On my quest to purchase a Plexiglass, I went to Home Depot and discovered that there are different types as listed below, all made by GE:
Type #1.
LEXAN XL10 Sheet
Made with LEXAN Polycarbobate sheet with UV protective coating
Thickness: 3/32" or 1/8" (.093)
Size: 36 X 48
Price: $50
Lexan is polycarbonate plastic, not acrylic. It is harder and tougher as well as being much more expensive. It generally isn't used for photography.
Type #2
CRYSTALITE ACRYLIC Sheet
Thickness: 3/32" or 1/8" (.093)
Size: 36 X 48
Price: $21
Crystalite is just a manufacture's trade name for their acrylic plastic sheets.
Type #3
ACRYLIC Sheet
Thickness: 1/4" (.220)
Size: 36 X 48
Price: $32
Generic name for acrylic plastic sheets - truth in advertising.
Please tell me guys, which is the real Plexiglass being used for studio photography that I should get and probably pro and cons of each? Thanks.
Plexiglass is one manufacture's trade name for their expensive acrylic plastic sheets, which are just Poly(methyl methacrylate) plastic like all other acrylic plastic sheets. It is also know as Crylux, Acrylite, Lucite, and Perspex.
Buy low cost generic acrylic plastic sheets.
If you want to do seamless white then buy 1/8" thick white acrylic plastic sheets. These can be easily warped into the infinite cove for a light table.
For portraits you usually have a paper or fabric background and floor. You place a sheet of the acrylic plastic on the floor on top the background paper or fabric. If you have rugs then place a thin sheet of plywood on the floor first to keep high heels from breaking the acrylic plastic sheet.
Light the white background just barley enough to cause it to blink when your camera's Highlight Alert is turned on and it will come out of camera pure white. Use more light than this on the background and you will cause yourself problems with the light reflecting off the background onto the subject and overexposing the edges of the subject (the subject will "bleed" into the background) and causing broad light lens flare that shows up as a loss of image contrast.
Light the subject properly. Adjust the camera position so that the background reflects off of the shiny acrylic floor and the floor will also blink, indicating that it will be pure white. You can clean up the reflections/shadows in front of the subject if desired by burning them in (work on Highlights only if using the Photoshop Burn tool).
Note these contain glamour photos so they may not be suitable for work.
Bobby Deal - Cleaning up the Pixel Perfect Isolation Part 1 - Real Deal Photo
Bobby Deal - Cleaning up the Pixel Perfect Isolation Part 2 - Real Deal Photo
If you want a colored floor then use a clear 1/8" acrylic plastic sheet on the floor and the background will be reflected off of the shiny acrylic plastic sheet. You will get two reflections, one from each of the top and bottom surfaces. For portraits this isn't usually visible but it can be a problem for product photography.
If you want a shooting table for products it is easy to make one.
Set Shop Tutorials: "Learn How To Build A Light Table" Featuring Steve Sint - YouTube