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You mean to include the Digital GR1 in that "few weeks" estimate?wait few weeks for upcoming GX2 or GR1.
http://forums.dpreview.com/forums/read.asp?forum=1001&message=12226521You mean to include the Digital GR1 in that "few weeks" estimate?wait few weeks for upcoming GX2 or GR1.
I've heard that the Digital GR1 may be unlikely to arrive until
late this year, possibly even later. Have you heard otherwise?
I'm assuming that you are refering to the sample images here at Dpreview.Yes, but that isn't what is seen. If you look at the V3 shots done
at f8 and 7mm (wide angle), there is softness noticible but it you
look at V3 shots done at f8 and 34mm (maximum zoom)..there is no
softness. You can see that in the sample shots here...specifically
pictures 12 and 13. Shot 13 was done at f8 and should show some
effects. We know our samples shots are untouched so we can be
reasonably certain that there was no additional sharpening to fix
up softness.
First, at wide angles, the aperture is effectively elliptical
towards the corners of the image--thus smaller. This means that
while your center is at f16 your corners might be closer to f22.
Retrofocus designs lessen this problem, but it doesn't go away
entirely.
Good points I hadn't considered. A third could be the shape of the aperture and how accurately it holds its shape as it is stopped down.Second, at the very tiny absolute apertures seen in digicam, the
depth of the aperture can end up being a significant fraction of
the diameter, which worsens diffraction. The "theoretical"
diffraction limits are with an infinitely thin aperture. This is
why pinhole folks are so nuts about getting the thinnest possible
stock to punch holes in, and why you get spikes around light
sources--that's extra diffraction from where the aperture leaves
meet, and the aperture is thus twice as thick
--Yes, that's a nice range. the weak point here seems to be lens.
i saw an interesting comparison based on koren test. the cameras
checked were 6 MP dslrs and 8 MP digicams. they measured resolution
as compared to the 'theoretical' lpm.
the winner was D70 with a kit lens -70%, the loser KM A2 - 30%
don't mean to spoil you humour though![]()
I'm assuming that you are refering to the sample images here at
Dpreview.
If so, I don't see support for your conclusion. There are no wide
angle shots at f/8. So it is difficult to say if there is any
significant softening due to stopping the lens down and also to see
if it is worse than any softening at f/8 on the longer focal
lengths. Increased softness could very well be due to poorer
optical correction at the wider angle.
--
Jay Turberville
http://www.jayandwanda.com
--To summary some of the options available from this thread and
elsewhere:
And that's before using any wide converter lenses - but some people
- Nikon 5400, 8400 (starts at 24mm)
- Olympus 7070, 5060
- Canon S70, S60, Pro-1
- Minolta A200, A2, and older
- Sony F828
- Fuji E500, E510, some F-series are close to 28mm but not there
- a lot of Ricohs
don't like to use those...
New Nikon cameras start at 38 mm - are we entering an era of toy
cameras?
The OLY C-7000 range is 38-190 mm. 38 is not wide enough 190 is far
from a telephoto. who needs 38-190?
Canon G6 and Sony V3 start at 34/35 mm that is mainly why I
excluded both cameras from my shortlist (Sony also due to aperture
problems at long zoom end).
OLY C7070 - 27mm - great! however the samples on the net are not
very encouraging. Pictures are flat, poor dynamic range (burned
highlights). So maybe 5060?
Canon S70 - almost ideal combination 28-100 mm, portable. but I
can't imagine making photos with something like a gripless
powder-box.
The best deal on the market now is probably Nikon 5400 - 5MP(fairly
enough), 28-116mm, size and ergonomics perfect. Better than 8400 -
who needs 8 MP that can be used up to ISO 100 only due to dreadful
noise...
--
mc
--Tests are fine - the 'proof is in the pudding' as they say. The
difference between 1650 lp/ih and 1700 or 1800 are not visable to
me in a normal print or scaled down web image. If you like looking
at your images at 100% scale on a monitor then the extra few line
pairs are nice - but I'm not a pixel-peeper. ;-)
Actually the corner to corner performance of the A2 glass is
excellent, but most testers only look at the center. Probably don't
want to step on too many 'corporate toes' ;-) I think KM opted for
a more aggressive anti-alising filter than other mfgs, I've never
had to remove moire from any of my images taken with the A2.
