Willem Wiersma
Well-known member
I am considering a HP 130 too. I asked Neil Snape to send me a few testprints and he kindly did so. I send him a colour and B&W test image. Neil made color and B&W prints on HP premium plus satin and Hahnemuhle PhotoRag using his own profiles ( 4 prints in total). I compared them with my own prints on a Epson 2200 with custom profiles for colors and with ImagePrint for B&W. Previously I owned a Epson 1270 which I did relate to also. I will give some of my observations with Neil's comments.
My comment: IQ on the HP satin (color) is very good, I like the skintones and the smooth yet sharp image a lot. Nice soft gloss with this paper, softer than Epson semigloss on the 2100. No bronzing at all, just as with my previous Epson dye printers. Still one really needs to soft proof I guess, since some colors don't match my (calibrated LaCie) monitor that good. Generally speaking the image as seen on screen matches the print better when I apply an adjustment layer, selective color, choose neutrals and set the magenta slider to (about) -4. Would soft proofing make a difference?
Neil: Not sure as I had worked on development of the LaCie Color Eye with Sequel years back. I had a definite greener than should be grey balance on my monitors. I use ColorEyes now and even though I have worked with Gretag for years still find it top notch. You might want to try a demo of Integrated Color’s ColorEyes display. You can run up to three calibrations. Worth a try.
My comment: B&W on satin gloss is quite nice, much better than the Epson 2100/1270 with its own driver&profiled. Only a hint of color shifts througout the greyscale and not much metamerism. Nice blacks. The lack of waterresistance is there, although it is not a dealbreaker. Do you have favourable experience with sprays?
Neil: Yes I spray but not for reasons of water resistance but for putting glossy into portfolio sleeves. I tested water fastness up to waterproofing and both are easily had with various sprays. Henry Wilhelm likes Premier Art Shield and that recommendation is what I respect the most.
My comment: PhotoRag colour actually comes closer to the images as seen on screen, except for the light and bright orange-reds/yellows which are clearly too saturated. Maybe a softproofed image would show this on screen? Futher comparable quality as the Epson 2100, although the blacks are not as deep.
Neil: To me they seem rich too on the PR. The DJ printers have a very extended red that pigments are not capable of. The older Epson’s had a red that was volatile as the yellow disappears after 20 minutes leaving a blue mist over the once deep red. Do you find the same on the 1280?
My comment: B&W on matte isn't bad, but I am spoiled. Epson 2100 with ImagePrint is a lot better. I would not like to sell a B&W 130 print on matte.
Neil: Agreed. The 130 is good but the Epson UC and K3 are going to touch the PM and grey on PR. The 9180 HP does well in that regard.
My comment: 70% of my printing is color, the rest is B&W. I can't afford to buy two large format printers. For the time being I will stay with my printing shop and will wait for the results and price of the new Pigment printers of HP. Then I will choose: the 130 (and do large B&W in the printing shop) or the 24 inch version of the 9180. That will take another 6 months at least I guess.
Neil: I don’t think there will be a 24” Photsmart but maybe a 24” DJ pigment is a logical path. I am told that the 130 will be continued much to my liking, as pigments have their own advantages and disadvantages too.
My comment: IQ on the HP satin (color) is very good, I like the skintones and the smooth yet sharp image a lot. Nice soft gloss with this paper, softer than Epson semigloss on the 2100. No bronzing at all, just as with my previous Epson dye printers. Still one really needs to soft proof I guess, since some colors don't match my (calibrated LaCie) monitor that good. Generally speaking the image as seen on screen matches the print better when I apply an adjustment layer, selective color, choose neutrals and set the magenta slider to (about) -4. Would soft proofing make a difference?
Neil: Not sure as I had worked on development of the LaCie Color Eye with Sequel years back. I had a definite greener than should be grey balance on my monitors. I use ColorEyes now and even though I have worked with Gretag for years still find it top notch. You might want to try a demo of Integrated Color’s ColorEyes display. You can run up to three calibrations. Worth a try.
My comment: B&W on satin gloss is quite nice, much better than the Epson 2100/1270 with its own driver&profiled. Only a hint of color shifts througout the greyscale and not much metamerism. Nice blacks. The lack of waterresistance is there, although it is not a dealbreaker. Do you have favourable experience with sprays?
Neil: Yes I spray but not for reasons of water resistance but for putting glossy into portfolio sleeves. I tested water fastness up to waterproofing and both are easily had with various sprays. Henry Wilhelm likes Premier Art Shield and that recommendation is what I respect the most.
My comment: PhotoRag colour actually comes closer to the images as seen on screen, except for the light and bright orange-reds/yellows which are clearly too saturated. Maybe a softproofed image would show this on screen? Futher comparable quality as the Epson 2100, although the blacks are not as deep.
Neil: To me they seem rich too on the PR. The DJ printers have a very extended red that pigments are not capable of. The older Epson’s had a red that was volatile as the yellow disappears after 20 minutes leaving a blue mist over the once deep red. Do you find the same on the 1280?
My comment: B&W on matte isn't bad, but I am spoiled. Epson 2100 with ImagePrint is a lot better. I would not like to sell a B&W 130 print on matte.
Neil: Agreed. The 130 is good but the Epson UC and K3 are going to touch the PM and grey on PR. The 9180 HP does well in that regard.
My comment: 70% of my printing is color, the rest is B&W. I can't afford to buy two large format printers. For the time being I will stay with my printing shop and will wait for the results and price of the new Pigment printers of HP. Then I will choose: the 130 (and do large B&W in the printing shop) or the 24 inch version of the 9180. That will take another 6 months at least I guess.
Neil: I don’t think there will be a 24” Photsmart but maybe a 24” DJ pigment is a logical path. I am told that the 130 will be continued much to my liking, as pigments have their own advantages and disadvantages too.