Thanks, Fred. You're much too kind.
Here's a rundown of my workflow for this pic.
-- Healing brush on duplicate layer to fix blemishes.
-- Liquify tool on same layer to reshape lips and hide "the tooth" Probably should have used a separate layer, but I didn't.
-- Clone tool on a separate blank layer to touch up lip closure line.
-- Vikki Hansen's method of skin smoothing on a stamp visible layer. I don't have a reference for this method. You can probably google it, or maybe someone on the forum will post the reference. Smoothed the lips as well as the skin.
-- Painted white on a separate blank layer to provide lip "shine."
-- Chip Springer's PWL using black and white brushes.
-- Paint on separate blank layer to enlarge pupils and add catchlights.
-- Masked levels layer to brighten/shade the irises.
-- Masked hue/sat layer to desaturate and brighten the sclera.
-- Painted black and g-blurred a separate blank layer to shade the upper half or so of the sclera. The Idea of shading is from a Peano tip some months back.
-- Curves layer set to luminosity blend to reduce overall contrast a bit.
-- USM sharpen (50, 50, 0) on a stamp visible layer, and backed off on opacity.
As you can see, Fred, I got there by "standing on the shoulders" of some of our "giants."
Best,
-- Marty