Is it time that Sony make a 14-30/35mm f/4 lens?

The Sony 16-35mm f/4 lens is no longer class-leading. Both Canon and Nikon have a 14-30/35mm f/4 lens. Does anyone wish Sony would match Canon and Nikon?
There is no "The Sony 16-35mm f/4 lens"; there are two such lenses. The older Sony / Zeiss 16-35mm f/4 is not class-leading (although I have it and IMO it's fine for many purposes). But IMO, anyone claiming that the newer Sony 16-35mm f/4 G PZ is not at least about as good as other brands' counterparts is going to have to provide some fairly clear evidence supporting that claim to be taken seriously.

The suggestion that Sony should make a 14-30/35mm lens when, in addition to four different E-mount 16-35mm lenses, it offers two different 12-24mm lenses, strikes me as very difficult to justify. Seriously: 12-24, 14-30, and 16-35mm zooms?! There'd be far too much overlap.

The only new Sony ultrawide zoom I can see as reasonably likely coming or really needed in the near future is an updated 12-24mm f/4 G II. The original 12-24mm f/4 G is an aging design that probably could be improved to a worthwhile degree.
How about discontinuing the existing ones to make room for a new one?
Why? Many people want a 16-35 lens. The pz version is fairly new. I would rather have the 16-35 range. Will the 14-30 take front filters?

l feel a 14-30 would be a more niche lens. 16-35 is a popular lens for landscapes.

Looking at the Canon there are some issues at 14mm and 35mm.

Also is quite a bit more expensive.
 
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The Sony 16-35mm f/4 lens is no longer class-leading. Both Canon and Nikon have a 14-30/35mm f/4 lens. Does anyone wish Sony would match Canon and Nikon?
There is no "The Sony 16-35mm f/4 lens"; there are two such lenses. The older Sony / Zeiss 16-35mm f/4 is not class-leading (although I have it and IMO it's fine for many purposes). But IMO, anyone claiming that the newer Sony 16-35mm f/4 G PZ is not at least about as good as other brands' counterparts is going to have to provide some fairly clear evidence supporting that claim to be taken seriously.

The suggestion that Sony should make a 14-30/35mm lens when, in addition to four different E-mount 16-35mm lenses, it offers two different 12-24mm lenses, strikes me as very difficult to justify. Seriously: 12-24, 14-30, and 16-35mm zooms?! There'd be far too much overlap.

The only new Sony ultrawide zoom I can see as reasonably likely coming or really needed in the near future is an updated 12-24mm f/4 G II. The original 12-24mm f/4 G is an aging design that probably could be improved to a worthwhile degree.
How about discontinuing the existing ones to make room for a new one?
Why? Many people want a 16-35 lens. The pz version is fairly new. I would rather have the 16-35 range. Will the 14-30 take front filters?

l feel a 14-30 would be a more niche lens. 16-35 is a popular lens for landscapes.

Looking at the Canon there are some issues at 14mm and 35mm.

Also is quite a bit more expensive.
Nikon's 14-30mm can take a threaded filter.
 
The Sony 16-35mm f/4 lens is no longer class-leading. Both Canon and Nikon have a 14-30/35mm f/4 lens. Does anyone wish Sony would match Canon and Nikon?
There is no "The Sony 16-35mm f/4 lens"; there are two such lenses. The older Sony / Zeiss 16-35mm f/4 is not class-leading (although I have it and IMO it's fine for many purposes). But IMO, anyone claiming that the newer Sony 16-35mm f/4 G PZ is not at least about as good as other brands' counterparts is going to have to provide some fairly clear evidence supporting that claim to be taken seriously.

The suggestion that Sony should make a 14-30/35mm lens when, in addition to four different E-mount 16-35mm lenses, it offers two different 12-24mm lenses, strikes me as very difficult to justify. Seriously: 12-24, 14-30, and 16-35mm zooms?! There'd be far too much overlap.

The only new Sony ultrawide zoom I can see as reasonably likely coming or really needed in the near future is an updated 12-24mm f/4 G II. The original 12-24mm f/4 G is an aging design that probably could be improved to a worthwhile degree.
How about discontinuing the existing ones to make room for a new one?
Why? Many people want a 16-35 lens. The pz version is fairly new. I would rather have the 16-35 range. Will the 14-30 take front filters?
Why not? Nikon's Z 14-30/4 does... (82mm)
l feel a 14-30 would be a more niche lens. 16-35 is a popular lens for landscapes.
Wider is always more niche indeed, personally I feel like UWAs are sometimes mis characterized a bit... I get more use out of mine for interiors and dense cities than for vast landscapes, but that could be a matter of semantics.
Looking at the Canon there are some issues at 14mm and 35mm.

