The Pentax K-3 Mark III has been discontinued

This is either great news .. or terrible news!

I really hope that we will know soon! Maybe the CP+ show?

K3-IIIs would be nice! Faster electronics .. better video .. little tweaks... Fingers crossed!

Best,

M
Pentax will again miss CP+. They will be present at the 2025 Photography and Video Show (8-11 March 2025, ExCel London). Interestingly, the Ricoh brand will not be present there.
Searching for Pentax in the London Show's PDF guide.

Found only film related events.

The Analogue Stage page features an image with several film SLR's with a prominent Asahi Pentax in the center.

Next page advertises this: "Check out page 10 for our photo walks schedule where you
can try your hand at shooting with the new Pentax 17 ½ frame film camera"

Each day, March 8-10, they have this:

13:00-14:00
Fun, film photowalk brought to you by Pentax, ILFORD Photo and Analogue Wonderland
Join this fun, inclusive photowalk and try your hand at shooting with the new Pentax 17 ½ frame film camera.

Monday March 10, this:

10:30-11:00
Shooting film for professional work: Practical advice from the field. Now is the best time to add film to your client work, or to improve your existing analogue craft by understanding what’s possible, and how some of the industry’s professionals are working today. Join this session with Dan to learn how! Dan Rubin
Brought to you by: Pentax
 
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Ah, I wish I was in London right now :-( Good to see lots of film/analogue stuff and would be great to meet Will Cheung of (long time ago) Practical Photographer /Photography (?) fame :-)

Enjoy.

Cheers,

Jack
 
... I would also switch over my limited production capacity to a model that fetches between $500 USD and 650 Euros more in the market, for about the same production cost.

(I'm referring to the K-3 III Monochrome, of course.)
I would speculate that the assumedly low and highly specialized demand for a $2200 mono-only APS DSLR is not enough to keep the patient viable. If anything, I'd assume the full color brother would subsidize the mono offering. Without such support, can mono-only survive beyond whatever numbers are currently in the warehouse?
 
... I would also switch over my limited production capacity to a model that fetches between $500 USD and 650 Euros more in the market, for about the same production cost.

(I'm referring to the K-3 III Monochrome, of course.)
I would speculate that the assumedly low and highly specialized demand for a $2200 mono-only APS DSLR is not enough to keep the patient viable. If anything, I'd assume the full color brother would subsidize the mono offering. Without such support, can mono-only survive beyond whatever numbers are currently in the warehouse?
Your speculation is inconsistent with the price.
 
Similarly to the K-3 Mark III, the HD Pentax-D FA 70-210mm f/4 ED SDM WR is listed as a discontinued lens on the Japanese version of Ricoh Imaging's website (it's still listed in the current line-up on the English version).

Telephoto lenses - Current lineup 望遠レンズ / Kマウントレンズ / レンズ / 製品 | RICOH IMAGING
Translation Telephoto lenses / K-mount lenses / Lenses / Products | RICOH IMAGING

Discontinued lenses 販売終了:デジタル一眼レフカメラ用レンズ一覧 / レンズラインナップ / レンズ / 製品 | RICOH IMAGING
Translation Discontinued: Digital SLR camera lens list / Lens lineup / Lenses / Products | RICOH IMAGING

https://www.ricoh-imaging.co.jp/japan/products/lens/k/telephoto/hdpentax-dfa-70-210/: 販売終了:望遠レンズ on the top left means 'Discontinued: telephoto lens'.
 
Similarly to the K-3 Mark III, the HD Pentax-D FA 70-210mm f/4 ED SDM WR is listed as a discontinued lens on the Japanese version of Ricoh Imaging's website (it's still listed in the current line-up on the English version).

Telephoto lenses - Current lineup 望遠レンズ / Kマウントレンズ / レンズ / 製品 | RICOH IMAGING
Translation Telephoto lenses / K-mount lenses / Lenses / Products | RICOH IMAGING

Discontinued lenses 販売終了:デジタル一眼レフカメラ用レンズ一覧 / レンズラインナップ / レンズ / 製品 | RICOH IMAGING
Translation Discontinued: Digital SLR camera lens list / Lens lineup / Lenses / Products | RICOH IMAGING

https://www.ricoh-imaging.co.jp/japan/products/lens/k/telephoto/hdpentax-dfa-70-210/: 販売終了:望遠レンズ on the top left means 'Discontinued: telephoto lens'.
Is there any sign or rumor of new cameras in development or will Pentax be content with its past?
 