I'm looking to purchase a DSLR this spring. Have to see what shows
up at PMA. ;-) I'm leaning towards the 20D or its successor, or the
7D
Regarding the Koren test ... I'd have to do my own --- i don't have
much much faith in looking at other's results ... some people have
too many axes to grind. ;-)
cheers,
Rick
--Yes, that's a nice range. the weak point here seems to be lens.
i saw an interesting comparison based on koren test. the cameras
checked were 6 MP dslrs and 8 MP digicams. they measured resolution
as compared to the 'theoretical' lpm.
the winner was D70 with a kit lens -70%, the loser KM A2 - 30%
don't mean to spoil you humour though![]()
cheers,
Rick Sterling
http://www.rickster.org/gallery/albums.php
--New Nikon cameras start at 38 mm - are we entering an era of toy
cameras?
The OLY C-7000 range is 38-190 mm. 38 is not wide enough 190 is far
from a telephoto. who needs 38-190?
Canon G6 and Sony V3 start at 34/35 mm that is mainly why I
excluded both cameras from my shortlist (Sony also due to aperture
problems at long zoom end).
OLY C7070 - 27mm - great! however the samples on the net are not
very encouraging. Pictures are flat, poor dynamic range (burned
highlights). So maybe 5060?
Canon S70 - almost ideal combination 28-100 mm, portable. but I
can't imagine making photos with something like a gripless
powder-box.
The best deal on the market now is probably Nikon 5400 - 5MP(fairly
enough), 28-116mm, size and ergonomics perfect. Better than 8400 -
who needs 8 MP that can be used up to ISO 100 only due to dreadful
noise...
--
mc
No, those are cameras withWhat you did is you digged out probably all wide angle cameras that
came out in the last few years and based on that you assumed that
the number of wide angle cameras had increased in the last few
years..
Sure. Shoot the same subject at full wide and full tele at both full wide and at f/8. You might even want to add an intermediate aperture like f/5.6.It should be a testable hypothesis. Can we agree upon an approach
that can provide people with some definitive answers?
--No, those are cameras withWhat you did is you digged out probably all wide angle cameras that
came out in the last few years and based on that you assumed that
the number of wide angle cameras had increased in the last few
years..
Analyze the market just a few years ago and you'll realise that
poster was right - the number of Wide angle cameras increased! A
lot.
--
Greetings, Aleksandar
I was trying to be "right" and "constructive", but I can try to be "smart"..if you want to say something smart be more specific - what does it
mean a few years ago? what was the proportion of
all cameras a few years ago? what is the current proportion of
launched
Sure. Shoot the same subject at full wide and full tele at bothIt should be a testable hypothesis. Can we agree upon an approach
that can provide people with some definitive answers?
full wide and at f/8. You might even want to add an intermediate
aperture like f/5.6.
Now compare the photos to see if loss in sharpness is correlated to
focal length as well as f-ratio and if there is a greater loss in
sharpness at the wider angle than at the narrower angle.
You can download resolution charts for free from http://www.normankoren.com
--
Jay Turberville
http://www.jayandwanda.com
Its not a burning issue for me. I'm using Coolpixes. So test it because you are curious and/or for other users of the same camera.It's the car show this weekend but I'll see if I can get the shots
done.
--I was trying to be "right" and "constructive", but I can try to beif you want to say something smart be more specific - what does it
mean a few years ago? what was the proportion of
all cameras a few years ago? what is the current proportion of
launched
"smart"..
Few years ago it was very hard to buy a digicam with wide angle. I
bough my Kodak DC5000 because of it (it had 30-60mm lens). I rember
that Kodak DC4800 had 28-84mm lens, Canon Pro 70 gad 28-70mm lens,
there was 28mm wide angle version of Minolta EX 1500. Maybe some
more, but I remember those. When Olympus C3030 came out, it was
considered as unusually wide, with 32mm.
Today, it's easy to buy a digicam which starts from at least 28mm.
Actually, most of 8MP prosumers start from 28mm. Exception was
Nikon, who therefore introduced a 24mm one.
Talking about trends.. Few decades ago zoom lenses were rare. After
that, 35-70mm was considered as a "standard" zoom range. Recently
(just a decade ago) that expanded to 28-80mm. So, 28mm is a NEW
trend. A good one, I like wide angle a lot, but it is comming
slowlly.
I hope this was "smart" enough. I did my best. No flame wanted.
--
Greetings, Aleksandar
--The reality is, there are more cameras with wide-angle lens and
more cameras with ultra zoom.
Not so long ago, there weren't any compact digicam with 24mm. Then
Nikon released CP8400. Canon S50 starts from 35mm, but both S60 and
S70 starts from 28mm.
In the H2 of 2004, many companies released cameras with wide-angle
lens. Now it's turn telephoto fans get excited. (Or disappointed,
in the case of those waiting for Canon S2 IS.) Later this year,
Nikon probably will replace CP8400, and Canon may announce S80 and
S90. Don't be surprised if both Canon G7 and Sony V5 come with new
lenses.