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Excellent shots! I don‘t have any experience with these two lenses but the Canon sounds interesting. I assume they‘re quite expensive…?
The Canon is actually pretty affordable for a 1.2 lens. Clean copies can usually be found for between 150 and 250. I dont know how other copies perform, I have only ever had this one. I really think it must be an exceptional example of the lens. I think Canon also made a 58/1.2 in FL mount, but that one is radioactive. I know my lens is not radioactive, but it does have an amber coating that can make you think it is. There might have been another version of the FL 55/1.2 that is radioactive, but memory fails me. Overall, if you get a good copy, I highly recommend one.Excellent shots! I don‘t have any experience with these two lenses but the Canon sounds interesting. I assume they‘re quite expensive…?
I do have the Hexanon 57 mm f/1.4 - nice lens but I haven’t been able to find a way to adopt it properly yet.
The Canon is actually pretty affordable for a 1.2 lens. Clean copies can usually be found for between 150 and 250. I dont know how other copies perform, I have only ever had this one. I really think it must be an exceptional example of the lens. I think Canon also made a 58/1.2 in FL mount, but that one is radioactive. I know my lens is not radioactive, but it does have an amber coating that can make you think it is. There might have been another version of the FL 55/1.2 that is radioactive, but memory fails me. Overall, if you get a good copy, I highly recommend one.Excellent shots! I don‘t have any experience with these two lenses but the Canon sounds interesting. I assume they‘re quite expensive…?
I do have the Hexanon 57 mm f/1.4 - nice lens but I haven’t been able to find a way to adopt it properly yet.
Which camera would you adopt the Hexanon to? I think a Hexanon AR adapter is available for all the mirrorless systems. What I have never seen is a Macro adapter for Konica AR mount for ANY mirrorless system. There is a bit of a workaround though. If you get a Konica AR to Leica M adapter and then put that on a Leica M macro adapter to whatever camera system you have then you can increase the close focus a bit. I may try that soon.
Oh, right. Flange distance is way to short on K AR.Thanks a lot for that information. I‘d like to adapt the lens to M42 unfortunately… and as far as I know there‘s no such option.The Canon is actually pretty affordable for a 1.2 lens. Clean copies can usually be found for between 150 and 250. I dont know how other copies perform, I have only ever had this one. I really think it must be an exceptional example of the lens. I think Canon also made a 58/1.2 in FL mount, but that one is radioactive. I know my lens is not radioactive, but it does have an amber coating that can make you think it is. There might have been another version of the FL 55/1.2 that is radioactive, but memory fails me. Overall, if you get a good copy, I highly recommend one.Excellent shots! I don‘t have any experience with these two lenses but the Canon sounds interesting. I assume they‘re quite expensive…?
I do have the Hexanon 57 mm f/1.4 - nice lens but I haven’t been able to find a way to adopt it properly yet.
Which camera would you adopt the Hexanon to? I think a Hexanon AR adapter is available for all the mirrorless systems. What I have never seen is a Macro adapter for Konica AR mount for ANY mirrorless system. There is a bit of a workaround though. If you get a Konica AR to Leica M adapter and then put that on a Leica M macro adapter to whatever camera system you have then you can increase the close focus a bit. I may try that soon.
Love the mood of your images, I do have a nice sample of the Konica 50/1.4, also radioactive, not sure of the version but it is a very nice lens indeed. Somehow I ended up with Fujinon and Yashinon and I believe they are all the same design and all are radioactive. I have not yet experienced any of the Canon vintage glass although have been looking at this lens time to time as I believe it is the most affordable f1.2, this is an excellent showcase for it.







I don‘t need M42 in terms of flange distance, just need the mount… but I‘ll likely have to use some sort of clamp solution.Oh, right. Flange distance is way to short on K AR.
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Wee! My thought process is basically a series of assumptions, so if one assumption is wrong, then I am very, very wrong. I just happen to be on a hot streak this week hehe!Although quite a bit tamed with the correct element orientation (still amazed how Tons o Glass picked it up!)
Cool shot, it looks to be pretty bubbly close to the plane of focus. I need more dew drops for more bubbles / celestial bodies! The lens is looking sharp enough to me to be a go-to lens for bubble-hunting.
I can't get over this dude's face; who will be voicing his character in A Bug's Life 3? Well captured!
Wow that’s great! Besides clarity and sharpness (nice attestation to the lens capability), the colors are so good!
Thank you Mark, glad you like them. I'm always going for that certain mood in my shots. As for the Konica, there were only two versions. The first is radioactive, the second is not. There were some minor changes between the two but nothing major I think. They are both very good lenses if you find a good copy. And I do believe the old FL is the most affordable standard 1.2 you can find. If most of them have performance similar to mine then it is definitely flying under the radar for sure. A real sleeper lens.Love the mood of your images, I do have a nice sample of the Konica 50/1.4, also radioactive, not sure of the version but it is a very nice lens indeed. Somehow I ended up with Fujinon and Yashinon and I believe they are all the same design and all are radioactive. I have not yet experienced any of the Canon vintage glass although have been looking at this lens time to time as I believe it is the most affordable f1.2, this is an excellent showcase for it.
Never seen pinpoint bokeh like that. Really interesting.Although quite a bit tamed with the correct element orientation (still amazed how Tons o Glass picked it up!), the lens has a wild streak, i had only a little time to experiment but after rain. It is not the sharpest triplet but for the size and likely very inexpensive glass and uncoated glass (and with no blackening on the elements), it is still a very fun lens.
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Some very nice shots here. Great mood. especially on the flowers.
Robert De Niro.I can't get over this dude's face; who will be voicing his character in A Bug's Life 3?

























Very nice - great shots! I do have the JML version of this lens (very similar specs and made for the same application, as far as I know likely later on as a cheaper alternative to the Nikon lens) and it's equally great fun. Does the Nikon vignette considerably at distance as well?This lens was used to take boring pictures of cathode ray tube oscilloscope screens. It is an 8-element design in a nearly symmetrical double Gauss formula. At its intended magnification of 1/5 it is very sharp and well corrected for a 50-year old design. Out of this range it can do pretty weird things though.
Shooting with it is great fun and I am still learning its quirks. Clearly a niche thing, but definitely a keeper.
At infinity it vignettes considerably and it is just bad. It blurs the edges and corners no matter the aperture. The central area is good, but even there most high quality double Gauss lenses would show better performance.Very nice - great shots! I do have the JML version of this lens (very similar specs and made for the same application, as far as I know likely later on as a cheaper alternative to the Nikon lens) and it's equally great fun. Does the Nikon vignette considerably at distance as well?