White Versus Silver Umbrellas

vidrazor

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I'm curious about opinions here between these two. I'm leaning more towards a white unit like this:
http://www.adorama.com/LTU42W.html

It seems to me you can get a similar lighting to the Softlighter:
http://www.adorama.com/PTSL407.html

Although it may be a bit more focused than the Softlighter. I know they'll be more light loss than a silver unit, but if someone was going for the likes of a Softlighter, I would imagine you'd lose even more light with one of those than a white umbrella. So this strikes me as a compromise.

I'd be interested in anyone's experiences and opinions with any of these types, thanks.
 
Although it may be a bit more focused than the Softlighter. I know they'll be more light loss than a silver unit, but if someone was going for the likes of a Softlighter, I would imagine you'd lose even more light with one of those than a white umbrella. So this strikes me as a compromise.

I'd be interested in anyone's experiences and opinions with any of these types, thanks.
Diffusion refers to the evenness (smoothness) of light over the projecting surface. Softness refers to the effect on shadows, hard or soft, and is affected by the size of the light source relative to the subject.
http://studiography.blogspot.com/2009/04/quality-of-light-part-2-hard-light.html

http://studiography.blogspot.com/2009/04/in-this-next-diagram-i-have-increased.html

http://studiography.blogspot.com/2009/04/quality-of-light-part-4-effective-size.html

The reflective surface of a silver umbrella gives more direct reflection causing a less diffused light compared to the diffuse reflection from a white umbrella. The softness will be similar, but the light will not be as even, kind of like smooth water compared to rippled water. You use a silver umbrella for its light quality, the higher efficiency is only a secondary consideration.

I recommend against the umbrella you referenced, as it is only a bounce umbrella. If getting an umbrella, I suggest either a shoot-through or a convertible, which can do both bounce and shoot-through.

The Softlighter is even better, as it configures for bounce, shoot-through, or as a softbox umbrella. It has a split shaft that allows you to shove a monolight right up into it and not have the shaft sticking out dangerously (I nearly poked an eye with an umbrella shaft sticking).

When used as an umbrella, bounced or shoot-through, the light from the Softlighter is the same as any other similarly sized umbrella. I see no appreciable difference between my 46" Softlighter and my 45" Photoflex convertible umbrella in terms of light quality for those configurations. However, when configured as a softbox umbrella the Softlighter adds a great deal of spill control that is very similar to a softbox. Bonus in that the Softlighter has 10 ribs, so gives a more rounded catch light.

To be honest, I use my Softlighter as a shoot-through more often than as a softbox umbrella because I love the non-linear light (feathered). The reason I use the Softlighter instead of the Photoflex is because of the split shaft, which I consider almost worth the extra cost just for that. The Softlighter comes with silver and gold inserts that I have never used.

BTW, if you are using a portable flash and desire extreme portability, you might instead consider the Westcott compact umbrella. It comes as a shoot-through or a convertible. I bought the convertible to use in my mini lighting kit, but nearly always use it as a shoot-through.

http://studiography.blogspot.com/2010/03/whats-in-bag-westcott-43-inch-compact.html

And if you need a stand, this one is a real winner.

http://studiography.blogspot.com/2010/03/whats-in-bag-westcott-43-inch-compact.html

-Gene L.
http://www.ttl-biz.com
http://www.studiography.blogspot.com
 
Gene L gave you good advice. Just keep in mind that a highly reflective fabric, regardless of the color will give you a harsher light.

Use a soft white fabric. You can shoot through for a more directional light, or bounce off the umbrella for a much softer light.

The larger the umbrella, the softer the light.

If you are going to do portraits, use a soft white fabric. If you are going to do a character study, then go for a harder white or silver umbrella.
 
Another way to alter hard vs. soft is to vary the distance. The further away the light source, the harder the shadows. I prefer shoot-through umbrellas and brolly-boxes to softboxes, and if I want light focused I'll use a grid.
 
Which would you use to light a group of gymnasts in outfits that "sparkle"? White or Silver?

I'm looking to buy two for a group of 10-12 girls in fancy leotards. Any hints?

--

[pat]
 
Thanks for your replies. I thought about having a removable back, but someone gave me a smaller pair of white shoot-throughs so I wasn't worrying too much about it. I had found this:
http://www.adorama.com/LTU40BC.html

And was considering that. By the way Gene, your link to a stand was merely a link to the umbrella article again.

Ultimately I think I'd rather have the white over the silver umbrella.
 
...I thought about having a removable back, but someone gave me a smaller pair of white shoot-throughs so I wasn't worrying too much about it. I had found this:
http://www.adorama.com/LTU40BC.html
That looks like it would do the trick.
And was considering that. By the way Gene, your link to a stand was merely a link to the umbrella article again.
Oops, a cut & paste error. Here is the correct link to the LumoPro LT-604 compact Light Stand

http://studiography.blogspot.com/2010/03/whats-in-bag-lumopro-lt604-light-stand.html
Ultimately I think I'd rather have the white over the silver umbrella.
A better choice for most applications to be sure. Especially since you cannot shoot through a silver umbrella.

-Gene L.
http://www.ttl-biz.com
http://www.studiography.blogspot.com
 

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