Also is quite a bit more expensive.
I'm more jelly of the Nikon referenced before. Like I argued elsewhere in the thread though, I don't think we'll see a 14-xx from Sony tho, they clearly decided to have 16-xx & 12-24 lenses, not sure anything in between would make sense. Hopefully Sigma or Tamron can fill that hole, beyond the existing 14-24/2.8 DN.
 
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The Sony 16-35mm f/4 lens is no longer class-leading. Both Canon and Nikon have a 14-30/35mm f/4 lens. Does anyone wish Sony would match Canon and Nikon?
There is no "The Sony 16-35mm f/4 lens"; there are two such lenses. The older Sony / Zeiss 16-35mm f/4 is not class-leading (although I have it and IMO it's fine for many purposes). But IMO, anyone claiming that the newer Sony 16-35mm f/4 G PZ is not at least about as good as other brands' counterparts is going to have to provide some fairly clear evidence supporting that claim to be taken seriously.

The suggestion that Sony should make a 14-30/35mm lens when, in addition to four different E-mount 16-35mm lenses, it offers two different 12-24mm lenses, strikes me as very difficult to justify. Seriously: 12-24, 14-30, and 16-35mm zooms?! There'd be far too much overlap.

The only new Sony ultrawide zoom I can see as reasonably likely coming or really needed in the near future is an updated 12-24mm f/4 G II. The original 12-24mm f/4 G is an aging design that probably could be improved to a worthwhile degree.
How about discontinuing the existing ones to make room for a new one?
Why? Many people want a 16-35 lens. The pz version is fairly new. I would rather have the 16-35 range. Will the 14-30 take front filters?
Why not? Nikon's Z 14-30/4 does... (82mm)
l feel a 14-30 would be a more niche lens. 16-35 is a popular lens for landscapes.
Wider is always more niche indeed, personally I feel like UWAs are sometimes mis characterized a bit... I get more use out of mine for interiors and dense cities than for vast landscapes, but that could be a matter of semantics.
Looking at the Canon there are some issues at 14mm and 35mm.

Also is quite a bit more expensive.
I'm more jelly of the Nikon referenced before. Like I argued elsewhere in the thread though, I don't think we'll see a 14-xx from Sony tho, they clearly decided to have 16-xx & 12-24 lenses, not sure anything in between would make sense. Hopefully Sigma or Tamron can fill that hole, beyond the existing 14-24/2.8 DN.
I just ordered a Samyang/Rokinon 14-24mm f/2.8. It accepts 77mm front filters. Reviews are generally positive.
 
The Sony 16-35mm f/4 lens is no longer class-leading. Both Canon and Nikon have a 14-30/35mm f/4 lens. Does anyone wish Sony would match Canon and Nikon?
There is no "The Sony 16-35mm f/4 lens"; there are two such lenses. The older Sony / Zeiss 16-35mm f/4 is not class-leading (although I have it and IMO it's fine for many purposes). But IMO, anyone claiming that the newer Sony 16-35mm f/4 G PZ is not at least about as good as other brands' counterparts is going to have to provide some fairly clear evidence supporting that claim to be taken seriously.

The suggestion that Sony should make a 14-30/35mm lens when, in addition to four different E-mount 16-35mm lenses, it offers two different 12-24mm lenses, strikes me as very difficult to justify. Seriously: 12-24, 14-30, and 16-35mm zooms?! There'd be far too much overlap.

The only new Sony ultrawide zoom I can see as reasonably likely coming or really needed in the near future is an updated 12-24mm f/4 G II. The original 12-24mm f/4 G is an aging design that probably could be improved to a worthwhile degree.
How about discontinuing the existing ones to make room for a new one?
Why? Many people want a 16-35 lens. The pz version is fairly new. I would rather have the 16-35 range. Will the 14-30 take front filters?
Why not? Nikon's Z 14-30/4 does... (82mm)
l feel a 14-30 would be a more niche lens. 16-35 is a popular lens for landscapes.
Wider is always more niche indeed, personally I feel like UWAs are sometimes mis characterized a bit... I get more use out of mine for interiors and dense cities than for vast landscapes, but that could be a matter of semantics.
Looking at the Canon there are some issues at 14mm and 35mm.

Also is quite a bit more expensive.
I'm more jelly of the Nikon referenced before. Like I argued elsewhere in the thread though, I don't think we'll see a 14-xx from Sony tho, they clearly decided to have 16-xx & 12-24 lenses, not sure anything in between would make sense. Hopefully Sigma or Tamron can fill that hole, beyond the existing 14-24/2.8 DN.
I just ordered a Samyang/Rokinon 14-24mm f/2.8. It accepts 77mm front filters. Reviews are generally positive.
 
