Which should I go for, clear 6mPixel (D70) or 8mPixel (8700)

. "This
will limit you to bright light outdoors or close range flash- ie
snapshots. Of course there are some very scenic places that look

good in bright light, but those are the exception. > It all boils down to what you want to use it for."
DOes this mean that I will have issues on, say, cloudy days...i.e.
scenic overlook in the mountains on a cloudy day? I want a camera
that does it all....I cant afford both the D70 and the 8700...I do
have the 35mm Canon DR. DOes this mean I will need to carry both my
canon and the 8700 (that will be in on Friday!) to cover all my
photos?
Thanks!
Suzy
I have the 35mm Rebel NOT the Digital Rebel ...oops....
 
DOes this mean that I will have issues on, say, cloudy days...i.e.
scenic overlook in the mountains on a cloudy day? I want a camera
that does it all....
The 5700/8700 does just fine on cloudy days...



... and even on night shots, provided you use a tripod or hold it very steady.



--
Warm regards, Uncle Frank,
FCAS Charter Member, Hummingbird Hunter
Contributing Editor, digicamhelp.com
http://www.pbase.com/unclefrank/coolpix
 
Nikon TTL compatible flashes work as before.
The crippled external flash support is no longer valid.
Can one use the SB-80DX on the 8700 and control ALL of its features?

If it still works "as before", then the answer would be "no", in which case, it is still crippled. Less crippled perhaps, but still crippled. :/

--
Jesse
(see profile for equipment)
 
DOes this mean that I will have issues on, say, cloudy days...i.e.
scenic overlook in the mountains on a cloudy day? I want a camera
that does it all....I cant afford both the D70 and the 8700...I do
have the 35mm Canon DR. DOes this mean I will need to carry both my
canon and the 8700 (that will be in on Friday!) to cover all my
photos?
Thanks!
Suzy
You should be fine on cloudy days. If needed, you can set to ISO100, but I remember using Kodachrome II (ASA25 which is close to ISO25 in todays standards) during cloudy days (outdoor portraits are much nicer on overcast days) with a 35mm. I think what Stuart was trying to say was that you will have to accept either a larger aperture or slower shutter speeds at ISO50 than you would with a dslr for the same 'noise' level. I think you will be happy with the 8700 for 99% of the normal conditions. I would pick a dslr for night shots. My 8700 seems fine during evening hours and will do some tests when time permits. Oh, to get real good results from the dslrs, you should save in RAW and do some post processing (many images seem lifeless - the dslrs by default use very little in-camera processing).

Wayne

PS I generally grab the 5700 (now 8700) when walking out the door - I do not like to have to carry the dslr and accessories in the field (unless doing indoor or fixed locations).

--
Canon Digital Rebel, Nikon 5700, Nikon 8700, Panasonic LC5
 
To get the frozen wing shots, I shoot in full manual at a tight
aperture (~ f/6), and at a shutter speed of 1/2000th second. That
means I don't have enough natural light for a good exposure, even
on a bright day, so I use fill flash. A dslr wouldn't work for
this approach, since the wings beat at 80 cycles per second. At
1/500th, they'd be a blur.
Interesting. Is the smaller aperture absolutely necessary? What would be the result if you shot two f-stops lower and without flash (but still at 1/2000)?

--
Jesse
(see profile for equipment)
 
Depends on what you want to shoot on those cloudy days.If you want to shoot only scenic overlooks the 8700 will do fine. Even better with a tripod. The 8700 won't be as good as a dslr on action shots indoors or on early evening or dark cloudy days. That is where the higher ISO with less camera noise kicks in.
DOes this mean that I will have issues on, say, cloudy days...i.e.
scenic overlook in the mountains on a cloudy day? I want a camera
that does it all....I cant afford both the D70 and the 8700...I do
have the 35mm Canon DR. DOes this mean I will need to carry both my
canon and the 8700 (that will be in on Friday!) to cover all my
photos?
Thanks!
Suzy
--
http://www.pbase.com/ken_5
 
When I reach the point where my digicam limits my picture making
ability, I'll definitely consider a dslr... but I'm no where near
that point yet. And from what I've seen, only a few very advanced
photographers EVER reach that point.
Are you saying that only very advanced photographers need the advantages of a DSLR?