Similarly to the K-3 Mark III, the HD Pentax-D FA 70-210mm f/4 ED SDM WR is listed as a discontinued lens on the Japanese version of Ricoh Imaging's website (it's still listed in the current line-up on the English version).

Telephoto lenses - Current lineup 望遠レンズ / Kマウントレンズ / レンズ / 製品 | RICOH IMAGING
Translation Telephoto lenses / K-mount lenses / Lenses / Products | RICOH IMAGING

Discontinued lenses 販売終了:デジタル一眼レフカメラ用レンズ一覧 / レンズラインナップ / レンズ / 製品 | RICOH IMAGING
Translation Discontinued: Digital SLR camera lens list / Lens lineup / Lenses / Products | RICOH IMAGING

https://www.ricoh-imaging.co.jp/japan/products/lens/k/telephoto/hdpentax-dfa-70-210/: 販売終了:望遠レンズ on the top left means 'Discontinued: telephoto lens'.
That lens was always a tough sell imo, being only about 20% lighter than the Tamron f/2.8 version, but losing a stop, all for $350 extra, which does add weather sealing.

They're both really good optically, but there's also the ultimate prize, the D FA* f/2.8 for those wanting no compromises (at almost 2kg and almost twice the cost of the f/4).

And for those that look purely at focal length, there could also be competition from the 28-105mm.

So did Ricoh shelve the lens rather than drop the price a little?
 
Similarly to the K-3 Mark III, the HD Pentax-D FA 70-210mm f/4 ED SDM WR is listed as a discontinued lens on the Japanese version of Ricoh Imaging's website (it's still listed in the current line-up on the English version).

Telephoto lenses - Current lineup 望遠レンズ / Kマウントレンズ / レンズ / 製品 | RICOH IMAGING
Translation Telephoto lenses / K-mount lenses / Lenses / Products | RICOH IMAGING

Discontinued lenses 販売終了:デジタル一眼レフカメラ用レンズ一覧 / レンズラインナップ / レンズ / 製品 | RICOH IMAGING
Translation Discontinued: Digital SLR camera lens list / Lens lineup / Lenses / Products | RICOH IMAGING

https://www.ricoh-imaging.co.jp/japan/products/lens/k/telephoto/hdpentax-dfa-70-210/: 販売終了:望遠レンズ on the top left means 'Discontinued: telephoto lens'.
Is there any sign or rumor of new cameras in development or will Pentax be content with its past?
What we do know is that they are working on the next film project camera. However, it's been said that this is kinda stuck in corporate limbo right now - the first film project camera was just a small project between about three people, and management didn't pay too much attention. Having seen that the 17 took the market by storm, management is apparently very concerned to get the next release exactly right.
 
Similarly to the K-3 Mark III, the HD Pentax-D FA 70-210mm f/4 ED SDM WR is listed as a discontinued lens on the Japanese version of Ricoh Imaging's website (it's still listed in the current line-up on the English version).

Telephoto lenses - Current lineup 望遠レンズ / Kマウントレンズ / レンズ / 製品 | RICOH IMAGING
Translation Telephoto lenses / K-mount lenses / Lenses / Products | RICOH IMAGING

Discontinued lenses 販売終了:デジタル一眼レフカメラ用レンズ一覧 / レンズラインナップ / レンズ / 製品 | RICOH IMAGING
Translation Discontinued: Digital SLR camera lens list / Lens lineup / Lenses / Products | RICOH IMAGING

https://www.ricoh-imaging.co.jp/japan/products/lens/k/telephoto/hdpentax-dfa-70-210/: 販売終了:望遠レンズ on the top left means 'Discontinued: telephoto lens'.
That lens was always a tough sell imo, being only about 20% lighter than the Tamron f/2.8 version, but losing a stop, all for $350 extra, which does add weather sealing.

