M43 Kit Advice

m43_photo

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Hello all,

I'm in the process of building a Micro Four Thirds kit and have just ordered the OM-1 Mark II along with the 12–40mm f/2.8 II from B&H.

I'm looking for advice on what are currently considered the best lenses for a well-rounded system. In particular, I'm interested in zooms across the range—wide-angle, standard (which I believe is covered), and telephoto. I'm also considering the 12–100mm f/4 as a travel option.

This will be my primary modern camera system, so I'm thinking in terms of a complete, flexible kit. I'd also appreciate recommendations for standout primes. I'm currently eyeing the Panasonic Leica 25mm f/1.4 and the 15mm, both of which were highly regarded the last time I looked into them.

For context: I used Micro Four Thirds in its early days (original E-M5 with a few lenses), and I have experience with photography more broadly—I've shot with the Sony A7R series and the Leica M system. I’ve moved away from Sony due to the size and weight of the lenses, and Leica, while wonderful, doesn't really work as a complete system for my needs.

Use cases will be broad: hiking, travel, wildlife, macro, and landscape.

Thanks in advance for your suggestions.
 
Hello all,

I'm in the process of building a Micro Four Thirds kit and have just ordered the OM-1 Mark II along with the 12–40mm f/2.8 II from B&H.

I'm looking for advice on what are currently considered the best lenses for a well-rounded system. In particular, I'm interested in zooms across the range—wide-angle, standard (which I believe is covered), and telephoto. I'm also considering the 12–100mm f/4 as a travel option.
Splendid start. Suggest considering:

8-25/4, fantastic UWA to normal zoom.
40-150/2.8, goes like peas in a pod with the 12-40 and if anything is even sharper. MC14 and MC20 might complement it if you do not wish to get a supertele.

But if you do, either the 300/4 or 100-400mkii.

Which leaves a fast prime or two. Depending on your favorite FLs one of the 1.2 Pros makes a solid choice. The 1.8 primes are tiny, fast and sharp, and two have recently been weather-sealed.

The 12-100 does make a great one-lens for everything option. Sync IS eases handholding very long exposure times.

As reference I have all the above including the camera, except a couple primes and the 100-400ii. Really nothing they can't do.
This will be my primary modern camera system, so I'm thinking in terms of a complete, flexible kit. I'd also appreciate recommendations for standout primes. I'm currently eyeing the Panasonic Leica 25mm f/1.4 and the 15mm, both of which were highly regarded the last time I looked into them.

For context: I used Micro Four Thirds in its early days (original E-M5 with a few lenses), and I have experience with photography more broadly—I've shot with the Sony A7R series and the Leica M system. I’ve moved away from Sony due to the size and weight of the lenses, and Leica, while wonderful, doesn't really work as a complete system for my needs.

Use cases will be broad: hiking, travel, wildlife, macro, and landscape.

Thanks in advance for your suggestions.
Happy shopping!

Rick
 
Hello all,

I'm in the process of building a Micro Four Thirds kit and have just ordered the OM-1 Mark II along with the 12–40mm f/2.8 II from B&H.

I'm looking for advice on what are currently considered the best lenses for a well-rounded system. In particular, I'm interested in zooms across the range—wide-angle, standard (which I believe is covered), and telephoto. I'm also considering the 12–100mm f/4 as a travel option.
Splendid start. Suggest considering:

8-25/4, fantastic UWA to normal zoom.
40-150/2.8, goes like peas in a pod with the 12-40 and if anything is even sharper. MC14 and MC20 might complement it if you do not wish to get a supertele.

But if you do, either the 300/4 or 100-400mkii.

Which leaves a fast prime or two. Depending on your favorite FLs one of the 1.2 Pros makes a solid choice. The 1.8 primes are tiny, fast and sharp, and two have recently been weather-sealed.

The 12-100 does make a great one-lens for everything option. Sync IS eases handholding very long exposure times.

As reference I have all the above including the camera, except a couple primes and the 100-400ii. Really nothing they can't do.
This will be my primary modern camera system, so I'm thinking in terms of a complete, flexible kit. I'd also appreciate recommendations for standout primes. I'm currently eyeing the Panasonic Leica 25mm f/1.4 and the 15mm, both of which were highly regarded the last time I looked into them.

For context: I used Micro Four Thirds in its early days (original E-M5 with a few lenses), and I have experience with photography more broadly—I've shot with the Sony A7R series and the Leica M system. I’ve moved away from Sony due to the size and weight of the lenses, and Leica, while wonderful, doesn't really work as a complete system for my needs.

