waldershelf
Member
No it doesn't 36x24 is 135 format
Follow along with the video below to see how to install our site as a web app on your home screen.
Note: This feature may not be available in some browsers.
That's not the closest, you loudly misinformed photographer. That's the meaming of FF. The lenses are designed for this particular frame of 36 X24 mmThe closest that anyone can come to making an argument is that the
lenses are designed to fill the 36 x 24 format.
Once again you are missinformed or just playing flat.But the real meaning of Full frame is that all that I frame is
recorded. In fact, the meaning of FF has changed only with digital
photographers who own APS sized sensors and demand that
manufacturers privide them with FF. (Not that there's anything
wrong with that)
Dave
A lens is designed to resolve the subject of the photographers vision. The lens in question does a poorer job of capturing the edges then the "normal," and supposedly "inferior lens."That's not the closest, you loudly misinformed photographer. That'sThe closest that anyone can come to making an argument is that the
lenses are designed to fill the 36 x 24 format.
the meaming of FF. The lenses are designed for this particular
frame of 36 X24 mm
Once again you are missinformed or just playing flat.But the real meaning of Full frame is that all that I frame is
recorded. In fact, the meaning of FF has changed only with digital
photographers who own APS sized sensors and demand that
manufacturers privide them with FF. (Not that there's anything
wrong with that)
Dave
When you frame (verb) is completly different than frame (noun).
The frame (noun) is 36 x24 mm that the lenses were desined to work
on.
With "crop" camera you CANNOT frame(verb) what the lens was
designed to frame. So, you cannot say ful frame is what YOU frame.
IF, you use, on the other hand, especially designed lens for 15 x 8
mm sensor or film for example, then you have the ful frame sistem
again
Emil
LOL!A lens is designed to resolve the subject of the photographersThat's not the closest, you loudly misinformed photographer. That'sThe closest that anyone can come to making an argument is that the
lenses are designed to fill the 36 x 24 format.
the meaming of FF. The lenses are designed for this particular
frame of 36 X24 mm
vision. The lens in question does a poorer job of capturing the
edges then the "normal," and supposedly "inferior lens."
In other words when I frame an image, I am using the entire sensor
without losing the edges.
What pray tell would you say if I actually designed a lens in the
knowledge that the edges would be soft - so I design a lens so that
the entire captured image is resolved at the maximum potential?
Also known as the "Sweet spot?"
So you are in effect saying that the arbitray destinction here is a
meaningful term.
When I view a subject, and frame it. I record the "Full Frame."
If I wish to record a wider or smaller angle, I use the appropriate
lens.
I have no problem, for the purposes of clarity in conversation
using this meaningless expression...
Let me sum up. What if a lens company, knowing the problem with the
design of optics DELIBERATLY creates a lens that focuses on an area
larger then the sensor? Doing this for the purpose of creating a
larger "sweet spot?"
If we still lived in a film environment, this would be hailed an an
innovative and creative approach.
Isn't this all a lot of whooey?
As for playing - Go play with your full frame camera, and I will
play with MY full frame camera. Both cameras capture what you frame.
Dave
Once again you are missinformed or just playing flat.But the real meaning of Full frame is that all that I frame is
recorded. In fact, the meaning of FF has changed only with digital
photographers who own APS sized sensors and demand that
manufacturers privide them with FF. (Not that there's anything
wrong with that)
Dave
When you frame (verb) is completly different than frame (noun).
The frame (noun) is 36 x24 mm that the lenses were desined to work
on.
With "crop" camera you CANNOT frame(verb) what the lens was
designed to frame. So, you cannot say ful frame is what YOU frame.
IF, you use, on the other hand, especially designed lens for 15 x 8
mm sensor or film for example, then you have the ful frame sistem
again
Emil
--Hi all,
I am at the moment trying to decide on which camera to buy and
possibly honed things down to a Nikon D50 with 18-70mm or a Sony R1.
The Nikon was just beginning to edge in front for me when I came
across several posted concerns that set alarm bells ringing for me
on the DSLR front.
Basically that it is inevitable that within the next couple of
years, all DSLRs are going to eventually become full frame and so
to invest in lenses designed specifically for today's smaller
sensors is not necessarily a good investment as they could become
obsolete.
The reusable glass thing was a big plus in favour of the Nikon for
me, maybe it is after all better to go for an all in one for the
time being and see how the land lies in a couple of years.
Life is so complicated!
Any opinions would be much appreciated.
TJ
Ha ha, that's 100% correct.and trust me, I have to buy my first lens that actually gets myself
dividends. You spend money on camera gear, you don't invest it...
taffy jon wrote:
I agree that the Fundamentalists are clearly feeling threatened by the "attack" on this meaningless term. Why they are almost Biblical in their insistance that there is ONLY one full frame, as opposed to the heathen who worship other full frames.Rubbish.......... the 36x24mm format is not full frame but just a
historical accident that was convenient for the film era. The
market will decide what is the norm for sensor size. The sensor
size, quality, price equation will determine the dominant format. I
suspect that the 4/3rds and APS formats will fight it out for
dominance and the larger sensors will become a backwater for the
rich and pro photographers who need specialist equipment.
Except that most of the lenses don't preform any (much) worse on FF sensors than they did on FF film, not that most of the namby pamby APS-C crowd would know that....the (REAL) reason being that some of their lenses perform
appallingly on a FF sensor... so it will take time for Canon to
replace all of their legacy film lenses with digital equivalents.
I totally agree that APS will stay for a while, but not only for amateurs with a limited budget (look at Nikon prices or to the Canon17-55/2.8 price), but for those who take pictures out of studio and can't afford carrying the weighty Mark IIn or even 5D with 24-70L all day along.As long as point and shoot is cheaper than APS it will sell to the
vast majority.
As long as APS is cheaper than FF it will sell to amateur
photographers wanting more than P+S but with a limited budget.
Everyone (well most) accept that BMW cars are more desirable than
Toyota Corollas but there are more Toyota Corollas on the road.
Camera makers has to obey the same economic realities than car
makers.
The increased telephoto capability and the cheaper glass required
for APS will ensure it's existance. Sensors might one day be so
cheap that FF that cost will cease to be a major factor. Good
quality lenses will not drop in price likewise. I believe that many
more EFS type lenses will be manufactured due to the definite cost
and weight advantage over FF lenses.