First impressions of RF 85 F1.4 VCM

being retired, my RF 85 f2 IS will have to do
4 years ago, when I needed a fast focusing f/1.4 lens, I tried to make may way with it. Sometimes it worked. The last shot is f/2.2, and at that aperture I still couldn't have both the June Bug (melolontha melolontha) and the eye of the girl in focus. That's the reason I didn't dare to shoot the first three shots at a large aperture.

0bf21c9e97d74ebe90a39750a86334f5.jpg

8a3537d48ef74776810e23e9931c71c9.jpg

462a704bcd594e5aa82c60fbb48ed0f5.jpg

f1a83fc9a4414ea4a4039adcda7a928b.jpg

The June Bug soon flew away after the last pic, otherwise the 0.5 times magnification feature would have came at handy.

I also made great pics with the Tamron EF 85mm f/1.8 SP VC, the forbidden Samyang RF 85mm f/1.4 lens, but actually the Sigma 105mm f/1.4 Art was the only Canon compatible telephoto prime that could satisfy my needs during the absence of this RF 85mm f/1.4 VCM lens.

The days of these kind of spontaneous expressions of younger kids happening all the time are almost gone. And if I want to catch any in the future I'd probably better get a zoom in stead of spilling opportunities by messing around with primes. Ergo: The 50-150mm f/2.0 is on my radar again. Another 85mm doesn't add much to the Sigma DN, the 135mm f/1.4 doesn't add much to the 105mm f/1.4, I have these lenses, I will use these so now and then, but I can't bring myself to spend a huge amount of money to marginal improvements, or improvements I needed some years a go bot not anymore.

I will take my time thinking a bit longer about this, but I think I'll prioritize the 50-150mm f/2.0 over anything else, a second Sony body included. The Canon R5 can stay as a second body, I'll accept some glass redundancy due to mount incompatibility. When needing two bodies for shooting primes it's never gonna be light weight anyway.
Beautiful shots and memories of your daughter Storm!

The RF 85 F2 IS with 1/2 macro can do the shots for me at a value proposition price - which I use for still life and posed shots.

I never bought the EF 85 F1.8 because I saw it as the purple people eater

I didn't buy the EF 85 F1.4 IS because of higher price, higher weight, and Canon wasn't there yet on the lingering fringing which still for me gave it a clinical digital look, though the blur was nice to have.

The RF 85 F1.2 is way out of my range but I can see the blur and the bokeh is worth it for some pro shooters who make good money
It's 2000 euro grey market now.....
The new RF 85 1.4 VCM is late to the party as you and R2 said. I have the R8 so the lack of IS and $1600 price tag is a non-starter for me. The blur is nice wide open, but for me, the bokeh still has the jury out until more is assessed - I wait for Optical Limits review. I've asked Richard Butler his impressions in his recent thread in this forum. Chris Nichols wasn't impressed with onion bokeh that can impact certain backdrops. But, to each their own.
O.k., interesting.
On zooms, as you know, I love zooms!

Best wishes!


--
R5 & RV
EF & FE
 
being retired, my RF 85 f2 IS will have to do
4 years ago, when I needed a fast focusing f/1.4 lens, I tried to make may way with it. Sometimes it worked. The last shot is f/2.2, and at that aperture I still couldn't have both the June Bug (melolontha melolontha) and the eye of the girl in focus. That's the reason I didn't dare to shoot the first three shots at a large aperture...

The June Bug soon flew away after the last pic, otherwise the 0.5 times magnification feature would have came at handy.

I also made great pics with the Tamron EF 85mm f/1.8 SP VC, the forbidden Samyang RF 85mm f/1.4 lens, but actually the Sigma 105mm f/1.4 Art was the only Canon compatible telephoto prime that could satisfy my needs during the absence of this RF 85mm f/1.4 VCM lens.