Use cases will be broad: hiking, travel, wildlife, macro, and landscape.

Thanks in advance for your suggestions.
Happy shopping!

Rick
Like Skeeterbytes said your off to a good start and those lenses he suggested are all great, you can't go wrong with any of the pro lenses and I have most of them, love my 17mm f1.2 then there is classics like the 75mm f1.8, the 150-400 f4.5 sits at the top of the tree in my kit though.

Hey congratulations with the new camera, it's a great system with some of the best glass in the business at your disposal this side of the crossroads
 
The 40-150 F4 would pair nicely with the 12-40 and even uses the same filter thread. It would also pair well with the 8-25 if you needed to go wider than 12.

On the other hand, the 12-100 is more of a single lens and would pair nicely with a small prime. If you are able to get bokeh, it does seem softer and have better transitions than the 12-40.

I've been comparing the 20mm f1.4 with the 25mm f1.4. I think the bokeh balls are a little nicer on the 20, less halo. But they're overall very similar. The OM lens would maintain weather sealing.

The PL 15 is almost universally praised. The OM 17mm f1.8 has mixed reviews, but the new version would maintain weather sealing.

Laowa also has the 6, 7.5, and 10mm lenses. They're manual focus, but they have chip versions that trigger focus peaking when you move the focus ring and transmit exif data.
 
I agree with the 8-25/40-150 F4 suggestions.

Personally I'd skip the 12-100 and get those 2. You have a little bit of a gap but that's a good bit of extra range on either end.

For my own kit I have the 10-25 F1.7 which is huge for a m43 zoom so I wouldn't suggest getting it unless you need it. But that ultra wide to normal range is awesome and having seen tons of glowing reviews of the 8-25 I think that's a solid choice.

Edit: the 25 f1.4 is a great little lens.

And since you're interested in a macro the 60 F2.8 is an awesome option.

If you do go with the 12-100 F4 the 9mm f1.7 might be a good option for a small ultra wide when needed.
 
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In your position my kit * would be:

OM-1II, OM8-25mm f/4, OM12-100mm f/4 and OM100-400mm Mk II

Leaning more to serious birding I’d get the OM300mm f/4 with 1.4x instead of the 100-400

.

*my real m4/3 kit is the E-M1III and OM12-100mm f/4.



jj
 
Hello all,

I'm in the process of building a Micro Four Thirds kit and have just ordered the OM-1 Mark II along with the 12–40mm f/2.8 II from B&H.

I'm looking for advice on what are currently considered the best lenses for a well-rounded system. In particular, I'm interested in zooms across the range—wide-angle, standard (which I believe is covered), and telephoto. I'm also considering the 12–100mm f/4 as a travel option.

This will be my primary modern camera system, so I'm thinking in terms of a complete, flexible kit. I'd also appreciate recommendations for standout primes. I'm currently eyeing the Panasonic Leica 25mm f/1.4 and the 15mm, both of which were highly regarded the last time I looked into them.

For context: I used Micro Four Thirds in its early days (original E-M5 with a few lenses), and I have experience with photography more broadly—I've shot with the Sony A7R series and the Leica M system. I’ve moved away from Sony due to the size and weight of the lenses, and Leica, while wonderful, doesn't really work as a complete system for my needs.

Use cases will be broad: hiking, travel, wildlife, macro, and landscape.

Thanks in advance for your suggestions.
For travel, I use exclusively the cheap Lumix 12-60. Small, light, quite sharp and weather resistant. For landscape work, I have a trio kit; the OM 7-14 f/2.8, Panasonic 12-35 f/2.8 and 35-100mm f/2.8. For macro work, I use both the OM 30 and OM 60. For vlogging, I use a pair of Panasonic Leica 15mm f/1.7 and 25mm f/1.4 lenses shot wide open. I love the primes for vlogging work. Amazing quality for interviews. For wildlife, I use the Panasonic Leica 100-400mm and for hiking and wildlife at the same time, my favorite combo is the 12-60 and 100-400mm.

Good luck on your choice!
 
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For complete flexibility, you're looking at the trio of f/2.8 zooms, so 7-14/2.8 and the 40-150/2.8 to add to your kit. I'm not certain I'd go with f/4 lenses, especially on the telephoto end. I did end up with a Panasonic 8-18/2.8-4 because I was tired of having the UWA without filter threads.

