show us your b&w shots!



I use the same methodology minus the grandiant mask... how does that work? This was a grayer overall scene than yours Melanie, so I don't have as much contrast from blackest black to whitest white. I really like yours for that reason. Really communicates the light. Ann
--
also known as PT Kitty > ^..^
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My favorite picture is the one I'm taking right now
 
Andy:

If IR counts, here are a few. If IR doesn't count, please disregard!

Here's one of God:



Here's one of my daughter:



Here are two of a cemetary:





And finally, the Brooklyn Bridge, NYC:



Florindo
 
As far as the gradient map goes-- I add it as an adjustment layer and then reduce its opacity to taste (or not use it at all). Every so often I will just use a gradient map (black/white gradient) and not use the channel mixer-- it just depends on the picture. The gradient map seems to be more strongly black/white, without the subtleties available in the channel mixer (but I'm not sure about that, that's just how it feels to me).

Melanie
 
Florindo Gallicchio

Thanks will try!
Was looking @ yours .............you do very nice work!!

Nice pics on this forum by lots of good and obsessed camera freaks...lol

Ken
 
In reference to the first shot below, the following was my
approximate conversion process, but it changes every time,
depending on the photo, but it always incorporates some combination
of the following (taken from yesterday's thread).

Anyway, my conversion process varies a little each time, and I
don't remember all the exact settings, but I can tell you the steps
I typcially do.

The original was shot at ISO 800, underexposed (intentionally)
about 1 stop. I underexpose a little bit intentionally to allow
more control in post developing. Oh, I only shoot in jpg and use
Paint Shop Pro.

1. General levels to bring it up a little brighter, but at this
point it's just to get it "close".

2. Convert to B/W using channel mixer (my settings here always
vary, sometimes I'm heavy on the red channel, sometimes the green,
but not usually the blue because it introduces more noise).

3. Duplicate layer, dodge property, maybe at about 3-5% opacity, merge
4. Dup layer, soft light property, about 15-20 opacity

5. Now I start fine tuning the exposure. In this case, the faces
and dark shirts were still too dark compared to the rest of the
scene so I selectively levels and curved them to desired look. I
use the lasso tool at about a feathering of 60 or so. This brought
out the detail in the shirts and faces.

6. If I remember, I duped this one again and re-applied a dodge,
then merged, duped again, and used the multiply property at about a
5% opacity.

7. To finish off most of my b/w's, I colorize with about a 3-5
saturation and hue to get rid of the blueish look that so often
accompanies digital b/w.

I think that's about it. I don't do that much to every b/w, but
always do some dupe layers with combinations of the dodge, burn,
multiply, and soft light properties.

I suppose the whole developing of this one was about 20 minutes, I
guess.

(10D)



(707)



(707)



(10D)



Jim
winter is especially a great time for b&w. i've seen a ton of
great shots from stfers, let's see some more or replay the better
ones! also, please describe your preferred method of "going b&w"
  • briefly describe your conversion process.
i'll start. i use ps8, channel mixer, monochrome, then tweak the
sliders to my liking. then, i'll sometimes use selective
color> blacks, and bump up the blacks a tad. after these
adjustments, contrast adjustments aren't usually necessary but
sometimes i'll work on that, too. normal sharpening, resizing,
etc. follows.

let's learn from each other. what technique do you use?







-- andy
http://www.moonriverphotography.com
--
Jim Fuglestad
http://www.pbase.com/jfuglestad/366
  • You're not in third grade anymore. Take as many recesses as you
want!
  • Why simply live and let live? Live and help live.
http://www.pbase.com/jfuglestad/galleries
 
2 shots of the same old Belvedere. PS 7-channel mixer set to 60/40/0-unsharp mask set to 85-1.4-4. :) Be gentle, I'm still a newbie! P.S. shot with my beloved f717.



 
--





Here are two of my Wife's favorites.
For something different you can:
Mode to B+W
Use the sponge tool set to saturate
Flow set to 100% and paint over your photo
Use Dodge and Burn to retouch to taste.
Can be very dramatic and often leans towards IR.

Stephen
 
to make it B&W. Sometimes like this first pic I SHOOT for B&W
knowing this day was dark with snow it would make a great one.
From there I used Monocrome then CONTRAST and probably some
desaturation too. Plugged is one of my all time favorite pics lol.
It is in my front yard on our heated birdbath of a sweet dove, late
after a snow.



Seed weed is an artsy pic. It had VIVID BG color which I
desaturated, used contrast then MONOCROMED IT. Then I believe I
used a filter on it adjusting if color remained.
Seed weed is an odd weed that the birds must have dropped the seed
to as it grew all alone and I pulled the RED tractor trailer in
back of it for BG



Night flight home was easy, taken at the marsh late evening so I
knew it would make a good B&W from the cast of the sun going down.
All I did here was contrast and monocrome.



Last one was after our recent snow storm. Just a REGULAR SHOT.
You all know how EASY it is to turn a pic to B&W then as it almost
is. Here I just turned it to monocrome with a TOUCH of contrast.



Cherylm
 

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