pramarko
Leading Member
I agree with you all the way Dennis!
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Because with a focal reducer you would get exactly the same FOV as a 300 mm and 70-210 mm lenses (les objectifs, die Objektive) have on film cameras, but will also get much higher resolution, speed (brightness) and less abberations than 450 mm equivalent. That isn't going to happen, of course, but I would use an external wide converter always - because of two reasons: I shoot within 28-210 mm focal lengths, a longer lens is less than useful (for me); and such a wide converter, permanently attached (despite being a detacheable accessory), would mean no dust getting on sensor.I cant belive wich stories they think about. If Minolta brings out
a focalreducer why do they produce the new 300mm and 80-200mm SSM
Objectiv today.
Its like you would put a expensive 300mm Objektiv on a camera wich
contains a negativ 0,5 converter. So you could use a 150mm Objektiv
and forget about the Focalreducer and get the same or better result.
Because of flange distance of the lens's exit pupil to focal plane. The flange distance (also called backfocus, or depth of focus) causes the SLR body depth (as opposed to rangefinders that utilise retrofocus lenses, for example, as well as digital and film compacts, which also have retrofocus lenses). Oh, retrofocus wide lenses without telecentric, or near-telecentric optics mean that light falloff at the edges due to acute angle of incidence causes them to become unuseable.Why do you think there will be a Mirror ? a Minolta D-SLR could be
made much cheaper and smaler without a Mirror.
No, I don't think so. I think they must cater to needs of professionals first. I can bet, though, that the next camera will be based on the new Dynax 60 the way the EOS 300D is based on EOS 300, and *istD is based on *ist. That will mean increasing (yet again) shutter speed to 1/4000th sec., and perhaps re-adding eye start (the latter is the main reason I'm not going to switch, the former is icing on the cake that I would miss too much), adding rear dial (and moving the front one into the handle - please?), perhaps not even removing programs.I hope you're right, but I've got a feeling that Minolta will come
up with a "under $1000.00" camera to compete with the Rebel 300D
and Nikon d70. There's where major DSLR's sales are. A more Pro
camera ( Maxxum 7 based, or ... ) may only be available sometime
after.
Lucas
Apparently from the latest (February) issue of PopPhoto, Herbert Keppler who wrote about Minolta's plans to introduce new film SLRs and the upcoming DSLR, that the latter is feature-filled. So we could still be on track for a digital 7 w/AS. Having said that, I might consider a digital Dynax 60 (same specs, just add a sensor to it) @ US $ 750-800.No, I don't think so. I think they must cater to needs of
professionals first. I can bet, though, that the next camera will
be based on the new Dynax 60 the way the EOS 300D is based on EOS
300, and *istD is based on *ist. That will mean increasing (yet
again) shutter speed to 1/4000th sec., and perhaps re-adding eye
start (the latter is the main reason I'm not going to switch, the
former is icing on the cake that I would miss too much), adding
rear dial (and moving the front one into the handle - please?),
perhaps not even removing programs.
We shall see what the Dynax 80 will bring. I can guess crossing the
features of Dynax 7 with Dynax 9, perhaps not increasing body build
quality to 9 level, but...
----
'Nuclear powered vacuum cleaners will probably be ready within 10
years,' Alex Lewyt, of the Lewyt Corporation, a vacuum maker,
predicted in The New York Times on June 10, 1955.
--- A warning to all technophiles
Whoops! You have got that a bit mixed up there, toughluck.Because of flange distance of the lens's exit pupil to focal plane.
The flange distance (also called backfocus, or depth of focus)
causes the SLR body depth (as opposed to rangefinders that utilise
retrofocus lenses, for example, as well as digital and film
compacts, which also have retrofocus lenses). Oh, retrofocus wide
lenses without telecentric, or near-telecentric optics mean that
light falloff at the edges due to acute angle of incidence causes
them to become unuseable.
Apparently from the latest (February) issue of PopPhoto, HerbertNo, I don't think so. I think they must cater to needs of
professionals first. I can bet, though, that the next camera will
be based on the new Dynax 60 the way the EOS 300D is based on EOS
300, and *istD is based on *ist. That will mean increasing (yet
again) shutter speed to 1/4000th sec., and perhaps re-adding eye
start (the latter is the main reason I'm not going to switch, the
former is icing on the cake that I would miss too much), adding
rear dial (and moving the front one into the handle - please?),
perhaps not even removing programs.
