DPR Article: See the grain effect that's about to make the Nikon Zf even more retro

Mathew Anderson

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When Nikon showed us its two new DX lenses, it also let us try the Grain Effect processing that's about to arrive on the Nikon Zf.

Grain Effect gives you a choice of six intensity levels and three sizes of grain. It can be combined with any of the camera's Picture Style color modes but, at least in the camera we used, couldn't be added after the fact using the in-camera Raw converter. This means you can shoot with grain and then re-process if you decide you don't want it, but not the other way 'round.

Check out the complete article by Richard Butler .
 
It can be combined with any of the camera's Picture Style color modes but, at least in the camera we used, couldn't be added after the fact using the in-camera Raw converter. This means you can shoot with grain and then re-process if you decide you don't want it, but not the other way 'round.
Hm, so just like Skin Softening then. I wonder why Nikon keeps doing this.
 
When Nikon showed us its two new DX lenses, it also let us try the Grain Effect processing that's about to arrive on the Nikon Zf.

Grain Effect gives you a choice of six intensity levels and three sizes of grain. It can be combined with any of the camera's Picture Style color modes but, at least in the camera we used, couldn't be added after the fact using the in-camera Raw converter. This means you can shoot with grain and then re-process if you decide you don't want it, but not the other way 'round.

Check out the complete article by Richard Butler .
You can now add grain to images in the latest version of NX Studio.

Regards,
David
***************************************
Until one has loved an animal, a part of one’s soul remains unawakened - Anatole France.
 
When Nikon showed us its two new DX lenses, it also let us try the Grain Effect processing that's about to arrive on the Nikon Zf.

Grain Effect gives you a choice of six intensity levels and three sizes of grain. It can be combined with any of the camera's Picture Style color modes but, at least in the camera we used, couldn't be added after the fact using the in-camera Raw converter. This means you can shoot with grain and then re-process if you decide you don't want it, but not the other way 'round.

Check out the complete article by Richard Butler .
 
It can be combined with any of the camera's Picture Style color modes but, at least in the camera we used, couldn't be added after the fact using the in-camera Raw converter. This means you can shoot with grain and then re-process if you decide you don't want it, but not the other way 'round.
Hm, so just like Skin Softening then. I wonder why Nikon keeps doing this.
Lol because many of their customers want it?
 
As I posted in the front page, can't see why I'd add "noise" to a modern digital image. In film days, it was useful for fine focusing the enlarger lens, which could be a pain. Since moving to digital, I use whatever noise is there when sharpening, actually I always defeat any NR in PP in order to do that, helps to not go overboard with Unmask settings. In the D80 days, images at ISO1600 would already carry some visible "grain", but why add if not there? Maybe Nikon know something I do not and lots of people asked for that, so ...
 
Which means it's available to every Nikon digital camera and I do mean EVERY. It's actually a rather nice effect.
 
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It can be combined with any of the camera's Picture Style color modes but, at least in the camera we used, couldn't be added after the fact using the in-camera Raw converter. This means you can shoot with grain and then re-process if you decide you don't want it, but not the other way 'round.
Hm, so just like Skin Softening then. I wonder why Nikon keeps doing this.
Lol because many of their customers want it?
I was referring to the fact that you can't add or remove either effect when processing a RAW in the Retouch menu.
 
As I posted in the front page, can't see why I'd add "noise" to a modern digital image. In film days, it was useful for fine focusing the enlarger lens, which could be a pain. Since moving to digital, I use whatever noise is there when sharpening, actually I always defeat any NR in PP in order to do that, helps to not go overboard with Unmask settings. In the D80 days, images at ISO1600 would already carry some visible "grain", but why add if not there? Maybe Nikon know something I do not and lots of people asked for that, so ...
Because it's a recent trend since B&W picture profiles/presets have become popular. I don't know how long it will last.

[Edit: I am referring to the trend of adding B&W profiles on cameras with RGB sensors. I know there are cameras with B&W sensors. I don't have experience with those.]

As I commented on the front-page article, in my opinion the grain only appeals on some B&W photos. Especially when the B&W photo has an "old times" look. I don't like it in color photos.

--
See my profile (About me) for gear and my posting policy. My profile picture is of the first film camera I used in the early 80s, photo credit the internet.
 
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I think it's great that you're flagging front-page feature items by starting a thread in relevant forums. Good communication/community integration practice.
 
I think it's great that you're flagging front-page feature items by starting a thread in relevant forums. Good communication/community integration practice.
Thanks! The new XenForo forum structure will make it even easier to bring you frontpage article news to here in the forums (and vice versa).
 
As I posted in the front page, can't see why I'd add "noise" to a modern digital image. In film days, it was useful for fine focusing the enlarger lens, which could be a pain. Since moving to digital, I use whatever noise is there when sharpening, actually I always defeat any NR in PP in order to do that, helps to not go overboard with Unmask settings. In the D80 days, images at ISO1600 would already carry some visible "grain", but why add if not there? Maybe Nikon know something I do not and lots of people asked for that, so ...
It's all about texture. Film images have a texture that isn't present in digital unless high ISO is used, which isn't often anymore with IBIS becoming more common. Younger generations like film because of the texture that is in the image (I have a friend in China who wants me to photograph her using a film camera as she likes the texture in the image, and I like the chance to fire up my Rolleicord and my Nikon FE2 and F3), so Nikon is reaching out to younger consumers with a feature like this.
 
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