Ditto. I can still get high by just remembering the smells of the pressroom. I taught our pressmen how to use densitometers to determine the end of makeready. Threatened to have them surgically attached to their arms if they didn’t comply!
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I guess it also depends on the type of work that you are doing: if it is something where color accuracy is critical, I would probably heed those warnings, while if what you are after is a pleasing print that is reasonably close to the colors that you see on your screen, I would see what you get by selecting one of the two rendering intents depending on the number of colors that show as out of gamut.
I think you ought to consider how important it will be if either the area being warned about has its saturated color(s) crushed flat by relative colorimetric, or how much the overall gamut will be squeezed by perceptual. Consider what the gamut warning means to the particular image, and use that to decide how much if any to edit further. But don't necessarily "obey" it.
