I'm stunned: Sigma 18-50 f/2.8 vs. 18-55 kit vs. 50 1.8

Despite the fear of being berated for saying this, I thought that I should add that I did some informal tests with the same lenses and found the same results. The canon was sharper in the middle except wide-open when it equalled my sigma. But the sigma was very close in the middle, and consistantly sharper in the corners. The place when the canon beat the sigma was contrast.

Marcus
 
how can you judge sharoness from a downsized pic? Dom
Yeah, the Sigma isn't as good as the kit lens...I zoomed in and
looked at the detail in the center flag pole...kit seemed the
better of the 2 and between the 2 zooms...the kit appears to have a
touch more contrast.

That said...what does it prove?

The kit lens is selling for pennies with the body...so if the
comparison is cost...kit wins...range...kit wins...f/stop...Sigma
wins.

So like everything else, it's whatever works for you IMHO!

--
Joe Sesto
--
http://www.pbase.com/dom277
 
Curious, what was the equation you used to get 47mm?
I stitched the shots together using Panorama Tools and PTGui assuming the 50/1.8 is actually 50mm. Then I looked at the FOV necessary (calculated by the optimizer) to make the shots match.

Lee Jay
 
f/4 at 1/5s ???

The tripod had better be rock solid at 1/5s!!! Can't we have a flash test to eliminate vibration blur?

What with the focusing? It's well known that the 10D can't properly focus a 50mm/1.4 and some other lenses. Manual focusing with a magnifier (like the angle finder) is needed.

What with resizing the crops? Can't we have 100% crops instead of a 160% uprez? (according to the size of the test chart if it is actually full size)

The strange behavior at f/4 (more blurry than at 2.8) with several lenses is a giveaway that the stability of the camera/tripod/lensmount might be a unaccounted variable in this test. Or Canon lenses vibrate internally???
 
It's clear on the Canon 2.8 that there is severe motion blur.
No, there's not. The center of the same image (which you clearly
didn't look at) is tack sharp, and the photo was taken at 1/1600.
Just how shaky would the camera have to be to get blur at that
shutter speed? My tripod's pretty sturdy, and the wind was very
light that day.
You could tell yourself all day long that the 2.8 Canon isn't motion blurred but it is. It is easilly done by pressing on the shutter release a tad too hard. It happens to me every time I am too lazy to get the shutter release cable out of my bag.
I believe what you're seeing is comatic aberration. Remember, the
50's a very old design.
You've got to get over this 'old design:new design' thing. What you need to do is get a shutter release cable, and use that much touted fancy matte screen and manual focus so we can have a real test to judge.
Also,
on the Canon F8 shot it is focused on infinity (look at the
Transamerica Building) while the Sigma F8 is focused far further
foward (look at the street lamp in the very front of the shot).
They are focused on the Commerce Bank building in both cases. All
photos are sharp in the center. That distance and aperture puts
both buildings within the DOF.
You really think we're all a bunch of idiots? It is clear that whatever you meant to focus on both lenses missed the mark. The Sigma Fronted (Surprise Surprise) and the Canon overshot.
Back to do more testing if you want anyone sane to take this test seriously.
Blurred shots and variable focus points tell us nothing about
either lenses, but they do give us a 'stunning' point of view as to
who and how others are judging (or rather misjudging) lenses.
The only "blur" is in the corners of pictures. They are all sharp
in the center. You really shouldn't jump to conclusions based on
your preconceptions. I didn't. I never expected the results I got.
I am not jumping to any conclusions. I don't own Canon stock! I downloaded the full size photos and examined them for myself. I am in the market for a 18-50 2.8 (the Sigma 18-50 3.5 5.6 can't focus on a barn at five paces) and someone with this lens can help me; but not the test you did. I know you tried, but instead of digging in you should be learning what went wrong on the first test and go back and repeat.
The Sigma may yet still win, but a much better test than this
fatally flawed one will be needed to prove it.
Perhaps you might look at fStopJojo's test, which predated mine and
shows the same corner softness for the Canon 50mm f/1.8. I thought
his test was probably flawed, until mine confirmed it. The only
flawed test I've seen is Jason Livingstone's, where some of his
samples are much much sharper wide open than stopped down. Clearly
there was focusing error in his tests.
I looked at all of these very sorry tests. It only shows me that most people take a few snapshots and call it a test. Heck, sounds like something I might do to kill an hour if someone asked me to sample two lenses. I would be knowing though that something much more substantial is required to be called a 'real' test.

Remember, I am not rooting for a particular lens, what I am hoping for is a better test. We need a more consistant focus point and a shutter release cable at least.
Be skeptical, yes. But you should keep an open mind, too.
I am very open minded. There are times when I prefer the photos from my 55-200 II over the 70-200 4L!
--
I shoot things just for fun!
 
It's clear on the Canon 2.8 that there is severe motion blur.
You could tell yourself all day long that the 2.8 Canon isn't
motion blurred but it is.
You may have a sloppy technique and be lazy, but you will never get motion blur on just one part of the frame. Since the center of the picture have no motion blur, draw your conclusions. Have you ever played with loose optics in your spare time? Unproperly aligned elements look exactly like what you see in the corner crop of the 50/1.8. They can have a winning design and stunning glass elements, if they can't manage to align them and have them stay aligned in day to day use, the lens is no better than what you see in Stephen's pics.

I had a L lens "repaired" by canon and it returned producing images exactly like that 50/1.8... no need to say back to canon it went (only wish I could have sent it to someone more competent)
 
...Now you've joined Steven and I as the ONLY ones who have these 2 lenses and found the same exact results! I hear the lynch-mob coming...
Despite the fear of being berated for saying this, I thought that I
should add that I did some informal tests with the same lenses and
found the same results. The canon was sharper in the middle except
wide-open when it equalled my sigma. But the sigma was very close
in the middle, and consistantly sharper in the corners. The place
when the canon beat the sigma was contrast.

Marcus
 
I photograhed the belt of a bath robe and then did some triganometry:
C: camera
==: bath robe
C

/~~ / ~~ / ~~ ====
b a

angle aCb. tan(aCb) = Ca/ba

it was accurate within about a degree
notice the 18-55 also lies. it looks just like 50mm (unless the 50
is actually 55)
 
lol, me too. Though I did not testing and measurbating, to my eyes my 18-50 2.8 was as sharp, or sharper from edge to edge, in most real life pictures, at a range of apertures, on average, etc etc, relative to my 50/1.8's, MK1 and Mk2, of which I owned and have since sold both. For real low light situations I await and hope the sigma 30/1.4 will be useful. It'll be a more useful focal length for me than the 50 was. The 50's were very good value for money though, exceptionally so.
Despite the fear of being berated for saying this, I thought that I
should add that I did some informal tests with the same lenses and
found the same results. The canon was sharper in the middle except
wide-open when it equalled my sigma. But the sigma was very close
in the middle, and consistantly sharper in the corners. The place
when the canon beat the sigma was contrast.

Marcus
--
http://www.pbase.com/dom277
 
They could put the finest lens known to man on that thing, and it still wouldn't focus worth a damn. It's a horrible camera.
That there is "L glass" on the Pro1 is just marketing hype. Like
automakers, Canon markets one way for the expensive products and
another way at the budget end of the line.
 

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