Indeed, I can see your dilemma...
Someone around these parts (or maybe some mag article?) wrote a very nice piece on why there is sometimes vehement rejection of digital and wildly inaccurate standards against which it is being compared.
The person is scared. They see the handwriting on the wall and they're scared of the unfamiliar, of having to learn a new technology and having to leave what they are used to for the "unknown" world of digital.
Of course sometimes the person is just a b-tthead.

Any DSLR beats unexposed film.
Someone around these parts (or maybe some mag article?) wrote a very nice piece on why there is sometimes vehement rejection of digital and wildly inaccurate standards against which it is being compared.
The person is scared. They see the handwriting on the wall and they're scared of the unfamiliar, of having to learn a new technology and having to leave what they are used to for the "unknown" world of digital.
Of course sometimes the person is just a b-tthead.
--Agreed. But in this case my insides were screaming to correct this
guy. He was the lighting director for a dance recital I was
shooting at an exclusive private school. I didn't want to rock the
boat.
His attitude about digital was unreal. But he did approve of the
use of 6MP for "this" application, meaning the recital.
I was hired by the artistic director.
--
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Any DSLR beats unexposed film.