The days of these kind of spontaneous expressions of younger kids happening all the time are almost gone. And if I want to catch any in the future I'd probably better get a zoom in stead of spilling opportunities by messing around with primes. Ergo: The 50-150mm f/2.0 is on my radar again. Another 85mm doesn't add much to the Sigma DN, the 135mm f/1.4 doesn't add much to the 105mm f/1.4, I have these lenses, I will use these so now and then, but I can't bring myself to spend a huge amount of money to marginal improvements, or improvements I needed some years a go bot not anymore.

I will take my time thinking a bit longer about this, but I think I'll prioritize the 50-150mm f/2.0 over anything else, a second Sony body included. The Canon R5 can stay as a second body, I'll accept some glass redundancy due to mount incompatibility. When needing two bodies for shooting primes it's never gonna be light weight anyway.
Very nicely done 'Storm, and I agree with you guys about the importance of capturing The Moment. In fact it seems my entire working (photo) career has been toward that goal!

I've truly welcomed the advances made in zoom lenses over the years, as they are especially suited to my style of shooting. But like you, I too wish this 85 had been available much sooner! :-)
I wish all the modern equipment had been available much sooner. When my son was little, I was using a Canon EOS 650 film SLR, with a single AF point and a couple of slow zooms, and an Olympus compact 35mm camera. Then my first digital camera, bought when he was eight, was the original Digital Elph, 2MP S100! No snappy AF there. I didn't get a DSLR until he was 12. And then, of course, there are all the poor souls (myself included), who used manual focus (yes, manual focus!) lenses for many years before the magic of AF was even invented.
I'm sure you got some good shots with that old fashioned gear. My first camera was a Canon range finder, and that MF process was enjoyable. Focus assist gives that same feeling.
These VCM lenses are certainly a marvel, but I'm pretty sure they couldn't have been produced earlier. The development must have taken years.

And it was a real shame for FDR (and countless others) that Jonas Salk was born much later, and didn't have a chance to develop the polio vaccine when it would have done him some good (of course, we currently have someone in charge of the healthcare of over 300 million of us who seems to want to take us back to those days).
There are worse things in life than a too late released 85mm lens, unfortunately, yes, you're very right there.
Happy shooting, and thanks sharing such a nice moment with us.

R2
 
being retired, my RF 85 f2 IS will have to do
4 years ago, when I needed a fast focusing f/1.4 lens, I tried to make may way with it. Sometimes it worked. The last shot is f/2.2, and at that aperture I still couldn't have both the June Bug (melolontha melolontha) and the eye of the girl in focus. That's the reason I didn't dare to shoot the first three shots at a large aperture.

0bf21c9e97d74ebe90a39750a86334f5.jpg

8a3537d48ef74776810e23e9931c71c9.jpg

462a704bcd594e5aa82c60fbb48ed0f5.jpg

f1a83fc9a4414ea4a4039adcda7a928b.jpg

The June Bug soon flew away after the last pic, otherwise the 0.5 times magnification feature would have came at handy.

I also made great pics with the Tamron EF 85mm f/1.8 SP VC, the forbidden Samyang RF 85mm f/1.4 lens, but actually the Sigma 105mm f/1.4 Art was the only Canon compatible telephoto prime that could satisfy my needs during the absence of this RF 85mm f/1.4 VCM lens.

The days of these kind of spontaneous expressions of younger kids happening all the time are almost gone. And if I want to catch any in the future I'd probably better get a zoom in stead of spilling opportunities by messing around with primes. Ergo: The 50-150mm f/2.0 is on my radar again. Another 85mm doesn't add much to the Sigma DN, the 135mm f/1.4 doesn't add much to the 105mm f/1.4, I have these lenses, I will use these so now and then, but I can't bring myself to spend a huge amount of money to marginal improvements, or improvements I needed some years a go bot not anymore.

I will take my time thinking a bit longer about this, but I think I'll prioritize the 50-150mm f/2.0 over anything else, a second Sony body included. The Canon R5 can stay as a second body, I'll accept some glass redundancy due to mount incompatibility. When needing two bodies for shooting primes it's never gonna be light weight anyway.
Beautiful shots and memories of your daughter Storm!

