.6 stops more output from an SB900 than it is normally capapable of by enabling the same level of output to be used at 1/800s rather than 1/250s. At this shutterspeed, if you want to match one SB900 At 1/800s with a PW TT1 and TT5 you would need 28 SB900's if used with RadioPoppers .
They don't tell you that in the video do they ?!! LOL!
8 speedlights used with RadioPoppers in HSS barely cancel out the HSS loss / penalty.
You can read here if you want to understand this more fully:
http://www.commercialphotographer.co.uk/blog/?p=274
--
Ian.