The Sony 16-35mm f/4 lens is no longer class-leading. Both Canon and Nikon have a 14-30/35mm f/4 lens. Does anyone wish Sony would match Canon and Nikon?
There is no "The Sony 16-35mm f/4 lens"; there are two such lenses. The older Sony / Zeiss 16-35mm f/4 is not class-leading (although I have it and IMO it's fine for many purposes). But IMO, anyone claiming that the newer Sony 16-35mm f/4 G PZ is not at least about as good as other brands' counterparts is going to have to provide some fairly clear evidence supporting that claim to be taken seriously.

The suggestion that Sony should make a 14-30/35mm lens when, in addition to four different E-mount 16-35mm lenses, it offers two different 12-24mm lenses, strikes me as very difficult to justify. Seriously: 12-24, 14-30, and 16-35mm zooms?! There'd be far too much overlap.

The only new Sony ultrawide zoom I can see as reasonably likely coming or really needed in the near future is an updated 12-24mm f/4 G II. The original 12-24mm f/4 G is an aging design that probably could be improved to a worthwhile degree.
How about discontinuing the existing ones to make room for a new one?
Why? Many people want a 16-35 lens. The pz version is fairly new. I would rather have the 16-35 range. Will the 14-30 take front filters?

l feel a 14-30 would be a more niche lens. 16-35 is a popular lens for landscapes.

Looking at the Canon there are some issues at 14mm and 35mm.

Also is quite a bit more expensive.
Nikon's 14-30mm can take a threaded filter.
But Canon's can't because it has mechanical vignetting already.

Nikon has similar issues to Canon:
  • "a lot of problems with distortion on RAW files,
  • huge vignetting on full frame,"
Start sticking polarisers and ND filters on and you will have real problems at 14mm.

Maybe the 14-30 will be better @16mm than the 16-35mm? Seem to be a lot issues with modern lenses at the extremes. The Canon sharpness at 35mm is not very good.
 
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The flare handling I've seen turned me off some, but I'm still curious to see more reviews, it's remarkably light for what it is... I would've rather had less speed and a bit more range, but yeah it's nice to see at least one other 14-xx on E. Curious to see what you see with it! Are they shipping already?
US version of this lens released under Rokinon brand and loses Schneider-Kreuznach association. There are some available on Ebay, this is where I ordered mine: https://www.ebay.com/sch/i.html?_nk...&_odkw=samyang+14-24mm+lens&_osacat=0&_sop=10

Should arrive on Tuesday 6/10/25
 
The Sony 16-35mm f/4 lens is no longer class-leading. Both Canon and Nikon have a 14-30/35mm f/4 lens. Does anyone wish Sony would match Canon and Nikon?
There is no "The Sony 16-35mm f/4 lens"; there are two such lenses. The older Sony / Zeiss 16-35mm f/4 is not class-leading (although I have it and IMO it's fine for many purposes). But IMO, anyone claiming that the newer Sony 16-35mm f/4 G PZ is not at least about as good as other brands' counterparts is going to have to provide some fairly clear evidence supporting that claim to be taken seriously.

The suggestion that Sony should make a 14-30/35mm lens when, in addition to four different E-mount 16-35mm lenses, it offers two different 12-24mm lenses, strikes me as very difficult to justify. Seriously: 12-24, 14-30, and 16-35mm zooms?! There'd be far too much overlap.

The only new Sony ultrawide zoom I can see as reasonably likely coming or really needed in the near future is an updated 12-24mm f/4 G II. The original 12-24mm f/4 G is an aging design that probably could be improved to a worthwhile degree.
How about discontinuing the existing ones to make room for a new one?
Why? Many people want a 16-35 lens. The pz version is fairly new. I would rather have the 16-35 range. Will the 14-30 take front filters?

l feel a 14-30 would be a more niche lens. 16-35 is a popular lens for landscapes.

Looking at the Canon there are some issues at 14mm and 35mm.

Also is quite a bit more expensive.
Front filter on a 14mm lens, you just get massive vignetting unless the front filter is absolute massive, there is reason why Nikon 14-24 has the massive filter on their lens hood.

There is good reason why lenses like this typically have bulbous front element and cannot take it. You can get a kit for the 14 Sony I believe its 95mm
 
The Sony 16-35mm f/4 lens is no longer class-leading. Both Canon and Nikon have a 14-30/35mm f/4 lens. Does anyone wish Sony would match Canon and Nikon?
There is no "The Sony 16-35mm f/4 lens"; there are two such lenses. The older Sony / Zeiss 16-35mm f/4 is not class-leading (although I have it and IMO it's fine for many purposes). But IMO, anyone claiming that the newer Sony 16-35mm f/4 G PZ is not at least about as good as other brands' counterparts is going to have to provide some fairly clear evidence supporting that claim to be taken seriously.