The RF 85 F2 IS with 1/2 macro can do the shots for me at a value proposition price - which I use for still life and posed shots.

I never bought the EF 85 F1.8 because I saw it as the purple people eater

I didn't buy the EF 85 F1.4 IS because of higher price, higher weight, and Canon wasn't there yet on the lingering fringing which still for me gave it a clinical digital look, though the blur was nice to have.

The RF 85 F1.2 is way out of my range but I can see the blur and the bokeh is worth it for some pro shooters who make good money
It's 2000 euro grey market now.....
Richard Butler says it is closer to 90 mm

so in crop mode on your 45 mp sensor, you'd have 144 mm F1.9 , 17 mp

and on your 61 mp sensor with your 50 f1.2, in crop mode you have 75 mm f1.8, 27 mp

so there you go, approx. 50 -150 with 2 primes on two bodies with high mp

though you might not need your 105 f1.4
The new RF 85 1.4 VCM is late to the party as you and R2 said. I have the R8 so the lack of IS and $1600 price tag is a non-starter for me. The blur is nice wide open, but for me, the bokeh still has the jury out until more is assessed - I wait for Optical Limits review. I've asked Richard Butler his impressions in his recent thread in this forum. Chris Nichols wasn't impressed with onion bokeh that can impact certain backdrops. But, to each their own.
O.k., interesting.
On zooms, as you know, I love zooms!

Best wishes!
 
The RF 85 F1.2 is way out of my range but I can see the blur and the bokeh is worth it for some pro shooters who make good money
It's 2000 euro grey market now.....
Richard Butler says it is closer to 90 mm
yes, and he's not the only reviewer mentioning this
so in crop mode on your 45 mp sensor, you'd have 144 mm F1.9 , 17 mp
17Mp is a bit low. But I'm o.k. with a little less reach, so not a big deal.
and on your 61 mp sensor with your 50 f1.2, in crop mode you have 75 mm f1.8, 27 mp

so there you go, approx. 50 -150 with 2 primes on two bodies with high mp

though you might not need your 105 f1.4
I'll stick with my DN for now. I think the longest lens should benefit from the highest MP-count. At home I can combine it with the 40mm Art on my R5, and who knows that RF 45mm f/1.2 is any good as a travel option for the R5? There are so many options, and so many new options coming, so I will buy nothing now. There might be a Viltrox FE 85mm f/1.2 coming, and also an FE SongRaw Moonlit 85mm f/1.2....

The little girl with the june bug is 4 years older now and wants to go hiking in the Alps next summer, so that's one week out of three where my kit will be Viltrox 14mm f/4.0, 28-60mm for wide and normal and the 230g Samyang 75mm f/1.8 as the only sensible portrait lens..... Second body is a nono as well.... I was just dreaming about the IQ of the RF f/1.2 L, but the 1200g of that one vs the 630ish g of the recent 85mm options (DN, VCM, GMII) steers me away from the RF L. Which is sad as the IQ is amazing, it's becoming somewhat affordable grey market lastly, and I can cope with the AF now.
 
being retired, my RF 85 f2 IS will have to do
4 years ago, when I needed a fast focusing f/1.4 lens, I tried to make may way with it. Sometimes it worked. The last shot is f/2.2, and at that aperture I still couldn't have both the June Bug (melolontha melolontha) and the eye of the girl in focus. That's the reason I didn't dare to shoot the first three shots at a large aperture...

The June Bug soon flew away after the last pic, otherwise the 0.5 times magnification feature would have came at handy.

I also made great pics with the Tamron EF 85mm f/1.8 SP VC, the forbidden Samyang RF 85mm f/1.4 lens, but actually the Sigma 105mm f/1.4 Art was the only Canon compatible telephoto prime that could satisfy my needs during the absence of this RF 85mm f/1.4 VCM lens.