--
http://www.pbase.com/ken_5
 
Can one use the SB-80DX on the 8700 and control ALL of its features?
I have the Sigma 500 DG Super and it does work with the 8700. However, I have not tried all the features of the flash with the 8700 (the book is about as thick as the 8700 manual - and since the 5700 did not use all the modes, had no reason to read those portions).

The biggest advantage (for me) of the 8700 over the 5700 is the ability to use studio strobes (I have a speed-o-tron set), non-Nikon strobes (single contact hot shoe - I have a very small Panasonic flash I like for travel), and other hot shoe accessories (I use a very old ring light set which was hit-or-miss with the 5700 for product shots) without having to 'fool' the internal flash. I have not discovered whether or not the af assist of the external flash works with the 8700, or if the 8700 only uses it's own af assist, and have not tried 2nd curtain sync (high speed sync seems to work). There just is not enough time to try all this (only had the 8700 since yesterday morning - first one that the local shop got - arrived monday at their main store and was delivered to the one I shop at tuesday).

Perhaps Nikon will do a revised firmware for the 5700 which will let you turn off the internal flash while keeping the hot shoe active. May not be a big deal to lots of you, but for me, this is the main reason for getting the 8700.

Wayne

--
Canon Digital Rebel, Nikon 5700, Nikon 8700, Panasonic LC5
 
Are you saying that only very advanced photographers need the
advantages of a DSLR?
I was just speaking for myself, Ken. I don't see an advantage in a dslr for the type of shots I take, and I'm primarily interested in making photos, not owning slick gear. If I specialized in indoor sports, or nature photography, or stuff where a dslr would offer advantages, I'd buy one.

Let me re-phrase that. I'd ask Aunt Nancy for permission to buy one :-).

And if I was as talented as Yves, I'd buy one without permission, cause I'd make it pay for itself.

--
Warm regards, Uncle Frank,
FCAS Charter Member, Hummingbird Hunter
Contributing Editor, digicamhelp.com
http://www.pbase.com/unclefrank/coolpix
 
I wish this forum had an edit option. At least for a few minutes.
I second that!

And you are right about action shots - I much rather use my DR for those - unless conditions do not favor a dslr (dust, rain, snow, etc). Oh, snow is a big one here (in Colorado) - soccer games can start in the sun and end with an inch or two of snow on the field!

Wayne

--
Canon Digital Rebel, Nikon 5700, Nikon 8700, Panasonic LC5
 
Interesting. Is the smaller aperture absolutely necessary? What
would be the result if you shot two f-stops lower and without flash
(but still at 1/2000)?
I need the tight aperture for extended DOF, cause I pre-focus in a general area, but don't know exactly where the little buggers will be when I shoot them. And I'd need more than 2 f-stops; I'm typically 4 f-stops underexposed without flash.
--
Warm regards, Uncle Frank,
FCAS Charter Member, Hummingbird Hunter
Contributing Editor, digicamhelp.com
http://www.pbase.com/unclefrank/coolpix
 
I need the tight aperture for extended DOF, cause I pre-focus in a
general area, but don't know exactly where the little buggers will
be when I shoot them. And I'd need more than 2 f-stops; I'm
typically 4 f-stops underexposed without flash.
Aah, but then wouldn't that mean that you would not need 1/2000 flash sync with a DSLR, since its AF is fast enough that you would not need to prefocus? :D

But I understand the application now. Thanks!

--
Jesse
(see profile for equipment)
 
To get the frozen wing shots, I shoot in full manual at a tight
aperture (~ f/6), and at a shutter speed of 1/2000th second. That
means I don't have enough natural light for a good exposure, even
on a bright day, so I use fill flash. A dslr wouldn't work for
this approach, since the wings beat at 80 cycles per second. At
1/500th, they'd be a blur.
I believe most flashes to control the amount of light they emit by shortening the flash duration. Full flash duration i believe to be in the 1/4.000s and shorter area. Partial flash could be as short as 1/25.000s.

When setting the camera to high shutterspeeds and small apertures you make sure the foto without flash would be almost totally dark. Now with flash the flash duration will decide how long the subject is exposed.