They're both really good optically, but there's also the ultimate prize, the D FA* f/2.8 for those wanting no compromises (at almost 2kg and almost twice the cost of the f/4).

And for those that look purely at focal length, there could also be competition from the 28-105mm.

So did Ricoh shelve the lens rather than drop the price a little?
Frankly all they had to do was update the DA*60-250 f/4 with a PLM motor .... and happy days.
 
Similarly to the K-3 Mark III, the HD Pentax-D FA 70-210mm f/4 ED SDM WR is listed as a discontinued lens on the Japanese version of Ricoh Imaging's website (it's still listed in the current line-up on the English version).

Telephoto lenses - Current lineup 望遠レンズ / Kマウントレンズ / レンズ / 製品 | RICOH IMAGING
Translation Telephoto lenses / K-mount lenses / Lenses / Products | RICOH IMAGING

Discontinued lenses 販売終了:デジタル一眼レフカメラ用レンズ一覧 / レンズラインナップ / レンズ / 製品 | RICOH IMAGING
Translation Discontinued: Digital SLR camera lens list / Lens lineup / Lenses / Products | RICOH IMAGING

https://www.ricoh-imaging.co.jp/japan/products/lens/k/telephoto/hdpentax-dfa-70-210/: 販売終了:望遠レンズ on the top left means 'Discontinued: telephoto lens'.
Is there any sign or rumor of new cameras in development or will Pentax be content with its past?
What we do know is that they are working on the next film project camera. However, it's been said that this is kinda stuck in corporate limbo right now - the first film project camera was just a small project between about three people, and management didn't pay too much attention. Having seen that the 17 took the market by storm, management is apparently very concerned to get the next release exactly right.
I think that caution, or corporate limbo, may have been articulated in an interview last October where Ricoh mentioned several consecutive years of profit in the imaging division. After seeing a positive initial response to the 17 they saw demand fall off by end of summer (northern hemisphere summer!) and were waiting on further plans until there are signs of renewed interest. How does that early excitement for the 17 and an interest in old inexpensive fully functional film cameras translate into sales of a new significantly more expensive camera? The Catch 22, what level of ongoing interest based on purchases of Pentax 17 cameras do they need to see by people who don’t really want it, in order to develop the camera those same people actually want… and will purchase?
 
Ah, I wish I was in London right now :-( Good to see lots of film/analogue stuff and would be great to meet Will Cheung of (long time ago) Practical Photographer /Photography (?) fame :-)

Enjoy.

Cheers,

Jack
Hi,

To clarify: I'm not visiting the show in London, I was just browsing the PDF programme. I also wish I was there and ask about Ricoh's strategy for Pentax.

I just found a video tour of the show on youtube. The Pentax booth is briefly shown starting at minute 29:35. They still have Pentax DSLRs and lenses on display fortunately:
 
Last edited:
Similarly to the K-3 Mark III, the HD Pentax-D FA 70-210mm f/4 ED SDM WR is listed as a discontinued lens on the Japanese version of Ricoh Imaging's website (it's still listed in the current line-up on the English version).

Telephoto lenses - Current lineup 望遠レンズ / Kマウントレンズ / レンズ / 製品 | RICOH IMAGING
Translation Telephoto lenses / K-mount lenses / Lenses / Products | RICOH IMAGING

Discontinued lenses 販売終了:デジタル一眼レフカメラ用レンズ一覧 / レンズラインナップ / レンズ / 製品 | RICOH IMAGING
Translation Discontinued: Digital SLR camera lens list / Lens lineup / Lenses / Products | RICOH IMAGING

https://www.ricoh-imaging.co.jp/japan/products/lens/k/telephoto/hdpentax-dfa-70-210/: 販売終了:望遠レンズ on the top left means 'Discontinued: telephoto lens'.
That lens was always a tough sell imo, being only about 20% lighter than the Tamron f/2.8 version, but losing a stop, all for $350 extra, which does add weather sealing.