The days of these kind of spontaneous expressions of younger kids happening all the time are almost gone. And if I want to catch any in the future I'd probably better get a zoom in stead of spilling opportunities by messing around with primes. Ergo: The 50-150mm f/2.0 is on my radar again. Another 85mm doesn't add much to the Sigma DN, the 135mm f/1.4 doesn't add much to the 105mm f/1.4, I have these lenses, I will use these so now and then, but I can't bring myself to spend a huge amount of money to marginal improvements, or improvements I needed some years a go bot not anymore.

I will take my time thinking a bit longer about this, but I think I'll prioritize the 50-150mm f/2.0 over anything else, a second Sony body included. The Canon R5 can stay as a second body, I'll accept some glass redundancy due to mount incompatibility. When needing two bodies for shooting primes it's never gonna be light weight anyway.
Very nicely done 'Storm, and I agree with you guys about the importance of capturing The Moment. In fact it seems my entire working (photo) career has been toward that goal!

I've truly welcomed the advances made in zoom lenses over the years, as they are especially suited to my style of shooting. But like you, I too wish this 85 had been available much sooner! :-)
I wish all the modern equipment had been available much sooner. When my son was little, I was using a Canon EOS 650 film SLR, with a single AF point and a couple of slow zooms, and an Olympus compact 35mm camera. Then my first digital camera, bought when he was eight, was the original Digital Elph, 2MP S100! No snappy AF there.
My first exposure to digital IIRC was a 640x480 (monstrous) Sony with a built-in floppy drive!!! :-O
I didn't get a DSLR until he was 12. And then, of course, there are all the poor souls (myself included), who used manual focus (yes, manual focus!) lenses for many years before the magic of AF was even invented.
I'm sure you got some good shots with that old fashioned gear. My first camera was a Canon range finder, and that MF process was enjoyable. Focus assist gives that same feeling.
My first real 35mm camera was a Canon rangerfinder as well (1960's vintage). Had tons of fun with it!
These VCM lenses are certainly a marvel, but I'm pretty sure they couldn't have been produced earlier. The development must have taken years.

And it was a real shame for FDR (and countless others) that Jonas Salk was born much later, and didn't have a chance to develop the polio vaccine when it would have done him some good (of course, we currently have someone in charge of the healthcare of over 300 million of us who seems to want to take us back to those days).
There are worse things in life than a too late released 85mm lens, unfortunately, yes, you're very right there.
+1 Even the "Techies" back in the cave-man days were bemoaning late technology! :-D

R2
 
being retired, my RF 85 f2 IS will have to do
4 years ago, when I needed a fast focusing f/1.4 lens, I tried to make may way with it. Sometimes it worked. The last shot is f/2.2, and at that aperture I still couldn't have both the June Bug (melolontha melolontha) and the eye of the girl in focus. That's the reason I didn't dare to shoot the first three shots at a large aperture...

The June Bug soon flew away after the last pic, otherwise the 0.5 times magnification feature would have came at handy.

I also made great pics with the Tamron EF 85mm f/1.8 SP VC, the forbidden Samyang RF 85mm f/1.4 lens, but actually the Sigma 105mm f/1.4 Art was the only Canon compatible telephoto prime that could satisfy my needs during the absence of this RF 85mm f/1.4 VCM lens.

The days of these kind of spontaneous expressions of younger kids happening all the time are almost gone. And if I want to catch any in the future I'd probably better get a zoom in stead of spilling opportunities by messing around with primes. Ergo: The 50-150mm f/2.0 is on my radar again. Another 85mm doesn't add much to the Sigma DN, the 135mm f/1.4 doesn't add much to the 105mm f/1.4, I have these lenses, I will use these so now and then, but I can't bring myself to spend a huge amount of money to marginal improvements, or improvements I needed some years a go bot not anymore.

