Leica producing true colors that important?

novetan

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Just dropping by to this Leica forum which I have read so many Leica users vouching for their camera that will produce true-to-its color.

I’m not so sure how true is that statement, but I tend to believed its more of a false or self-comfort perception because you are paying several hundred dollars more, akin to the notion that a more expensive golf club suppose to lower your score.

I own a FZ50 with Leica lens. I’m not sure whether is there a difference in its production of colors, but even if it has, it should be very subtle.

Good to have such "true-to-its color" camera if one can afford or just simply like the red dot. I also yearn to own one but I believed is no more the deciding factor given the fact that we can PP it in this era (at least the majority people will have access to some kind of photoshop equivalent). To adjust skin tone to its true color is also no more a hassle now. Ben Willmore ( a partime commercial advertisement photographer) said, “I will never produce any images to my client without first going thru photoshop”. Ben has to produce the best image because of his profession. But isn’t it true we hobbists are also trying to produce nice beautiful photos with the best possible colors? I’m not advocating manipulating or twisting the colors or cut and paste the moon. I believed manipulating some basic function like saturation, contrasting, curves and sharpening will not degrade the integrity of the photographer, afterall, the essence of the image must still be captured correctly. Below are 2 examples gone thru PP that markly enhance its coloration.

The original looks dull, dead and lifeless to me. I will not settle for the original photos if taken with a true-to-its color camera, I don’t need such camera as yet but don’t mind if given as a gift. Who doesn't like to own a Leica, but at least I own the lens.

P/S. If you are not with me, at least please like my pic.

http://david-low.smugmug.com/

Original



PP



Original



PP



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http://david-low.smugmug.com/
 
Yes, having a camera - a combination of lens, sensor, & processing - that
produces accurate colors and tonal ranges is very important. Unfortunately,
a trend has developed, using camera settings & post-processing, to
"punch up" images by applying excessive levels of saturation, contrast,
sharpening, etc. The results often are unnatural looking images, some
bordering upon being garish and even some that hurt my eyes to look at.

While of course this a matter of persoanl taste, I do lament the trend.
So bravo to Leica for producing cameras and lenses which render colors
and tonal ranges accurately!

--
When a hammer is your only tool, all problems begin to look like nails.
 
that's what your customer is paying you for.

--
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****************************************

'Giving a camera to Diane Arbus is like putting a live grenade in the hands of a child.'
Norman Mailer (b. 1923), U.S. author. Newsweek (New York, 22 Oct. 1984)
 
Colour can be very important, it always has been even before digital capture.

Years back I'd often select the film to suit the subject, Agfa Portrait or Kodak Portra for wedding and portrait or punchier higher contrast films for commercial work.

None of these is true to the eye but rather to the memory of the subject or a feeling that you want to convey to the viewer.

During the digital age people have a lot more freedom for 'artistic licence' as I like to call it. After all if you find the image pleasing and others do also- thats what counts.

No photo is a high fidelity version of the original scene just a 'rough' interpretation and sometimes totally unrealistic rendering of the original scene (think B&W) conveys a mood better than accuracy of colour/tone.



regards
Mark
--
http://www.photo-utopia.blogspot.com/
 

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