They're both really good optically, but there's also the ultimate prize, the D FA* f/2.8 for those wanting no compromises (at almost 2kg and almost twice the cost of the f/4).

And for those that look purely at focal length, there could also be competition from the 28-105mm.

So did Ricoh shelve the lens rather than drop the price a little?
Frankly all they had to do was update the DA*60-250 f/4 with a PLM motor .... and happy days.
100% :-)

cheers,

Jack
 
Similarly to the K-3 Mark III, the HD Pentax-D FA 70-210mm f/4 ED SDM WR is listed as a discontinued lens on the Japanese version of Ricoh Imaging's website (it's still listed in the current line-up on the English version).

Telephoto lenses - Current lineup 望遠レンズ / Kマウントレンズ / レンズ / 製品 | RICOH IMAGING
Translation Telephoto lenses / K-mount lenses / Lenses / Products | RICOH IMAGING

Discontinued lenses 販売終了:デジタル一眼レフカメラ用レンズ一覧 / レンズラインナップ / レンズ / 製品 | RICOH IMAGING
Translation Discontinued: Digital SLR camera lens list / Lens lineup / Lenses / Products | RICOH IMAGING

https://www.ricoh-imaging.co.jp/japan/products/lens/k/telephoto/hdpentax-dfa-70-210/: 販売終了:望遠レンズ on the top left means 'Discontinued: telephoto lens'.
Is there any sign or rumor of new cameras in development or will Pentax be content with its past?
What we do know is that they are working on the next film project camera. However, it's been said that this is kinda stuck in corporate limbo right now - the first film project camera was just a small project between about three people, and management didn't pay too much attention. Having seen that the 17 took the market by storm, management is apparently very concerned to get the next release exactly right.
I think that caution, or corporate limbo, may have been articulated in an interview last October where Ricoh mentioned several consecutive years of profit in the imaging division. After seeing a positive initial response to the 17 they saw demand fall off by end of summer (northern hemisphere summer!) and were waiting on further plans until there are signs of renewed interest. How does that early excitement for the 17 and an interest in old inexpensive fully functional film cameras translate into sales of a new significantly more expensive camera? The Catch 22, what level of ongoing interest based on purchases of Pentax 17 cameras do they need to see by people who don’t really want it, in order to develop the camera those same people actually want… and will purchase?
Well, I didn't feel the $600 (iirc) introductory price tag made the 17 "not expensive" for what it was. Now, I do think it was well made and will probably still transport film 50 years from now.

But this was probably Pentax' first real contact with pleasure consumption by gen Z, how they like things extraordinary (could be a "pro" for Ricoh/Pentax as a more "boutique" player) and how their consuimption is somewhat ironically driven by viral influencer hype.
The Catch 22, what level of ongoing interest based on purchases of Pentax 17 cameras do they need to see by people who don’t really want it, in order to develop the camera those same people actually want… and will purchase?
So, if I understand correctly, you're saying that higher tier camera sales are drven by people who bought some cheaper version of the good and were disappointed. But I would argue that people may experience no negative feeling towards their family sedan while still craving a Porsche. Equally, someone who's never driven could crave a Porsche as their first car - or a Rolls Royce as their chauffeur-driven car.

Another example - people didn't "[not] really want" a mobile phone when the iPhone was first introduced, and yet suddenly lots of people wanted one. (Excuse the double negation.)

So, yes, your thinking doubtless applies to some consumers, but I'd caution against assuming it drives the market.
 
Similarly to the K-3 Mark III, the HD Pentax-D FA 70-210mm f/4 ED SDM WR is listed as a discontinued lens on the Japanese version of Ricoh Imaging's website (it's still listed in the current line-up on the English version).

