Robbie_EP1
Forum Enthusiast
Yup i'd be happy with that... but they should also make it faster..
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. . . This is precisely what's wrong with photozone's lens reviews. A lens is a component that CAN NOT be evaluated in isolation from the camera body that it's mounted on. The software that provides distortion correction is part of that system of components as well. Until you stop ignoring this commonly understood concept, there will be some doubt by some of us that you're really here to make a constructive contribution on this topicbasically, photozone dot de, pretty much the only review site which does not have commercial links, is also the only review site that made an effort to test some micro four-thirds lenses independently of the software correction. In other words, they tested these lenses using the same standards applied to the testing of all lenses used on APS-C dslr's.
apparently nickclick hasnt clicked here yet:Link? Reviewers name?A seriours and independent reviewer, has found the lenses available for micro four-thirds to be optically quite average or even poor.
Every review I have seen is telling us that the Panasonic lenses (at least) are up there with the best lenses in their class (7-14, 14-140, 20, 45):
20mm:
. . . There aren't any fast zooms made by anyone for less than $1000. The Pany 45-200 isn't a fast zoom but it does have IS and it is less than $300. Obviously, there is a need for more lenses but it's still too early with mFt to make the arguement that these things won't eventually be available. Why don't some of you just admit that you're impatient? If you can't wait, there are other formats that can satisfy you until mFt matures and offers what you want in time. I still have my DSLR and some fast lenses for when I need them but mFt is still attractive to me at this time and will likely be even more so in the future.Given the size of the sensor, 4/3 should be able to have f2 zooms where other mounts have f2.8, and at the same size & cost. The reason I didn´t get into olympus was partially the cost of the lens & partially how slow they are. For the price of a constant 2.8 in Nikon, Canon or Pentax, you get a 2.8-4 in olympus. But surely the small size of the sensor whould make the faster lenses lighter & cheaper to make, not rarer & more expensive.
. . The 14-45 and 45-200 lenses are very good values at less than $300 each. At less than $400, the 20/1.7 is an even better value. This is peanuts compared to equivalent offerings like the Nikkor 18-200VR for example at about twice the cost and less image quality. Have you ever looked at Sony's lens prices? When photozone says "pay a lot", they're just being foolish.So far m4/3 has been a "light" image quality system, can also be a light weight system under certain limited & limiting choices of bodies and lenses, but most importantly it is NOT AT ALL a light budget system. bottomline you pay a lot and get little.
--basically, photozone dot de, pretty much the only review site which does not have commercial links, is also the only review site that made an effort to test some micro four-thirds lenses independently of the software correction. In other words, they tested these lenses using the same standards applied to the testing of all lenses used on APS-C dslr's.
Here is what they say about the Panasonic 20mm f1.7 pancake for example:
- distorsions: "the raw distorsions (i.e. before the automatic corrections) are much worse at 3.26% which is fairly extreme for a prime lens"
- vignetting: "It's a bit surprising but the lens has a fairly mediocre vignetting characteristic and it is not automatically corrected. The figures below show the corresponding performance of JPEGs obtained straight from the camera. At f/1.7 the amount of vignetting is pretty hefty at
1.5EV which is easily noticeable in field images. The situation improves significantly when stopping down to f/2.8 but it really takes f/4 to get really rid of the problem.
- chromatic aberrations: "Lateral chromatic aberrations (color shadows at harsh contrast transitions) are very well controlled reaching a maximum of less than 0.5px at the image borders. (...) However (...) this is the result of the usual auto-correction applied by the camera (or Photoshop). The "RAW" CAs are as pronounced as 1.5px which is fairly pronounced for a prime lens."
The Panasonic 20mm is equivalent to 40mm on full frame and would be about 27mm on aps-c. Take for example the Canon 28mm f1.8, which is a bit cheaper than the Panasonic 20mm pancake. Take photozone again:
- bokeh: "The quality of the bokeh (the out-of-focus blur) is Okay but the lens struggles with out of focus highlights which show a distinct outlining effect. This can look a little rough just behind and in front of the focus zone."
You can look at various other aps-c lenses between 28mm and 35mm or look at some 50mm primes: the conclusion is that nearly all of them, while priced lower than the panasonic 20mm pancake, do outperform it massively in distorsion and vignetting, generally outperform it in CA, and match it in resolution.
- distorsion: "The lens showed a slight to moderate degree of barrel distortions (1.2%)." That's 1.2% compared to 3.3% for the panasonic 20mm
- vignetting: "at 0.55EV vignetting is very low for such a large aperture lens." This compares to over 1.5EV for the panasonic 20mm
- CA: "can reach an average CA pixel width of more than 2 pixels at the image borders - a very weak performance here." comparable to the Panasonic 20mm
My point is NOT that m43 is a bad idea - on the contrary, I think it is a great idea. I simply believe that given the modest optical qualities of the lenses available so far, these lenses are overpriced and their price needs to come down. And, better lenses are needed for more advanced users.
I've got no camp or preconception here. I can only feel sorry that you seemed to feel the need to insult me here - as Confucius said, an insult shames only the person who speaks it.
. . . . The popular but larger and heavier Canon 50/1.4 is about the same price as the 20/1.7 and is quite soft wide open at 1.4.Photozone on the 20/1.7 Pany - "we do also feel that it's a bit over-hyped especially considering its rather high price point and the need to correct some of its design problems via auto-correction during post-processing".
. . The 14-45 and 45-200 lenses are very good values at less than $300 each. At less than $400, the 20/1.7 is an even better value. This is peanuts compared to equivalent offerings like the Nikkor 18-200VR for example at about twice the cost and less image quality. Have you ever looked at Sony's lens prices? When photozone says "pay a lot", they're just being foolish.So far m4/3 has been a "light" image quality system, can also be a light weight system under certain limited & limiting choices of bodies and lenses, but most importantly it is NOT AT ALL a light budget system. bottomline you pay a lot and get little.