The suggestion that Sony should make a 14-30/35mm lens when, in addition to four different E-mount 16-35mm lenses, it offers two different 12-24mm lenses, strikes me as very difficult to justify. Seriously: 12-24, 14-30, and 16-35mm zooms?! There'd be far too much overlap.

The only new Sony ultrawide zoom I can see as reasonably likely coming or really needed in the near future is an updated 12-24mm f/4 G II. The original 12-24mm f/4 G is an aging design that probably could be improved to a worthwhile degree.
How about discontinuing the existing ones to make room for a new one?
Why? Many people want a 16-35 lens. The pz version is fairly new. I would rather have the 16-35 range. Will the 14-30 take front filters?
Why not? Nikon's Z 14-30/4 does... (82mm)
l feel a 14-30 would be a more niche lens. 16-35 is a popular lens for landscapes.
Wider is always more niche indeed, personally I feel like UWAs are sometimes mis characterized a bit... I get more use out of mine for interiors and dense cities than for vast landscapes, but that could be a matter of semantics.
Looking at the Canon there are some issues at 14mm and 35mm.

Also is quite a bit more expensive.
I'm more jelly of the Nikon referenced before. Like I argued elsewhere in the thread though, I don't think we'll see a 14-xx from Sony tho, they clearly decided to have 16-xx & 12-24 lenses, not sure anything in between would make sense. Hopefully Sigma or Tamron can fill that hole, beyond the existing 14-24/2.8 DN.
The Nikon version there has abundant of vignetting in FF without filters on and that is a f4 lens, you need at 95mm in my experience to avoid this problem, that can be had already or can be implemented in a lens hood design, which is likely the best way to do it on lenses going this wide. I have not been so convinced of lenses with filter threads on lens itself as those seem to suffer quite noticeable with not just vignetting but also distortion.
 
https://dustinabbott.net/2025/06/schneider-kreuznach-x-lk-samyang-14-24mm-f2-8-fe-review/

The way he described it, specially as it pertains to stepping down slightly, flare handling looks somewhat better than what I'd seen before (in random sample images, this is the first review I read where I can know where the reviewer is coming from and how they usually judge stuff). I'd still want something that goes a bit longer TBH, but if I was looking for a smaller 14-24 I'd be very interested in the SY/Schneider.

Edit: In a pinch (and on higher res bodies), you could look at a 14-24/2.8 this lightweight as a 14-36 f2.8-4... That's how I used to treat my 17-28 (like a 17-42). If I really wanna shoot and isolate subjects near normal or 35mm I'd probably bring a prime for it anyway, but cropping got me enough leeway I was fine not switching lenses until I needed a short tele (and totally fine switching between it and 50-xx Tamron teles). YMMV and all that...
 
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https://dustinabbott.net/2025/06/schneider-kreuznach-x-lk-samyang-14-24mm-f2-8-fe-review/

The way he described it, specially as it pertains to stepping down slightly, flare handling looks somewhat better than what I'd seen before (in random sample images, this is the first review I read where I can know where the reviewer is coming from and how they usually judge stuff). I'd still want something that goes a bit longer TBH, but if I was looking for a smaller 14-24 I'd be very interested in the SY/Schneider.

Edit: In a pinch (and on higher res bodies), you could look at a 14-24/2.8 this lightweight as a 14-36 f2.8-4... That's how I used to treat my 17-28 (like a 17-42). If I really wanna shoot and isolate subjects near normal or 35mm I'd probably bring a prime for it anyway, but cropping got me enough leeway I was fine not switching lenses until I needed a short tele (and totally fine switching between it and 50-xx Tamron teles). YMMV and all that...
Thanks for posting this link, I find Dustin's reviews trustworthy.

Interestingly, in USA this lens is sold as a Rokinon, and loses Schneider-Kreuznach marking...
 
https://dustinabbott.net/2025/06/schneider-kreuznach-x-lk-samyang-14-24mm-f2-8-fe-review/

The way he described it, specially as it pertains to stepping down slightly, flare handling looks somewhat better than what I'd seen before (in random sample images, this is the first review I read where I can know where the reviewer is coming from and how they usually judge stuff). I'd still want something that goes a bit longer TBH, but if I was looking for a smaller 14-24 I'd be very interested in the SY/Schneider.

Edit: In a pinch (and on higher res bodies), you could look at a 14-24/2.8 this lightweight as a 14-36 f2.8-4... That's how I used to treat my 17-28 (like a 17-42). If I really wanna shoot and isolate subjects near normal or 35mm I'd probably bring a prime for it anyway, but cropping got me enough leeway I was fine not switching lenses until I needed a short tele (and totally fine switching between it and 50-xx Tamron teles). YMMV and all that...
Thanks for posting this link, I find Dustin's reviews trustworthy.

Interestingly, in USA this lens is sold as a Rokinon, and loses Schneider-Kreuznach marking...
 

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