For standout primes, there are so many. We share some similarities in interests, so here's what I think:

9/1.7, 15/1.7 and 42.5/1.8 primes: A versatile trio that I use when I want to travel extra light. Sometimes I drop the 9mm even.

75/1.8: What a lens. Still regret not getting that on sale when it was US$400.

60/2.8 macro: Can be had for really cheap (US$300 or so). AF macro lenses allow for focus stacking, so don't poo-poo them (conventional wisdom was AF is useless, and use a macro slider for focusing instead).

300/4: A really stellar lens, if you can afford it, go for it. Will be great for wildlife.
 
Good suggestions! Here are my kits by usage.

Landscape: 8-25 f4 plus 45 f1.8 or 75 f1.8

Travel: 12-40 f2.8 plus 75 f1.8

People: 12-40 f2.8 plus 75 f1.8

Wildlife including insects: 40-150 f2.8 plus 2.0 TC

Macro: 60 f2.8

I do wonder if I would be better served by the 100-400 II since I seldom use the 40-150 without the tele converter.

Chuck
 
Good suggestions! Here are my kits by usage.

Landscape: 8-25 f4 plus 45 f1.8 or 75 f1.8

Travel: 12-40 f2.8 plus 75 f1.8

People: 12-40 f2.8 plus 75 f1.8

Wildlife including insects: 40-150 f2.8 plus 2.0 TC

Macro: 60 f2.8

I do wonder if I would be better served by the 100-400 II since I seldom use the 40-150 without the tele converter.

Chuck
The 75 f1.8 features in your post and deservably should so, one of the best ever Micro Four Thirds Lenses ever, a true classic
 
These are all excellent suggestions—thank you all for your input.

For the wide-angle, I'm leaning towards the 8–25mm f/4.

As for the telephoto, I'm still undecided between the 40–150mm f/4 and the f/2.8 versions. There's a significant weight difference, and I’m keen to hear from those who’ve used both:
  • How noticeable is the weight in real-world use?
  • Is there a clear difference in image quality?
  • And for your typical subjects, do you find the f/4 version sufficient?
Many thanks again.
 
For Travel: 12-100 F4 PRO

For General Zoom: 40-150mm F2.8 PRO (my most used lens)

For wildlife: 300mm F4 PRO

If you want to save a few dollars: 12-45mm F4 PRO
 
Thanks again, all — your input has been very helpful.

I've now added the OM System 100–400mm f/5–6.3 IS II, just pre-ordered from B&H, as my wildlife/nature option.

I'm still finalising the telephoto option. I’m leaning toward the 40–150mm f/2.8 PRO, partly for its potential in portraiture and general purpose domestic use.

For those of you who’ve used both the f/4 and f/2.8 versions, what real-world advantages or disadvantages have stood out to you? Handling, weight, autofocus speed, bokeh, indoor use — any perspective would be appreciated. Thanks again...
 
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I'm still finalising the telephoto option. I’m leaning toward the 40–150mm f/2.8 PRO, partly for its potential in portraiture and general purpose domestic use.

For those of you who’ve used both the f/4 and f/2.8 versions, what real-world advantages or disadvantages have stood out to you? Handling, weight, autofocus speed, bokeh, indoor use — any perspective would be appreciated. Thanks again...
Olympus lenses have the potential to have scratchy bokeh with lots of lines in the background, so you'll have to be careful with composition on portraits.

This is the trade-off. The 40-150 f2.8 is quite sharp even at f2.8. I want to say the corners of the f4 benefited from stopping down to f5.6. It's more of a landscape lens.

To compensate for this, Olympus released pro level lenses with "feathered bokeh." You might want to look at the 45mm pro for portraits.

These are some examples of the pro lens bokeh and out of focus transitions areas I have. I don't think they're terrible, but don't think anyone would say it's a strength.



5ed7377ce0f3401baf583338612cb542.jpg



7f78af8ba54349439663332841a0ddbc.jpg



dbcd557c3a2a4a56b64f92b967660ae5.jpg



785414b1d77a4d018288f19edb41c24a.jpg



8c473faa6c6544d9a3695d57f9836f88.jpg



--
 
These are all excellent suggestions—thank you all for your input.

For the wide-angle, I'm leaning towards the 8–25mm f/4.

