July 2025 — This Month Through Your Adapted Lens

Konica Hexanon AR 50/1.4 V1 radioactive

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And one from the Canon FL 55/1.2 on a macro adapter, along with a slight crop. I am continually amazed by the sharpness of this lens wide open.

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If Caesar was alive today I would be chained to an oar.
 
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If Caesar was alive today I would be chained to an oar.
Excellent shots! I don‘t have any experience with these two lenses but the Canon sounds interesting. I assume they‘re quite expensive…?

I do have the Hexanon 57 mm f/1.4 - nice lens but I haven’t been able to find a way to adopt it properly yet.

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Experimenting manual lens enthusiast.
 
Excellent shots! I don‘t have any experience with these two lenses but the Canon sounds interesting. I assume they‘re quite expensive…?

I do have the Hexanon 57 mm f/1.4 - nice lens but I haven’t been able to find a way to adopt it properly yet.
The Canon is actually pretty affordable for a 1.2 lens. Clean copies can usually be found for between 150 and 250. I dont know how other copies perform, I have only ever had this one. I really think it must be an exceptional example of the lens. I think Canon also made a 58/1.2 in FL mount, but that one is radioactive. I know my lens is not radioactive, but it does have an amber coating that can make you think it is. There might have been another version of the FL 55/1.2 that is radioactive, but memory fails me. Overall, if you get a good copy, I highly recommend one.

Which camera would you adopt the Hexanon to? I think a Hexanon AR adapter is available for all the mirrorless systems. What I have never seen is a Macro adapter for Konica AR mount for ANY mirrorless system. There is a bit of a workaround though. If you get a Konica AR to Leica M adapter and then put that on a Leica M macro adapter to whatever camera system you have then you can increase the close focus a bit. I may try that soon.
 
Excellent shots! I don‘t have any experience with these two lenses but the Canon sounds interesting. I assume they‘re quite expensive…?

I do have the Hexanon 57 mm f/1.4 - nice lens but I haven’t been able to find a way to adopt it properly yet.
The Canon is actually pretty affordable for a 1.2 lens. Clean copies can usually be found for between 150 and 250. I dont know how other copies perform, I have only ever had this one. I really think it must be an exceptional example of the lens. I think Canon also made a 58/1.2 in FL mount, but that one is radioactive. I know my lens is not radioactive, but it does have an amber coating that can make you think it is. There might have been another version of the FL 55/1.2 that is radioactive, but memory fails me. Overall, if you get a good copy, I highly recommend one.

Which camera would you adopt the Hexanon to? I think a Hexanon AR adapter is available for all the mirrorless systems. What I have never seen is a Macro adapter for Konica AR mount for ANY mirrorless system. There is a bit of a workaround though. If you get a Konica AR to Leica M adapter and then put that on a Leica M macro adapter to whatever camera system you have then you can increase the close focus a bit. I may try that soon.
 
Excellent shots! I don‘t have any experience with these two lenses but the Canon sounds interesting. I assume they‘re quite expensive…?

I do have the Hexanon 57 mm f/1.4 - nice lens but I haven’t been able to find a way to adopt it properly yet.
The Canon is actually pretty affordable for a 1.2 lens. Clean copies can usually be found for between 150 and 250. I dont know how other copies perform, I have only ever had this one. I really think it must be an exceptional example of the lens. I think Canon also made a 58/1.2 in FL mount, but that one is radioactive. I know my lens is not radioactive, but it does have an amber coating that can make you think it is. There might have been another version of the FL 55/1.2 that is radioactive, but memory fails me. Overall, if you get a good copy, I highly recommend one.

Which camera would you adopt the Hexanon to? I think a Hexanon AR adapter is available for all the mirrorless systems. What I have never seen is a Macro adapter for Konica AR mount for ANY mirrorless system. There is a bit of a workaround though. If you get a Konica AR to Leica M adapter and then put that on a Leica M macro adapter to whatever camera system you have then you can increase the close focus a bit. I may try that soon.
Thanks a lot for that information. I‘d like to adapt the lens to M42 unfortunately… and as far as I know there‘s no such option.
Oh, right. Flange distance is way to short on K AR.
 
Konica Hexanon AR 50/1.4 V1 radioactive

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And one from the Canon FL 55/1.2 on a macro adapter, along with a slight crop. I am continually amazed by the sharpness of this lens wide open.

4f88def827aa4a719305155ebd73c9eb.jpg

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If Caesar was alive today I would be chained to an oar.
Love the mood of your images, I do have a nice sample of the Konica 50/1.4, also radioactive, not sure of the version but it is a very nice lens indeed. Somehow I ended up with Fujinon and Yashinon and I believe they are all the same design and all are radioactive. I have not yet experienced any of the Canon vintage glass although have been looking at this lens time to time as I believe it is the most affordable f1.2, this is an excellent showcase for it.

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Although quite a bit tamed with the correct element orientation (still amazed how Tons o Glass picked it up!), the lens has a wild streak, i had only a little time to experiment but after rain. It is not the sharpest triplet but for the size and likely very inexpensive glass and uncoated glass (and with no blackening on the elements), it is still a very fun lens.

galaxies on a leaf
galaxies on a leaf

This is the sharpest I could get. Not Nat Geo yet a nice portrait here
This is the sharpest I could get. Not Nat Geo yet a nice portrait here

Full body
Full body

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Focus on the bug
Focus on the bug

Still did not get the aperture upfront but the one behind allows to control flare
Still did not get the aperture upfront but the one behind allows to control flare

A bit more sharpness and bokeh showcase
A bit more sharpness and bokeh showcase

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https://500px.com/bc-foto
 
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Although quite a bit tamed with the correct element orientation (still amazed how Tons o Glass picked it up!)
Wee! My thought process is basically a series of assumptions, so if one assumption is wrong, then I am very, very wrong. I just happen to be on a hot streak this week hehe!
, the lens has a wild streak, i had only a little time to experiment but after rain. It is not the sharpest triplet but for the size and likely very inexpensive glass and uncoated glass (and with no blackening on the elements), it is still a very fun lens.

galaxies on a leaf
galaxies on a leaf
Cool shot, it looks to be pretty bubbly close to the plane of focus. I need more dew drops for more bubbles / celestial bodies! The lens is looking sharp enough to me to be a go-to lens for bubble-hunting.
Full body
Full body
I can't get over this dude's face; who will be voicing his character in A Bug's Life 3? Well captured!
 