I will take my time thinking a bit longer about this, but I think I'll prioritize the 50-150mm f/2.0 over anything else, a second Sony body included. The Canon R5 can stay as a second body, I'll accept some glass redundancy due to mount incompatibility. When needing two bodies for shooting primes it's never gonna be light weight anyway.
Very nicely done 'Storm, and I agree with you guys about the importance of capturing The Moment. In fact it seems my entire working (photo) career has been toward that goal!

I've truly welcomed the advances made in zoom lenses over the years, as they are especially suited to my style of shooting. But like you, I too wish this 85 had been available much sooner! :-)
I wish all the modern equipment had been available much sooner. When my son was little, I was using a Canon EOS 650 film SLR, with a single AF point and a couple of slow zooms, and an Olympus compact 35mm camera. Then my first digital camera, bought when he was eight, was the original Digital Elph, 2MP S100! No snappy AF there.
My first exposure to digital IIRC was a 640x480 (monstrous) Sony with a built-in floppy drive!!! :-O
mine was the Sony F505v - inspired me

and forum members were questioning me how I could afford a $2K D30 and siggy 70-200 F2.8

as soon as I upgraded to the 10d, the siggy was hosed with respect to the AF
I didn't get a DSLR until he was 12. And then, of course, there are all the poor souls (myself included), who used manual focus (yes, manual focus!) lenses for many years before the magic of AF was even invented.
I'm sure you got some good shots with that old fashioned gear. My first camera was a Canon range finder, and that MF process was enjoyable. Focus assist gives that same feeling.
My first real 35mm camera was a Canon rangerfinder as well (1960's vintage). Had tons of fun with it!
brownies - but no inspiration until digital
These VCM lenses are certainly a marvel, but I'm pretty sure they couldn't have been produced earlier. The development must have taken years.

And it was a real shame for FDR (and countless others) that Jonas Salk was born much later, and didn't have a chance to develop the polio vaccine when it would have done him some good (of course, we currently have someone in charge of the healthcare of over 300 million of us who seems to want to take us back to those days).
There are worse things in life than a too late released 85mm lens, unfortunately, yes, you're very right there.
+1 Even the "Techies" back in the cave-man days were bemoaning late technology! :-D
Canon was late on many things including sensor tech and mirrorless - they finally got there

IMO they are again late on ibis in lower cost bodies

and late on that R-m6III 32.5 mp body with tilt screen :)
 
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being retired, my RF 85 f2 IS will have to do
4 years ago, when I needed a fast focusing f/1.4 lens, I tried to make may way with it. Sometimes it worked. The last shot is f/2.2, and at that aperture I still couldn't have both the June Bug (melolontha melolontha) and the eye of the girl in focus. That's the reason I didn't dare to shoot the first three shots at a large aperture...

The June Bug soon flew away after the last pic, otherwise the 0.5 times magnification feature would have came at handy.

I also made great pics with the Tamron EF 85mm f/1.8 SP VC, the forbidden Samyang RF 85mm f/1.4 lens, but actually the Sigma 105mm f/1.4 Art was the only Canon compatible telephoto prime that could satisfy my needs during the absence of this RF 85mm f/1.4 VCM lens.

The days of these kind of spontaneous expressions of younger kids happening all the time are almost gone. And if I want to catch any in the future I'd probably better get a zoom in stead of spilling opportunities by messing around with primes. Ergo: The 50-150mm f/2.0 is on my radar again. Another 85mm doesn't add much to the Sigma DN, the 135mm f/1.4 doesn't add much to the 105mm f/1.4, I have these lenses, I will use these so now and then, but I can't bring myself to spend a huge amount of money to marginal improvements, or improvements I needed some years a go bot not anymore.

I will take my time thinking a bit longer about this, but I think I'll prioritize the 50-150mm f/2.0 over anything else, a second Sony body included. The Canon R5 can stay as a second body, I'll accept some glass redundancy due to mount incompatibility. When needing two bodies for shooting primes it's never gonna be light weight anyway.
Very nicely done 'Storm, and I agree with you guys about the importance of capturing The Moment. In fact it seems my entire working (photo) career has been toward that goal!

