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Thanks Mike! The font is called "Benjamin" - it only has upper case characters. I scoured some web sites looking for a downloadable font that I liked, and this is one of them. I forget exactly where I got it from, but I've put it up for download at http://www.mcconcept.com/images/Benjamin.zipHi, Mohit. That is a wonderful image. I am envious. Can you tell
me what font you use for your Copyright Logo? I particularly like
that font. Thank you.
You ended up with an excellent picture. I agree with your comments. Reality is in the eye of the beholder.Thanks Mike! The font is called "Benjamin" - it only has upperHi, Mohit. That is a wonderful image. I am envious. Can you tell
me what font you use for your Copyright Logo? I particularly like
that font. Thank you.
case characters. I scoured some web sites looking for a
downloadable font that I liked, and this is one of them. I forget
exactly where I got it from, but I've put it up for download at
http://www.mcconcept.com/images/Benjamin.zip
- Mohit
Mohit, ...I didn't say anything about "more valid". I was simply stating MY preference, while acknowledging YOUR right to "prefer"differently .Hi Larry,
I initially tried to create a colder, bluish image, and then
experimented with warming it up significantly. For me, this image
works because of the opposing ideas of warmth in a bleak landscape.
It would have been good even if I'd "emphasized reality", as you
put it.
As far as your statement about "capturing REAL beauty, rather than
computer magic", I view photography as enabling a creative vision
that each photographer has for a scene. What makes one person's
reality any more valid than another's?
utilizing your camera and any filters (be they optical at the time
of creation or digital after the fact) to create the image as you
envision it. If substantial alteration has been done, it is
important to note that for the sake of truthfulness. But it
shouldn't stop one from experimenting to get a different look.
Thanks for your comments, Larry. It is good to discuss varying
views on this topic. And I do appreciate yours.
- Mohit
To be very honest with you, I think you should have stuck with cold & bleak . . .
Mohit, ...I didn't say anything about "more valid". I was simplyHi Larry,
I initially tried to create a colder, bluish image, and then
experimented with warming it up significantly. For me, this image
works because of the opposing ideas of warmth in a bleak landscape.
It would have been good even if I'd "emphasized reality", as you
put it.
As far as your statement about "capturing REAL beauty, rather than
computer magic", I view photography as enabling a creative vision
that each photographer has for a scene. What makes one person's
reality any more valid than another's?
stating MY preference, while acknowledging YOUR right to
"prefer"differently .
Re. individual philosophies: I respect, admire, etc., any
"artist's" efforts to "create", however imaginatively (with the
exception of the type of painting mentioned below :-( ),
...whether-or-not I admire the result.
But my OWN goal is to explore the world around me, finding,
appreciating and capturing it AS I found it (as nearly as can be
reasonably done) and keeping it as a reminder/re-experience of that
particular "discovery". In this sense, the "creating" has
already-been-done. My efforts are directed at discovery,
appreciation, recording and (to a degree) re-experiencing/sharing.
It is simply what I like to do.
I am just less interested in what "magic' can be worked with
computer art, Photoshop, Disney studios, etc., than I am in what
beauty can be found in nature. ( I'm reminded of the
romanticised/idealized paintings popular during America's
"discovery of the West" days;...obligatory waterfall, rainbow,
dramatic sunset, lake/river, majestic peaks(with silhouetted
majestic elk), towering trees, fruited plain, flowered meadow,
...let's see, did we forget anything? Oh yeah! We can have a
unicorn over here, sprinkle a few butterflies around, and what the
hell, ...put a fairy or two here by the toadstools. YIKES, nearly
forgot the songbirds in the tree and the soaring eagle! ( Won't use
the lightening-spewing thunderclouds this time, ...THAT would be
too-much. You bet, subtlety...that's the ticket! )
Look, it's twin "artistes"!
No wait, it's just one, "beside himself"over his art.
Please pass the barf-bag.
If there was (of course there isn't) a camera/lens/image-receiving
medium that could deliver a print that did not vary, in color,
brightness, etc. from what I saw with me eyes, I would prefer it.
The challenge that appeals to me is to FIND the scene (at the
particular moment, in the particular light, etc) that is such that
I will consider the print/memory a personal 'treasure", and then
do-it what justice I am able, with my photographic skills(if any),
and equipment.
My "treasure" may of course, be someone else's "trash, ...and
vice-versa.
"Wouldn't it maybe be neat if it were yellow, striped,
polka-dotted, swirled, more-saturated, etc.?" only fits my purpose
if it helps it look the way I saw it.
There is a difference between trying to create a pleasing image,
...and trying to capture an actual visual experience. (The use of
PS/other techniques toward-this-end, but not beyond-it, would befit
my intent.)
I have seen threads like this before turn into arguments. I want no
part of another one, ..to each his own. If someone enjoys "creative
experimentation", more power to him. Quite-likely he will come up
with images that please him, ...certainly the tools are there,
today more than ever.
Like you said, ..."varying views".I don't claim to know anything
about what is "better", ...except for me.
Best wishes,
Larry
You are an artist,
utilizing your camera and any filters (be they optical at the time
of creation or digital after the fact) to create the image as you
envision it. If substantial alteration has been done, it is
important to note that for the sake of truthfulness. But it
shouldn't stop one from experimenting to get a different look.
Thanks for your comments, Larry. It is good to discuss varying
views on this topic. And I do appreciate yours.
- Mohit
Thanks Mike! The font is called "Benjamin" - it only has upperHi, Mohit. That is a wonderful image. I am envious. Can you tell
me what font you use for your Copyright Logo? I particularly like
that font. Thank you.
case characters. I scoured some web sites looking for a
downloadable font that I liked, and this is one of them. I forget
exactly where I got it from, but I've put it up for download at
http://www.mcconcept.com/images/Benjamin.zip
- Mohit
I totally understand, and agree with both views too...Not a cop out - just supporting you both![]()
Keeping it Real?
What do you think?
Fred Miranda
Yes, I agree, ...flameless discussion. It's always interesting to hear how others percieve things.Larry,
I don't disagree with you, and this is certainly not a contentious
flame war. We just have different views on what we're looking for
when creating an image. Neither is wrong.
Thanks for your comments, I'm glad you made them. As you've seen
from other messages in this thread, there are many who agree with
each viewpoint.
- Mohit
Isn't it interesting how everyone reacts differently to the images - there are lots of people strongly preferring one over the other.I liked the first version better!
I haven't tried the Cokin grads because I learnt that they're not neutral at all. So I just went with the Singh-Ray's instead, which are totally neutral. They're more expensive, at $100 for the Cokin-P holder, but they really are very nice.BTW: Have you tried the Colkin gradual filters?
I have heard that Singh-Ray filters do not scratch as easily and do
not introduce color cast because of their neutrality.
What do you think?