How Do You Know It’s Time to Stop Using the Kit Lens?

We have mostly replied that there's a time to stop using the 'kit" lens. It seems to me that the OP believes the lens that came with their camera is in some way inferior. I don't know about Sony but Nikon bundles a number of its lenses with various Z bodies. All these lenses are available separately, they aren't produced just to sell as part of a kit. Some manufacturers/dealers may have sold cheap lenses with cameras in the past but I don't think that is the case now.

Actually there is probably no need to stop using it, generally the kit lens is a pretty good example of the lens makers craft. More often than not supplementing it with longer and/or shorter lenses is all that's required. As an example Nikon has offered the Z5 II with the 24-70 f/4 in a kit. The only alternative lens in that range is the 24-70 f/2.8 S, if one doesn't want/need the faster, heavier lens there's no reason to stop using the kit lens, except possibly to obtain a greater zoom range.

Similarly, the same camera is offered with the 24-120 f/4 in a kit, other kits offered include the 24-200 f/4=6.3, the 24-50 f/4-6.3 and the 28-70m f/2.8. My choice would be either the 24-120 f/4 or 28-70 f/2.8 if I were buying a kit. Either of those wouldn't need to be replaced.

When I entered the Nikon system I bought an. F4s, there wasn't a "kit" option with the F4 so I chose a relatively slow zoom. With film I soon realised that I needed faster lenses and bought primes, that was 35 years ago. At that time the kit lens, where one was offered, was the 50 f/1,8 there was no need to stop using it.

There are other reasons not to stop using that first lens, many alternatives are bigger, heavier and significantly more expensive. The beginner's money is probably better spent on a supplementary lens, such as the 70-180 (sticking with the Nikon system for convenience) or 17-28, than on replacing a perfectly good kit zoom.
I have not used the Sony 16-50mm but it is pretty cheap, l can get a grey market one for £110, used plenty around £70.
This is one of those areas where price isn't a good indication of quality, build a large enough number of lenses and the unit price comes down pretty low.
Yes Canon and Nikon have much better quality lenses available, on Full frame.

Sony has some really lenses but they are expensive.

Need to find the right lens, for the images you want and decide if you want APS-C or FF camera, going forward.

I would be looking at used lenses, you can gradually upgrade them.
Well the 24-105 lens is a popular lens but it is a lot more expensive. You said you did not know about Sony.

The reviews l have seen are not great, one gives it 1 star, even at f/8 it is not very sharp, main plus is the size and low weight. Some kit lenses are quite good.

The Nikon 24-120 is a different class and costs over £800 new and even used is over £700.

lf l use a Nikon, l would probably buy one, but l would not consider the Sony 16-50, only reason to get it is because it is cheap when buying the camera. I read around $100 in the US.
 
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We have mostly replied that there's a time to stop using the 'kit" lens. It seems to me that the OP believes the lens that came with their camera is in some way inferior. I don't know about Sony but Nikon bundles a number of its lenses with various Z bodies. All these lenses are available separately, they aren't produced just to sell as part of a kit. Some manufacturers/dealers may have sold cheap lenses with cameras in the past but I don't think that is the case now.

Actually there is probably no need to stop using it, generally the kit lens is a pretty good example of the lens makers craft. More often than not supplementing it with longer and/or shorter lenses is all that's required. As an example Nikon has offered the Z5 II with the 24-70 f/4 in a kit. The only alternative lens in that range is the 24-70 f/2.8 S, if one doesn't want/need the faster, heavier lens there's no reason to stop using the kit lens, except possibly to obtain a greater zoom range.

Similarly, the same camera is offered with the 24-120 f/4 in a kit, other kits offered include the 24-200 f/4=6.3, the 24-50 f/4-6.3 and the 28-70m f/2.8. My choice would be either the 24-120 f/4 or 28-70 f/2.8 if I were buying a kit. Either of those wouldn't need to be replaced.

When I entered the Nikon system I bought an. F4s, there wasn't a "kit" option with the F4 so I chose a relatively slow zoom. With film I soon realised that I needed faster lenses and bought primes, that was 35 years ago. At that time the kit lens, where one was offered, was the 50 f/1,8 there was no need to stop using it.

There are other reasons not to stop using that first lens, many alternatives are bigger, heavier and significantly more expensive. The beginner's money is probably better spent on a supplementary lens, such as the 70-180 (sticking with the Nikon system for convenience) or 17-28, than on replacing a perfectly good kit zoom.
I have not used the Sony 16-50mm but it is pretty cheap, l can get a grey market one for £110, used plenty around £70.
This is one of those areas where price isn't a good indication of quality, build a large enough number of lenses and the unit price comes down pretty low.
Yes Canon and Nikon have much better quality lenses available, on Full frame.

Sony has some really lenses but they are expensive.

Need to find the right lens, for the images you want and decide if you want APS-C or FF camera, going forward.

I would be looking at used lenses, you can gradually upgrade them.
Well the 24-105 lens is a popular lens but it is a lot more expensive. You said you did not know about Sony.

The reviews l have seen are not great, one gives it 1 star, even at f/8 it is not very sharp, main plus is the size and low weight. Some kit lenses are quite good.
I'm no beginner so the following comments aren't particularly what I might expect from someone with a first interchangeable lens camera.

I wouldn't have lasted five minutes with a power zoom lens, I dislike them intensely. This is one case where I would agree with replacing the kit lens with something else. Sigma's 18-50 f/2.8 or Sony's 18-105 f/4. would be my choice in the circumstances. They are around the £400-£500 mark

Of course, if the OP doesn't have the PZ lens, I hope not, then I would still consider these alternatives, they are however somewhat larger.
 