We shall see what the Dynax 80 will bring. I can guess crossing the
features of Dynax 7 with Dynax 9, perhaps not increasing body build
quality to 9 level, but...
Keppler who wrote about Minolta's plans to introduce new film SLRs
and the upcoming DSLR, that the latter is feature-filled. So we
could still be on track for a digital 7 w/AS. Having said that, I
might consider a digital Dynax 60 (same specs, just add a sensor to
it) @ US $ 750-800.
José
----
'Nuclear powered vacuum cleaners will probably be ready within 10
years,' Alex Lewyt, of the Lewyt Corporation, a vacuum maker,
predicted in The New York Times on June 10, 1955.
--- A warning to all technophiles
Come and visit me at:
http://www.pbase.com/jmb_56
![]()
--Apparently from the latest (February) issue of PopPhoto, HerbertNo, I don't think so. I think they must cater to needs of
professionals first. I can bet, though, that the next camera will
be based on the new Dynax 60 the way the EOS 300D is based on EOS
300, and *istD is based on *ist. That will mean increasing (yet
again) shutter speed to 1/4000th sec., and perhaps re-adding eye
start (the latter is the main reason I'm not going to switch, the
former is icing on the cake that I would miss too much), adding
rear dial (and moving the front one into the handle - please?),
perhaps not even removing programs.
We shall see what the Dynax 80 will bring. I can guess crossing the
features of Dynax 7 with Dynax 9, perhaps not increasing body build
quality to 9 level, but...
Keppler who wrote about Minolta's plans to introduce new film SLRs
and the upcoming DSLR, that the latter is feature-filled. So we
could still be on track for a digital 7 w/AS. Having said that, I
might consider a digital Dynax 60 (same specs, just add a sensor to
it) @ US $ 750-800.
José
----
'Nuclear powered vacuum cleaners will probably be ready within 10
years,' Alex Lewyt, of the Lewyt Corporation, a vacuum maker,
predicted in The New York Times on June 10, 1955.
--- A warning to all technophiles
Come and visit me at:
http://www.pbase.com/jmb_56
![]()
You know how I am salivating for a digital 7 w/AS but if Minolta
will come out with a 'plain Jane' D-D60 with a vertical grip and
provided a continuing rise in the CDN$, I might go for it.
Having said the above, I can't wait to read the Feb. issue of Pop
Photo. Tim Broadley brought it to my attention that apparently H.
Keppler (who first broke out the news about the new Minolta SLRs
and to hang on to our Maxxum lenses) said that the upcoming DSLR is
feature-rich. If this is the case, the first salvo can't be a
digital Dynax 60.
José
--Apparently from the latest (February) issue of PopPhoto, HerbertNo, I don't think so. I think they must cater to needs of
professionals first. I can bet, though, that the next camera will
be based on the new Dynax 60 the way the EOS 300D is based on EOS
300, and *istD is based on *ist. That will mean increasing (yet
again) shutter speed to 1/4000th sec., and perhaps re-adding eye
start (the latter is the main reason I'm not going to switch, the
former is icing on the cake that I would miss too much), adding
rear dial (and moving the front one into the handle - please?),
perhaps not even removing programs.
We shall see what the Dynax 80 will bring. I can guess crossing the
features of Dynax 7 with Dynax 9, perhaps not increasing body build
quality to 9 level, but...
Keppler who wrote about Minolta's plans to introduce new film SLRs
and the upcoming DSLR, that the latter is feature-filled. So we
could still be on track for a digital 7 w/AS. Having said that, I
might consider a digital Dynax 60 (same specs, just add a sensor to
it) @ US $ 750-800.
José
----
'Nuclear powered vacuum cleaners will probably be ready within 10
years,' Alex Lewyt, of the Lewyt Corporation, a vacuum maker,
predicted in The New York Times on June 10, 1955.
--- A warning to all technophiles
Come and visit me at:
http://www.pbase.com/jmb_56
![]()
Come and visit me at:
http://www.pbase.com/jmb_56
![]()
http://forums.dpreview.com/forums/read.asp?forum=1024&message=7215219
Keppler's got the inside track.
The dream of a Digital 7 w/AS is still very much alive and kicking!
5 weeks to go before the moment of truth.
José
--
Come and visit me at:
http://www.pbase.com/jmb_56
![]()
Hey and I have two lenses for it now. heheThe dream of a Digital 7 w/AS is still very much alive and kicking!
