No. No diff. in editing D80 images. You can do all the same things as (say) for D50 down to editing the curve embedded in the NEF so, in this respect, it's really a great program. I did write that DCRaw engine isn't as good as the Nikon one or ToneUp native one for D50 but I wouldn't like anybody to be discouraged by this statement. Let me put it in some perspective:
I strive to have all my settings right in the camera and when converting from NEF to JPG, I like the converter to apply all the "in camera" settings. I normally batch the conversion. Than, when I see that I need to change the curve or exposure (not too often), I go back to NEF and manually adjust. In a sense, I would be shooting in JPG if not for one or two images out of a 100-200 shots session but, for these one or two, NEF is beneficial. It also means that, for me, the best is a converter that properly implements the "in camera" settings. Now; the current ToneUp D80 NEF converter set to default (use in camera settings) will produce most images that are (to me) indistinguishable from Capture NX default conversions. Than, on occasion, it will produce an image that will have just a touch less detail in the highlights (when using DCRaw engine) or an image that looks a bit (say) flat when using the ToneUp native converter. In both cases, spending little time, the images can be adjusted in ToneUp to shine so, for somebody who is editing all the images, that is not an issue at all. For somebody who likes editing, it's hardly an inconvenience. For somebody like me who doesn't really enjoy editing... well, it puts ToneUp into secondary position as a converter. Still, I wouldn't be without it because of some of it's features - it can do curves editing in the way that Capture can't match and for the few images that I do edit, I like to play with curves as one of the first adjustments.
For D50, I run a lot of original NEFs through ToneUp and compared them to the same NEFs run through Capture. In my eyes, it was a virtually perfect match every single time. Looking hard enough, I could see some minor differences but could hardly ever decide which one was better or, was it my eyes playing tricks on me. Now, my D50 is converted to IR and ToneUp does fantastic job with these. Not only better curve tool than in Capture but also, channel reversing whenever I desire to do so - a feature that doesn't even exist in Capture and requires several steps in other editing software.
All in all; I think that getting ToneUp was one of the best money I ever spent on photography software and I'd buy it again without hesitation even if the only camera I was using was D80.
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Andrew Kalinowski
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