Imo the stopping of the hummingbird movement is due to the short flash duration rather than the shutterspeed.

Wat i'm trying to say is that the shutterspeed usually doesn't decide how long the subject will be exposed, because the flash duration will be much shorter than the shortest shutterspeed the camera can synchronise at. Only with max. flash duration (1/2.000 - 1/4.000) the shutterspeed on the latest Coolpixes could be shorter than this (5700 at 1/4.000).

So a D70 at 1/500s should stop the hummingbird wings as well with a short flash duration like 1/10.000s, as long as the normal light doesn't show up in the foto.

Any misconceptions in my reasoning?

--
Success

Ben

N i k o n 5 7 0 0 - S u n p a k P Z 5 0 0 0 A F

http://wouters-ba.ath.cx
 
Any misconceptions in my reasoning?
Only one. The duration of my SB-22s Speedlight is 1/1100 at full power. That probably typical for most of the speedlights.

I'm guessing that my speedlight is firing at full power, and that the 1/2000 shutter is clipping its illumination.

--
Warm regards, Uncle Frank,
FCAS Charter Member, Hummingbird Hunter
Contributing Editor, digicamhelp.com
http://www.pbase.com/unclefrank/coolpix
 
Any misconceptions in my reasoning?
Only one. The duration of my SB-22s Speedlight is 1/1100 at full
power. That probably typical for most of the speedlights.

I'm guessing that my speedlight is firing at full power, and that
the 1/2000 shutter is clipping its illumination.
Hi UF

just found this site during some googling around:

http://www.rpphoto.com/howto/hummer/humguide1.htm

Perhaps you already knew it. He has some ideas about flash versus shutterspeed stopping the motion.
Interesting read!

--
Success

Ben

N i k o n 5 7 0 0 - S u n p a k P Z 5 0 0 0 A F

http://wouters-ba.ath.cx
 
I believe most flashes to control the amount of light they emit by
shortening the flash duration. Full flash duration i believe to be
in the 1/4.000s and shorter area. Partial flash could be as short
as 1/25.000s.
Correct, the 5700 could be used at it's maximum shutter speed of 1/4000th with the built-in flash if the subject is close enough to the camera's flash sensor, such as approx. 4ft. This is because the flash duration will be reduced thus providing less light exposure.

--
Ron T
5 7 0 0
 
Now, the DSLR has a much larger sensor area, so it does work better
in low light. On the down side, the images from DSLRs typically
need some post processing, meaning more computer time.
Does it mean that, on a D70, after taking a shot, I will have to wait longer (for the image to be processed) before I could take the next shot.
 
Does it mean that, on a D70, after taking a shot, I will have to
wait longer (for the image to be processed) before I could take the
next shot.
No, the image is saved to your hd where you apply filters/actions/etc to enhance the image - most dslr images look 'flat' compared to pro-sumer images, so many find it necessary to tweak them a little (sometimes the unsharp mask or tweak the contrast/brightness). However, with a pro-sumer, you might be tweaking the image too (noise for example).

In any event, you do have this option (which works better if the image was saved in RAW format) and it is relatively easy to do (as opposed to painting/touching up negatives or prints).

Wayne

--
Canon Digital Rebel, Nikon 5700, Nikon 8700, Panasonic LC5
 
just found this site during some googling around:
Perhaps you already knew it. He has some ideas about flash versus
shutterspeed stopping the motion.
Very interesting stuff, Ben. I wish I had known about it last summer, as it answers some questions that I had to work out through lengthy trial & error. But his conclusion and elaborate setup is shaped by his use of a dslr, which can't sync flash at high speeds. Since a Coolpix can synch at up to 1/2000, and effectively clip the time that the flash illuminates the hummer, a hobbyist can get decent results simply using the INTERNAL flash, as I've done in this shot.



Unless you're going to specialize in hummingbird shots, the Coolpix offers a simple and low cost (actually, NO cost) solution that yields pretty good results.
--
Warm regards, Uncle Frank,
FCAS Charter Member, Hummingbird Hunter
Contributing Editor, digicamhelp.com
http://www.pbase.com/unclefrank/coolpix
 

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