5 weeks to go before the moment of truth.
José
Was Dynax 5 not feature-rich? Heck, isn't it still? ;-)Hi Des,
You know how I am salivating for a digital 7 w/AS but if Minolta
will come out with a 'plain Jane' D-D60 with a vertical grip and
provided a continuing rise in the CDN$, I might go for it.
Having said the above, I can't wait to read the Feb. issue of Pop
Photo. Tim Broadley brought it to my attention that apparently H.
Keppler (who first broke out the news about the new Minolta SLRs
and to hang on to our Maxxum lenses) said that the upcoming DSLR is
feature-rich. If this is the case, the first salvo can't be a
digital Dynax 60.
--José
--Apparently from the latest (February) issue of PopPhoto, HerbertNo, I don't think so. I think they must cater to needs of
professionals first. I can bet, though, that the next camera will
be based on the new Dynax 60 the way the EOS 300D is based on EOS
300, and *istD is based on *ist. That will mean increasing (yet
again) shutter speed to 1/4000th sec., and perhaps re-adding eye
start (the latter is the main reason I'm not going to switch, the
former is icing on the cake that I would miss too much), adding
rear dial (and moving the front one into the handle - please?),
perhaps not even removing programs.
We shall see what the Dynax 80 will bring. I can guess crossing the
features of Dynax 7 with Dynax 9, perhaps not increasing body build
quality to 9 level, but...
Keppler who wrote about Minolta's plans to introduce new film SLRs
and the upcoming DSLR, that the latter is feature-filled. So we
could still be on track for a digital 7 w/AS. Having said that, I
might consider a digital Dynax 60 (same specs, just add a sensor to
it) @ US $ 750-800.
José
----
'Nuclear powered vacuum cleaners will probably be ready within 10
years,' Alex Lewyt, of the Lewyt Corporation, a vacuum maker,
predicted in The New York Times on June 10, 1955.
--- A warning to all technophiles
Come and visit me at:
http://www.pbase.com/jmb_56
![]()
Come and visit me at:
http://www.pbase.com/jmb_56
![]()
--Whoops! You have got that a bit mixed up there, toughluck.Because of flange distance of the lens's exit pupil to focal plane.
The flange distance (also called backfocus, or depth of focus)
causes the SLR body depth (as opposed to rangefinders that utilise
retrofocus lenses, for example, as well as digital and film
compacts, which also have retrofocus lenses). Oh, retrofocus wide
lenses without telecentric, or near-telecentric optics mean that
light falloff at the edges due to acute angle of incidence causes
them to become unuseable.
It is actually lenses of retrofocus design which have the LARGE
stand-off from the image plane that is useful, even essential, to
the even light distribution that digital demands.
For instance, 28mm lenses with a 50mm flange distance, are retrofocus.
"Real" 28mm lenses end up fouling the mirror because they are NOT
retrofocus in design, and have to go right inside the camera
chamber to pull focus.
Once upon a time the only wide angle lenses available for SLRs
actually did do that.
To fit them one had to first lift the mirror, and lock it up.
Viewfinding was then done with an auxiliary viewfinder mounted in
the accessory shoe, and focussing was done by the scale on the lens.
Hope this is a little clearer now,
Regards,
Baz
toughluck wrote:
Was Dynax 5 not feature-rich? Heck, isn't it still? ;-)
Hee hee .. not to mention 4000+ members of the Minolta group on YahooHi José,
"You know how I am salivating for a digital 7 w/AS"
The entire MTF knows.. haaa..
Sam
----Sam
--Steve Perz posted this comment on the News Discussion Forum :
"Minolta will be the first to put a focal reducer in the camera
body. With the focal reducer all lenses will have the same FOV as
on film. Of course you don't get something for nothing, since focal
length has been reduced and lens diameter remains the same the
f/stop is reduced and the camera body is thinner. Since the image
that covered the full 35mm format has been shrunk to fit the
smaller CCD sensor, resolution is increased by the same factor. The
focal reducer needs to be placed behind the lens and in front of
the mirror; it will keep dust from getting to the sensor. Wow, I
can hardly wait."
I don't know where he got that information, maybe just speculation,
but I thought it would be interesting to hear the comments of this
forum on it!!
Lucas
Sam Anderson
Mark K
http://www.pbase.com/mark_k
Sam Anderson