I like the new interface, and all the new improvements that were made to some of the tools.
One of the best capabilities of SP, is the possibility of color correct images targetting only certain shades of the color pallet. It allows of eliminating completely the "notorius" "yellow/green tinge" on skin shadows transitions, which is one of the major problems of the kodak cameras if you shoot people, portraits, fashion and beauty. No other color converter has the capability of eliminating the "yellow/green tinge on Kodak files as SP can do.
It might work (I have not tryied yet) on the similar "green/gray tinge" which affect the canon 1ds cameras I and II, again on skin shades. (the 5d does not suffer from the problem though).
A bit OT, I was wondering if somebody is still using "raw magick", to which they made some improvements for the Kodak files (the improvement they made on the .DLL also works on the 14n to a certain extent).
I think raw magick has been matched ( or almost, to a negligeable difference) by other converters on the "extracting details" capability, which it used to be its best point compared to others converters. RM still has the demosaicing tools that remove color noise and moiree, like no others, but it still lacks on speed which makes it painfull slow even on a dual xeon computer, it has a very questionable interface and work flow (what were they thinking), not so good high light control and washed out colors, and several bugs that have been there forever, like "non rotating thumnails" which together with the slowness in generating previews make it totally unusable for editing.
I'm using RM once in a while for images where I have the time to color enanche the files in postprod and I need the demosaicing capability, but otherwise I prefer SP or Lightroom.
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