Therefore the Q might not be for everyone, long may the differences exist, but for me, an image has an emotional appeal that transcends finite quality.
For me, you hit the nail right on the head here Tom - there are two major groups within photographers; those who use cameras as technical tools to capture the scene before their lens as accurately as possible, where the value of the image comes about the technical achievement (sharpness of the subject, overall clarity of the image) and those that use the camera as a means to an end in order to achieve a portrayal of an artistic/emotionally-evocative image, where the value of the image comes about in both the artist's satisfaction with the image and the perception to the image that the audience goes through.
For me the Q seems an interesting little experiment, and I am curious to see how both sets of photographers that I have mentioned embrace it (if, of course, anyone buys it, as many premature critics have predicted they will not).