Hey everyone, I’m still quite new to photography, currently using my Sony A6400 with the standard 16-50mm kit lens.

It’s been great for learning so far — light, convenient, and decent for everyday shooting — but recently I’ve started wondering if I’m missing out by sticking with the kit lens too long.

Here’s where I need your help:

How do you know when it's time to upgrade?
  • Is it when you feel “limited”?
  • Is it about sharpness? Low light? Creative control?
  • Or is it more about hitting a certain skill level first?
I don’t want to just buy a new lens because people say “the kit lens is bad.” I want to understand what practically pushes photographers to switch.

Would love to hear your stories — what made you finally take the leap away from your kit lens, and what did you get next?

Thanks in advance for sharing your wisdom with a beginner who’s just trying to make better decisions. 😊

Lenses have a "shooting envelope". These are the situations where the lens can provide the results you want.


I have a number of expensive "L" series Canon lenses. I use them in situations that are outside the envelope of a "kit" lens. Yet, even with a bunch of expensive lenses, I have been known to get the shot I wanted with a kit lens.

I've seen some great wedding pictures taken with a kit lens.

My advice is to wait until the kit lens is limiting you from getting the images you want, and then to look at a lens that can do what you want.

More expensive lenses can have different zoom ranges, better weather proofing, wider maximum apertures, closer minimum focusing distances, better image stabilization, etc. If you don't any of these, then you may as well stick with your kit lens.

If your issue is that you want to produce better images, then your skill as a photographer is likely more important than your gear. The keys to taking a great portrait are often the expression on the face, the composition, lighting, and background. Unless you want very shallow depth of field (and your subject is close to the background), a better lens is not the key to a great portrait.
 
I got my RF 24-105 L in a kit with my R camera. This zoom is not a lower quality version of some better lens, it is the best zoom Canon makes in this range. Since then, they released a cheaper and a slower version. There are other zooms, faster but with a more limited range, some much heavier. They are not in “upgrade,” they are just different.

I own many more lenses, among them some fast top Canon lenses. The “kit” lens remains my most used one.
 
That's when you should change the kit lens, or at least buy a cheap prime.

The kit lens is like putting throaway tyres on your brand new Mustang- they work, but they're far from desirable.

A good lens is like buying a brand new camera.
It depends on the kit lens, some are very cheap but others are pretty good. I known some pro wedding/studio photographers, who used Canon kit lenses most of the time.

Is the Nikon 24-120 a kit lens?
I am not familiar with every kit lens ever made, but all of them are limiting the bodies on which they are used, that's exactly what the manufacturer wants, otherwise nobody would bother spending hundreds of dollars extra for better glass.

As for wedding photographers, many of them are providing subpar services at premium prices, they know their customers well.
 
That's when you should change the kit lens, or at least buy a cheap prime.

The kit lens is like putting throaway tyres on your brand new Mustang- they work, but they're far from desirable.

A good lens is like buying a brand new camera.
It depends on the kit lens, some are very cheap but others are pretty good. I known some pro wedding/studio photographers, who used Canon kit lenses most of the time.

Is the Nikon 24-120 a kit lens?
I am not familiar with every kit lens ever made, but all of them are limiting the bodies on which they are used, that's exactly what the manufacturer wants, otherwise nobody would bother spending hundreds of dollars extra for better glass.

As for wedding photographers, many of them are providing subpar services at premium prices, they know their customers well.
Well a lot of Nikon users are happy with their 24-120s, even some pros use them on Z8 and Z9s. Some kit lenses are poor quality but some are from the pro lens range, such as Canon.
 
That's when you should change the kit lens, or at least buy a cheap prime.

The kit lens is like putting throaway tyres on your brand new Mustang- they work, but they're far from desirable.

A good lens is like buying a brand new camera.
It depends on the kit lens, some are very cheap but others are pretty good. I known some pro wedding/studio photographers, who used Canon kit lenses most of the time.

Is the Nikon 24-120 a kit lens?
I am not familiar with every kit lens ever made, but all of them are limiting the bodies on which they are used, that's exactly what the manufacturer wants, otherwise nobody would bother spending hundreds of dollars extra for better glass.

As for wedding photographers, many of them are providing subpar services at premium prices, they know their customers well.
Firstly, a "kit" lens is nothing like putting "throw away" tyres on a new Mustang. The lenses Nikon offers with its cameras can be very good. The 24-120 is a £1,000+ lens. I notice that Canon is offering the 24-105 f/4 L as the "kit" lens with some of its cameras. A kit lens is any lens the manufacturer is prepared to bundle with a camera body, at a discount.

I completely disagree with the statement "...all of them are limiting the bodies on which they are used" but not for the reason you might think ALL lenses are limiting to some extent, my 24-70 f/2.8 is limiting when I want to take wildlife pictures and my 200-500 f/5.6 is limiting when I want to take a wide angle shot.

Looking up the OP's camera on the Sony web site it appears that the currently bundled lens is a 16-50 PZ (Power Zoom). Personally, I can't stand power zoom lenses but then again I've been using interchangeable lens cameras for over 50 years and I don't shoot video. I think this particular Sony is a bad example. As far as I can determine the majority of "kit" lenses offered are decent, some are actually quite desirable, I'd buy a Nikon 24-120 f/4 S if I were buying a Z body. In fact I have recently bought an F mount 24-120 f/4 VR.

To say that ALL kit lenses are junk is totally incorrect.
 
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