Just a pink poppy and friend

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Thank you, I worked as a medical photographer with Micro Nikkors, so I trust them. I was going to buy a Leica 100 macro R, but this one came up for about 1/5th the price. So I picked up an old faithful.
 
Love the mood of your images, I do have a nice sample of the Konica 50/1.4, also radioactive, not sure of the version but it is a very nice lens indeed. Somehow I ended up with Fujinon and Yashinon and I believe they are all the same design and all are radioactive. I have not yet experienced any of the Canon vintage glass although have been looking at this lens time to time as I believe it is the most affordable f1.2, this is an excellent showcase for it.
Thank you Mark, glad you like them. I'm always going for that certain mood in my shots. As for the Konica, there were only two versions. The first is radioactive, the second is not. There were some minor changes between the two but nothing major I think. They are both very good lenses if you find a good copy. And I do believe the old FL is the most affordable standard 1.2 you can find. If most of them have performance similar to mine then it is definitely flying under the radar for sure. A real sleeper lens.
 
Although quite a bit tamed with the correct element orientation (still amazed how Tons o Glass picked it up!), the lens has a wild streak, i had only a little time to experiment but after rain. It is not the sharpest triplet but for the size and likely very inexpensive glass and uncoated glass (and with no blackening on the elements), it is still a very fun lens.

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Never seen pinpoint bokeh like that. Really interesting.
galaxies on a leaf

This is the sharpest I could get. Not Nat Geo yet a nice portrait here
This is the sharpest I could get. Not Nat Geo yet a nice portrait here

Full body
Full body

475eaa79291d455584a05175093f9e5c.jpg

Focus on the bug
Focus on the bug

Still did not get the aperture upfront but the one behind allows to control flare
Still did not get the aperture upfront but the one behind allows to control flare

A bit more sharpness and bokeh showcase
A bit more sharpness and bokeh showcase
Some very nice shots here. Great mood. especially on the flowers.

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If Caesar was alive today I would be chained to an oar.
 
This lens was likely used on security cameras and isn't outstanding in terms of quality. I still think that it produces interesting results and it covers full frame, which is nice.

There's not much information online about this one but I think that it is a 6 elements in 6 groups (later) Curtagon design:



 C-Curtagon 35 mm f/2.8 (just an assumption based on the spiral-m42 blog for now....
C-Curtagon 35 mm f/2.8 (just an assumption based on the spiral-m42 blog for now....

If you have any different information about that lens and its design, please let me know.

This one was among 3 lenses which I took with me on my holiday trip to Italy.

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And a couple of (cross view) stereo shots:

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Experimenting manual lens enthusiast.
 
This lens was used to take boring pictures of cathode ray tube oscilloscope screens. It is an 8-element design in a nearly symmetrical double Gauss formula. At its intended magnification of 1/5 it is very sharp and well corrected for a 50-year old design. Out of this range it can do pretty weird things though.

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Around the nominal working distance I find it spectacularly sharp wide open and quite well behaved overall. The following two are full 45MP frames, check at 100%.

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Focus a bit further out and it becomes wild again, still retaining a very decent sharpness in the center:

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Shooting with it is great fun and I am still learning its quirks. Clearly a niche thing, but definitely a keeper.
 
This lens was used to take boring pictures of cathode ray tube oscilloscope screens. It is an 8-element design in a nearly symmetrical double Gauss formula. At its intended magnification of 1/5 it is very sharp and well corrected for a 50-year old design. Out of this range it can do pretty weird things though.

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Shooting with it is great fun and I am still learning its quirks. Clearly a niche thing, but definitely a keeper.
Very nice - great shots! I do have the JML version of this lens (very similar specs and made for the same application, as far as I know likely later on as a cheaper alternative to the Nikon lens) and it's equally great fun. Does the Nikon vignette considerably at distance as well?

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Experimenting manual lens enthusiast.
 
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Shooting with it is great fun and I am still learning its quirks. Clearly a niche thing, but definitely a keeper.
Very nice - great shots! I do have the JML version of this lens (very similar specs and made for the same application, as far as I know likely later on as a cheaper alternative to the Nikon lens) and it's equally great fun. Does the Nikon vignette considerably at distance as well?
At infinity it vignettes considerably and it is just bad. It blurs the edges and corners no matter the aperture. The central area is good, but even there most high quality double Gauss lenses would show better performance.
 
The images look fairly good. Since the first SLR I used was a Retina Reflex III with a 50 and 135mm Schneider. I inherited them when my father past, he was using an Instamatic Reflex at the end. He had a 28 Curtagon as his normal lens. I didn't have a 28mm so I adapted it to my Leica digital CL, as with your lens it isn't a fantastic lens, not bad but not on Leica level. Seeing your images I looked for a 35 f2.8 in DKL mount, I had only seen 35 f4s. Ordered a 35 f2.8 DKL, we'll see. I'll post some photos from the 28 f4.
 

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