As for the telephoto, I'm still undecided between the 40–150mm f/4 and the f/2.8 versions. There's a significant weight difference, and I’m keen to hear from those who’ve used both:
  • How noticeable is the weight in real-world use?
  • Is there a clear difference in image quality?
  • And for your typical subjects, do you find the f/4 version sufficient?
Many thanks again.
As I posted elsewhere, last month my wife and I were on the big island in Hawaii. I was getting on the tour bus, and I fell backward, cracking two vertebrae and bleeding on the top of my head. At the time, it was rather painful, and I could not lift the full gear bag I had brought as carry on gear and stow it in the overhead. I wound up having to send the full gear bag back to the house via UPS.

My wife was insistent that for the next trip, I need to lighten the load, and I agree with that. After the trip, my boss said I was due for a large profit sharing bonus, so I spent some of that on a 2nd tier of lenses to replace the 1st tier when weight is an issue.

The big purchase also included the OM-3 to replace the E-m5 mark III as second camera. The OM-3 won't save much weight, except it will allow me to not take the cache of BLS-50 batteries and the chargers, since both the OM-1 mark I and OM-3 use the same BLX-1 batteries.

As an example of the 2nd tier vs. 1st tier lenses.:
  • The 9-18mm f/4-5.6 can be used instead of the 7-14mm f/2.8
  • The 12-45mm f/4 can be used instead of the 12-40mm f/2.8
  • The 40-150mm f/4 can be used instead of the 40-150mm f/2.8
  • The 14-150mm f/4-5.6 mark II can be used instead of the 12-200mm f/3.5-6.3
  • The 17mm f/1.8 mark II can be used instead of the 17mm f/1.2
  • The 75-300mm f/4.8-6.7 can be used instead of the 100-400mm f/5-6.3 or the 40-150mm f/2.8 + MC-20
In terms of the purchase, buying the 9-18mm was painful, since I had had it before, and I sold it when I bought the 7-14mm f/2.8. But if I need a little wide angle, it is much smaller and lighter than the 7-14mm f/2.8.

I had already had the 14-150mm f/4-5.6 mark II lens, but it has been sitting unused since I got the 12-200mm lens.

Of the lenses I got, I have my doubts about the 12-45mm f/4, since I'm so used to carrying the 12-40mm f/2.8, but it was part of the OM-3 kit, and it wasn't that much more to get it, just in case. I am also on the fence about the 75-300mm lens.

Sometimes I will likely still take some of the 1st tier lenses, because I have specific photos that may call for those lenses.

I can't answer your question about the 40-150mm f/4 vs. 40-150mm f/2.8 as I haven't done much shooting since I got the kit and I haven't used the 40-150mm f/4 lens at all.

Two of the 1st tier of lenses (17mm f/1.2 and 40-150mm f/2.8) when I got them in 2024, I felt they really, really excelled at producing special images. I don't know what makes their images jump out at me compared to other lenses.

One thing for me really gave me pause about the long lens selection. On the access road to our house is a small pond, and there are 3 logs the turtles like to sun themselves on. The first log needs a 300mm lens to capture the turtle. The log is clear, and it is easy to get a picture of the turtles from multiple angles. But on this log, the turtles are really wary, and will immediately dive into the pond if I approach. The other two logs typically need a 400mm lens, and they are also complicated because there is vegetation between the log and the road, which limits where I can take the picture from.

On April 1st, I brought out the OM-3 and the 75-300mm f/4.8-6.7 mark II lens, and I needed to either crop the photo or use the 2x digital zoom option. On April 4th, I brought on the OM-3 and the 100-400mm f/5-6.3 mark I lens. In these shots, I didn't have to depend on cropping or using the 2x digital zoom. Thus, if you really need 400mm, the 100-400mm is the better lens to use than a 300mm lens and cropping. But it depends on how often you need 400mm. Of course, if you really need 500mm or 600mm, the 100-400mm lens will give you more room to crop the photo.

When we were in Hawaii before the accident, the condo we had rented overlooked a popular surfing beach, and I spent some amount of time capturing the surfers. Because I had brought the full kit, I used it as an opportunity to test the various combinations.

