alanvee
Forum Enthusiast
With all the complaining about noise at the ISO 400 levels (and above) has anybody ever done a GOOD scan of some color transparencies shot at 400 (and above) and compared them to what digital can do? In color film it isn't "grain" but dye-clumping - but still just as annoying as digital noise. I sort of recall that hi-speed color film wasn't considered a 'pro' thing. Nat Geographic always (or mostly) used Kodachrome (ISO 25!) until supplanted by Velvia @ ISO 50 in recent years. It would be quite interesting to see a side-by-side of digital high ISO v film.
=AR
=AR