I've truly welcomed the advances made in zoom lenses over the years, as they are especially suited to my style of shooting. But like you, I too wish this 85 had been available much sooner! :-)
I wish all the modern equipment had been available much sooner. When my son was little, I was using a Canon EOS 650 film SLR, with a single AF point and a couple of slow zooms, and an Olympus compact 35mm camera. Then my first digital camera, bought when he was eight, was the original Digital Elph, 2MP S100! No snappy AF there.
My first exposure to digital IIRC was a 640x480 (monstrous) Sony with a built-in floppy drive!!! :-O
mine was the Sony F505v - inspired me

and forum members were questioning me how I could afford a $2K D30 and siggy 70-200 F2.8

as soon as I upgraded to the 10d, the siggy was hosed with respect to the AF
I didn't get a DSLR until he was 12. And then, of course, there are all the poor souls (myself included), who used manual focus (yes, manual focus!) lenses for many years before the magic of AF was even invented.
I'm sure you got some good shots with that old fashioned gear. My first camera was a Canon range finder, and that MF process was enjoyable. Focus assist gives that same feeling.
My first real 35mm camera was a Canon rangerfinder as well (1960's vintage). Had tons of fun with it!
brownies - but no inspiration until digital
These VCM lenses are certainly a marvel, but I'm pretty sure they couldn't have been produced earlier. The development must have taken years.

And it was a real shame for FDR (and countless others) that Jonas Salk was born much later, and didn't have a chance to develop the polio vaccine when it would have done him some good (of course, we currently have someone in charge of the healthcare of over 300 million of us who seems to want to take us back to those days).
There are worse things in life than a too late released 85mm lens, unfortunately, yes, you're very right there.
+1 Even the "Techies" back in the cave-man days were bemoaning late technology! :-D
Canon was late on many things including sensor tech and mirrorless - they finally got there

IMO they are again late on ibis in lower cost bodies

and late on that R-m6III 32.5 mp body with tilt screen :)
They were late for IBIS because they didn't believe in it until they were forced into it by market pressure. All five of their RF-S lenses are stabilised as are ⅚ of the full-frame RF lenses (¾ if you include the hybrid VCM lenses), so perhaps they don't have so much need for it. With regard to sensor tech., Canon followed a different path; it could be argued that everybody else is late with DPAF. What they are late with is a small, fast 100mm lens, but that's not fashionable these days.
 
My first real 35mm camera was a Canon rangerfinder as well (1960's vintage). Had tons of fun with it!
I don't know the focal length of mine to be honest. It was an inheritance from my grandfather, and was shooting it as a teenager starting in 1995. I did shoot steam trains with it in "schneebedeckte Nadelwälder" in the Harz mountains in the former Deutsche Demokratische Republik, only 6 years after the fall of the Iron Curtain. I remember a nice atmosphere of liberation from communism while at the same time there was an almost complete absence of commercial advertising in streets of cities and villages.

I didn't have any skill for composition at all in photography so I totally failed to capture that atmosphere, but I do cherish that sweet memory, especially in a world where both capitalism and communism are completely derailing and that tranquility I experienced as a teenager is further away than ever.
 
Sittatunga wrote: What they are late with is a small, fast 100mm lens, but that's not fashionable these days.
At 80Mp and/or with TC compatibility that might be all you need for telephoto.
 