The sample size is somewhat small, but I would have to rate the lenses like (going from best to worse). Of course the lenses have different ranges they can shoot in, so it isn't a fair comparison:
  • 40-150mm f/2.8 -- best lens
  • 40-150mm f/2.8 + MC-14
  • 100-400mm f/5-6.3, and 40-150mm f/2.8 + MC-20 are roughly equal for my usage in their common ranges (i.e. 100-200mm)
  • 12-200mm f/3.5-6.3 being a 16.6x superzoom lens probably is slightly worse in the 100-200mm range, but where it excels is not having to change lenses, and a lot of time, I'm willing to trade convenience for absolute quality. That being said, unlike some people, I find the 12-200mm to be good across its whole range.
  • 100-400mm f/5-6.3 + MC-14 is acceptable
  • 100-400mm f/5-6.3 + MC-20 is likely emergency use only
If you want to look at the surfing pictures, they are at:
These are mostly 'snapshots', and I tend to be interested in more how they look like when viewed on normal monitors. All pictures have been edited.

I also had done an earlier comparison of birds at our feeder in November, shortly after getting the lenses. Here, unlike the surfers, the focal length tends to be similar:
One place that the 40-150mm f/2.8 excels at compared to the 40-150mm f/4 or similar lenses is doing indoor shots, particularly theater shots where you need a faster lens. But it depends on how often you need that extra stop of light.

Regarding the wide angle lens, when I bought the 7-14mm f/2.8 last year, I had really wanted the 8-25mm f/4 due to it having more overlap with the standard lenses. But I kept finding really good deals for used 7-14mm f/2.8 lenses, and the used 8-25mm f/4 lenses were several hundred dollars more.
 
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I'm still finalising the telephoto option. I’m leaning toward the 40–150mm f/2.8 PRO, partly for its potential in portraiture and general purpose domestic use.

For those of you who’ve used both the f/4 and f/2.8 versions, what real-world advantages or disadvantages have stood out to you? Handling, weight, autofocus speed, bokeh, indoor use — any perspective would be appreciated. Thanks again...
Olympus lenses have the potential to have scratchy bokeh with lots of lines in the background, so you'll have to be careful with composition on portraits.

This is the trade-off. The 40-150 f2.8 is quite sharp even at f2.8. I want to say the corners of the f4 benefited from stopping down to f5.6. It's more of a landscape lens.

To compensate for this, Olympus released pro level lenses with "feathered bokeh." You might want to look at the 45mm pro for portraits.

These are some examples of the pro lens bokeh and out of focus transitions areas I have. I don't think they're terrible, but don't think anyone would say it's a strength.

5ed7377ce0f3401baf583338612cb542.jpg

7f78af8ba54349439663332841a0ddbc.jpg

dbcd557c3a2a4a56b64f92b967660ae5.jpg

785414b1d77a4d018288f19edb41c24a.jpg

8c473faa6c6544d9a3695d57f9836f88.jpg
Thank you so much — that’s really helpful to know. I was considering the 2.8 version for double-duty as a portrait lens, but perhaps that’s not ideal after all. I’ll look into this a bit more. Thanks again!
 
Thank you so much — that’s really helpful to know. I was considering the 2.8 version for double-duty as a portrait lens, but perhaps that’s not ideal after all. I’ll look into this a bit more. Thanks again!
If you're okay with 2.8, the Panasonic Lumix 35-100 F2.8 has reviews saying the bokeh is charming in a vintagey way.
 
If you're okay with 2.8, the Panasonic Lumix 35-100 F2.8 has reviews saying the bokeh is charming in a vintagey way.
The 35-100 is a great lens; OP you really should not neglect Panasonic lenses as well, just read the reviews for sensor interactions; the 7-14/4 has it the worst.
 
For primes 17/1.2, 25/1.2, 45/1.2 pro if after best IQ, or if too big, then 17/1.8ii, 25/1.8ii, 45/1.8. For zooms 8-25/4, 40-150/4 pro. If too big then 9-18/4-5.6ii, 40-150/4-5.6. For max IQ if you're ok with size then 40-150/2.8. For fast primes but lower prices than OM pro then Sigma's 16/1.4, 30/1.4, 56/1.4.
 
Thanks to everyone for the insights and support so far.

My OM-1 Mark II arrived today along with the 12–40mm f/2.8 PRO, both from B&H — and what a beauty this camera is! As always, B&H delivered with excellent service.

I’m still leaning toward the 40–150mm f/2.8 PRO as my telephoto option — the combination of speed and flexibility is compelling. Especially, for indoors use...

That said, I’m now trying to do a bit more research and I’d really appreciate suggestions for credible, thoughtful M43 sources (sites, blogs, YouTube channels, etc.) that provide solid evaluations of lenses (and cameras). There seems to be a lot of superficial or clickbait content out there. I'm looking for the good stuff. I remember years ago watching the late David Thorpe, who was absolutely marvelous.

Any recommendations?
 
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