JeffC223705
Senior Member
Which camera would you prefer for shooting poorly lit stage scenes at ISO 1600 - no flash allowed:
1) D100,
2) D200, or
3) D2x
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Jeff
1) D100,
2) D200, or
3) D2x
--
Jeff
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I thought I read on the forum that the d2hs noise improvement was only when shooting JPEG through noise reduction and that the noise from the sensor (when shooting raw) was the same at ISO 1600 as the D2h???Get a D2Hs, this camera is a killer for higher ISO, the strength of
D2X are elsewhere. I'm working with D2H, D2Hs and D2X regularely.
Which camera would you prefer for shooting poorly lit stage scenes
at ISO 1600 - no flash allowed:
1) D100,
2) D200, or
3) D2x
--
Jeff
Sorry there was no text before.Which camera would you prefer for shooting poorly lit stage scenes
at ISO 1600 - no flash allowed:
1) D100,
2) D200, or
3) D2x
Which camera would you prefer for shooting poorly lit stage scenes
at ISO 1600 - no flash allowed:
1) D100,
2) D200, or
3) D2x
--
Jeff
Just put D200 on JPG M. You get pictures 5,5 MP (for press you don´t need more) and they are better in high ISO than of any other Nikons. But high ISO is only one of the advantages the D200 has.Then one and only for CERTAIN and RELIABLE quality high ISO shots
is the D50. You may want to listen to sirens and believe the D200
is good... and waste your time and money, if you very often shoot
very high ISO you'll end up returning it, garanteed !
It is said that the D2Hs does not bad in that area, but the real
king (nearly perfectly clean pictures in dark areas at 1600) is the
D50.
I agree, It´s absolutely the best you get for 500$Nikon for the bang at the moment.
I can't live with the speed any more - I'm spoiled with my D2h. In fact one of the reasons I'm thinking of upgrading is that I'm mad at myself for missing the curtain call shot that I wanted tonight - I got excited when a few actors came out and shot a few shots off, forgetting how small/slow my D100's buffer is compared with the D2h that I shoot 95% of the time. I was helpless as the shutter was dead while my D100's buffer was full and slowly writing the raw files to the card. I wish I would have thought of power cycling it to dump the previous shots still in the buffer to get the one I wanted, but I didn't have time to think... missed the shot. But my D2h just has too much noise when the light is poor at ISO 1600 so I use the D100 when the light is really poor (meaning that I'm pushing 16000... I'm happy with my D2h up to 1250 if the light is "good" at that ISO.)If you've got Nikon glass, why don't you try the Fujifilm S3 Pro?
Guaranteed lowest noise. If you can live with the slow
write/playback times that is.
Claire, you are right. The problem these days is that the sensor is the film. Changing films, or even trying out new ones if you are not happy with the ones you have, is not easy as it used to be. Since interchangable sensors have not been invented yet (to my knowledge), if you want to change your "film", you have to change the body and often the camera brand and therefore all your lenses as well. Thus, the barriers to changing film are psychological as well financial.Sorry, I did use my D200 at Medium size and still the performance
from and above ISO 400 was very poor. THis and other forums are
litterally filled with posts about the mediocred D200 performance.
Sorry it's a great camera in other areas, but not for high ISO !!
Claire
If ISO 400 looks poor on D200 you did something wrong. Mine look great!!!Sorry, I did use my D200 at Medium size and still the performance
from and above ISO 400 was very poor.
Things don't become true, just only because of beeing repeated all the time. Some days ago someone posted a 1600 iso comparison between D50litterally filled with posts about the mediocred D200 performance.
Sorry it's a great camera in other areas, but not for high ISO !!