The RF 85 F1.2 is way out of my range but I can see the blur and the bokeh is worth it for some pro shooters who make good money
It's 2000 euro grey market now.....
Richard Butler says it is closer to 90 mm
yes, and he's not the only reviewer mentioning this
What they really should be mentioning is that it has significant focus breathing and is longer at the distance they are testing. Some are saying that, but mostly it's been simplified to "it's 90mm"
 
The RF 85 F1.2 is way out of my range but I can see the blur and the bokeh is worth it for some pro shooters who make good money
It's 2000 euro grey market now.....
Richard Butler says it is closer to 90 mm
yes, and he's not the only reviewer mentioning this
What they really should be mentioning is that it has significant focus breathing and is longer at the distance they are testing. Some are saying that, but mostly it's been simplified to "it's 90mm"
Focus breathing is relatively simple to calculate for simple unit-focussing lenses. At a ⅒ image scale the lens will be 10% further away from the sensor than it is at infinity. You might get the impression that it's zoomed to a 10% longer focal length even if none of the elements have moved relative to each other.
 
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The RF 85 F1.2 is way out of my range but I can see the blur and the bokeh is worth it for some pro shooters who make good money
It's 2000 euro grey market now.....
Richard Butler says it is closer to 90 mm
yes, and he's not the only reviewer mentioning this
What they really should be mentioning is that it has significant focus breathing and is longer at the distance they are testing. Some are saying that, but mostly it's been simplified to "it's 90mm"
LOL, folks tend to polarize to either the "Glass half full" or "Glass half empty" POVs. :-D

R2
 
The RF 85 F1.2 is way out of my range but I can see the blur and the bokeh is worth it for some pro shooters who make good money
It's 2000 euro grey market now.....
Richard Butler says it is closer to 90 mm
yes, and he's not the only reviewer mentioning this
What they really should be mentioning is that it has significant focus breathing and is longer at the distance they are testing. Some are saying that, but mostly it's been simplified to "it's 90mm"
Focus breathing is relatively simple to calculate for simple unit-focussing lenses. At a ⅒ image scale the lens will be 10% further away from the sensor than it is at infinity. You might get the impression that it's zoomed to a 10% longer focal length even if none of the elements have moved relative to each other.
That is all good, but doesn't apply to lenses which don't strictly follow the above criteria. The real world breathing characteristics are different for different lenses and the case at hand is a good example of different outcomes being observed in real world. The VCM line is designed for minimal breathing given its video use case. Other designs may take more liberty
 
The RF 85 F1.2 is way out of my range but I can see the blur and the bokeh is worth it for some pro shooters who make good money
It's 2000 euro grey market now.....
Richard Butler says it is closer to 90 mm
yes, and he's not the only reviewer mentioning this
What they really should be mentioning is that it has significant focus breathing and is longer at the distance they are testing. Some are saying that, but mostly it's been simplified to "it's 90mm"
Focus breathing is relatively simple to calculate for simple unit-focussing lenses. At a ⅒ image scale the lens will be 10% further away from the sensor than it is at infinity. You might get the impression that it's zoomed to a 10% longer focal length even if none of the elements have moved relative to each other.
That is all good, but doesn't apply to lenses which don't strictly follow the above criteria. The real world breathing characteristics are different for different lenses and the case at hand is a good example of different outcomes being observed in real world. The VCM line is designed for minimal breathing given its video use case. Other designs may take more liberty
 
People always ask me what my impressions were, but I'm a psychiatrist, I don't do impressions.
 
The RF 85 F1.2 is way out of my range but I can see the blur and the bokeh is worth it for some pro shooters who make good money
It's 2000 euro grey market now.....
Richard Butler says it is closer to 90 mm
yes, and he's not the only reviewer mentioning this
What they really should be mentioning is that it has significant focus breathing and is longer at the distance they are testing. Some are saying that, but mostly it's been simplified to "it's 90mm"
Focus breathing is relatively simple to calculate for simple unit-focussing lenses. At a ⅒ image scale the lens will be 10% further away from the sensor than it is at infinity. You might get the impression that it's zoomed to a 10% longer focal length even if none of the elements have moved relative to each other.
That is all good, but doesn't apply to lenses which don't strictly follow the above criteria. The real world breathing characteristics are different for different lenses and the case at hand is a good example of different outcomes being observed in real world. The VCM line is designed for minimal breathing given its video use case. Other designs may take more liberty
You can't really relate a real, complex lens' angle of view on a specified sensor size to its focal length once you get away from it being focussed at infinity, even if you take into account its distortions from its nominal projection. All lenses that focus by moving a few of their internal elements will, by definition, change their focal length as they focus.
Yeah, that's basically all the lenses that don't follow the criteria. And, they all breathe differently by design
 
