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Hello, and thank you for your kind words. I enjoyed looking through your gallery as well — you have many beautiful photographs.Help me with how you did the toning. Every one of your images rock. And your models/sitters deserve a shout out, too.
All my models are awesome. Some I had worked with for almost ten years, and I scouted each one off the street or from Model Mayem!Hello, and thank you for your kind words. I enjoyed looking through your gallery as well — you have many beautiful photographs.Help me with how you did the toning. Every one of your images rock. And your models/sitters deserve a shout out, too.
I’m happy to share a bit about how I work, though it’s hard to give a strict step-by-step since I treat each image individually. I never batch-edit.
When shooting, I always keep Henry Wessel’s mantra in mind: “Expose for darks — process for light.” Since moving to digital, I’ve noticed each camera handles exposure a little differently, so I pay attention to how far I can push a particular sensor.
In post, I almost always desaturate a little, and I’ve relied on the NIK Collection for years to fine-tune color work. I’m not much of a Photoshop user — most of my workflow happens in Lightroom and NIK, with adjustments tailored to the mood of each frame.
Each one is indeed individual. Maybe down the line, with a few hundred, specific commonality between groups will begin to emerge or possibly they will all fit under one super-umbrella! Good luck!I’m happy to share a bit about how I work, though it’s hard to give a strict step-by-step since I treat each image individually. I never batch-edit.
Thank you for your time, Richard! Have a great week-Very nice collection of photographs. I especially like the first one.
Richard
Thank you. I currently have a 20+ year archive of over 60k photographs. What you’re seeing here are selections from different shoots—many belonging to distinct series. I began with a decade of analogue street photography, then ran a studio in Nob Hill, San Francisco, working extensively with models. At one point I had the opportunity to show my work in galleries and museums, but I turned it down because the strings attached would have compromised my practice. I’ve stayed committed to independence ever since. Have a great week!Each one is indeed individual. Maybe down the line, with a few hundred, specific commonality between groups will begin to emerge or possibly they will all fit under one super-umbrella! Good luck!I’m happy to share a bit about how I work, though it’s hard to give a strict step-by-step since I treat each image individually. I never batch-edit.
Thank you, Klaus. I’ve worked very hard over the years to be able to create photographs like this — it certainly didn’t just fall into my lap. For every strong image, there are plenty that don’t make the cut, which is how I’ve built a library of over 60,000 photographs.Thank you for sharing.
We rarely see work of this level around here. You obviously know what you're doing — and if not, you have more luck than anybody could reasonably ask for![]()