The RF 85 F1.2 is way out of my range but I can see the blur and the bokeh is worth it for some pro shooters who make good money
It's 2000 euro grey market now.....
Richard Butler says it is closer to 90 mm
yes, and he's not the only reviewer mentioning this
What they really should be mentioning is that it has significant focus breathing and is longer at the distance they are testing. Some are saying that, but mostly it's been simplified to "it's 90mm"
Focus breathing is relatively simple to calculate for simple unit-focussing lenses. At a ⅒ image scale the lens will be 10% further away from the sensor than it is at infinity. You might get the impression that it's zoomed to a 10% longer focal length even if none of the elements have moved relative to each other.
That is all good, but doesn't apply to lenses which don't strictly follow the above criteria. The real world breathing characteristics are different for different lenses and the case at hand is a good example of different outcomes being observed in real world. The VCM line is designed for minimal breathing given its video use case. Other designs may take more liberty
You can't really relate a real, complex lens' angle of view on a specified sensor size to its focal length once you get away from it being focussed at infinity, even if you take into account its distortions from its nominal projection. All lenses that focus by moving a few of their internal elements will, by definition, change their focal length as they focus.
Yeah, that's basically all the lenses that don't follow the criteria. And, they all breathe differently by design
And there's nothing you can calculate unless you have the detailed design and some software, which makes measuring or stating the focal length with the lens focussed at anything other than infinity very approximate at best and generally an irrelevant nonsense.

EDIT. Here's an example from another thread https://www.dpreview.com/forums/post/68483477
 
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Is nice to have the 1.4 option now but the 1.2 bokeh is perfection for me, and I don't mind the size at all. Plus the 1.4 seems in reality shorter than other 85mm from comparisons I have seen so that is another plus for my preferences for the 1.2

Now we got all bases covered when it comes to 85mm pretty much.
The RF85 1.2’s are close to 90mm, at least when I compared my DS to my rf70-200mm.
 
The RF 85 F1.2 is way out of my range but I can see the blur and the bokeh is worth it for some pro shooters who make good money
It's 2000 euro grey market now.....
Richard Butler says it is closer to 90 mm
yes, and he's not the only reviewer mentioning this
What they really should be mentioning is that it has significant focus breathing and is longer at the distance they are testing. Some are saying that, but mostly it's been simplified to "it's 90mm"
Focus breathing is relatively simple to calculate for simple unit-focussing lenses. At a ⅒ image scale the lens will be 10% further away from the sensor than it is at infinity. You might get the impression that it's zoomed to a 10% longer focal length even if none of the elements have moved relative to each other.
That is all good, but doesn't apply to lenses which don't strictly follow the above criteria. The real world breathing characteristics are different for different lenses and the case at hand is a good example of different outcomes being observed in real world. The VCM line is designed for minimal breathing given its video use case. Other designs may take more liberty
You can't really relate a real, complex lens' angle of view on a specified sensor size to its focal length once you get away from it being focussed at infinity, even if you take into account its distortions from its nominal projection. All lenses that focus by moving a few of their internal elements will, by definition, change their focal length as they focus.
Yeah, that's basically all the lenses that don't follow the criteria. And, they all breathe differently by design
And there's nothing you can calculate unless you have the detailed design and some software, which makes measuring or stating the focal length with the lens focussed at anything other than infinity very approximate at best and generally an irrelevant nonsense.

EDIT. Here's an example from another thread https://www.dpreview.com/forums/post/68483477
Reviews aren't about calculations. All they can do is observe and measure
 

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