Telephoto lenses - Current lineup 望遠レンズ / Kマウントレンズ / レンズ / 製品 | RICOH IMAGING
Translation Telephoto lenses / K-mount lenses / Lenses / Products | RICOH IMAGING

Discontinued lenses 販売終了:デジタル一眼レフカメラ用レンズ一覧 / レンズラインナップ / レンズ / 製品 | RICOH IMAGING
Translation Discontinued: Digital SLR camera lens list / Lens lineup / Lenses / Products | RICOH IMAGING

https://www.ricoh-imaging.co.jp/japan/products/lens/k/telephoto/hdpentax-dfa-70-210/: 販売終了:望遠レンズ on the top left means 'Discontinued: telephoto lens'.
That lens was always a tough sell imo, being only about 20% lighter than the Tamron f/2.8 version, but losing a stop, all for $350 extra, which does add weather sealing.

They're both really good optically, but there's also the ultimate prize, the D FA* f/2.8 for those wanting no compromises (at almost 2kg and almost twice the cost of the f/4).

And for those that look purely at focal length, there could also be competition from the 28-105mm.

So did Ricoh shelve the lens rather than drop the price a little?
Frankly all they had to do was update the DA*60-250 f/4 with a PLM motor .... and happy days.
100% :-)

cheers,

Jack
The PLM motor requires the moving element to be small (light weight). What I'm pointing out here is that after you redesign the 60-250 to use a PLM motor, you may no longer have anything like the same lens. Or in other words, it may not be a trivial thing to do.

Also note:

 
egk4260 wrote:….

The Catch 22, what level of ongoing interest based on purchases of Pentax 17 cameras do they need to see by people who don’t really want it, in order to develop the camera those same people actually want… and will purchase?
So, if I understand correctly, you're saying that higher tier camera sales are drven by people who bought some cheaper version of the good and were disappointed.
No, I am referring to a statement by Ricoh in an interview at a French photo event in October. It was more of a rhetorical question on my part.

”After a very positive start, momentum slowed over the summer holidays and back-to-school period, then fell off at the end of the summer.”

“We’re currently waiting to see if demand picks up again, but it’s too early to tell if this product will be a long-term success or if there will be a successor product.”


Who are these customers that represent that required increased demand?

If I really want the new 35mm film camera which might be developed if demand returns for the half frame am I assuming others will resume purchasing the half frame in sufficient numbers to placate Ricoh concerns or will reaching those sufficient numbers realistically mean that I must join the half frame club if I ever wish to see that next membership tier?
 
egk4260 wrote:….

The Catch 22, what level of ongoing interest based on purchases of Pentax 17 cameras do they need to see by people who don’t really want it, in order to develop the camera those same people actually want… and will purchase?
So, if I understand correctly, you're saying that higher tier camera sales are drven by people who bought some cheaper version of the good and were disappointed.
No, I am referring to a statement by Ricoh in an interview at a French photo event in October. It was more of a rhetorical question on my part.

”After a very positive start, momentum slowed over the summer holidays and back-to-school period, then fell off at the end of the summer.”

“We’re currently waiting to see if demand picks up again, but it’s too early to tell if this product will be a long-term success or if there will be a successor product.”
The original French version has the word as successeur, which is as ambiguous as the original - it is left unclear whether they are talking about a direct successor to the 17 (another "17") or an entirely new camera under the film project.

It is my impression that most people are hoping for a 35mm SLR, with a minority going for a 35mm compact. The latter might be more likely seeing that Ricoh is already a little skittish. On the other hand, the USP of a 35mm film compact is already slightly eroded by the existence of the 17. I think if Ricoh want to be serious about this mission, they should get people into the idea of changing lenses, maybe with a relatively inexpensive system à la mode of the Pentax Q (re-imagined with film, obviously).
https://www.canonrumors.com/ricoh-interview-sales-of-slrs-are-on-a-downward-trend/

Who are these customers that represent that required increased demand?

If I really want the new 35mm film camera which might be developed if demand returns for the half frame am I assuming others will resume purchasing the half frame in sufficient numbers to placate Ricoh concerns or will reaching those sufficient numbers realistically mean that I must join the half frame club if I ever wish to see that next membership tier?
Since we like to play crystal ball, let me say this - the Pentax 17 is now going for $499 USD. So this is a price point they can do without making a loss. If they could make a 17 "lite" and bring it down to $299 without sacrificing too much on quality, they could sell editions: soft focus, HDF, ND, starburst. Give them exteriors that match what is happening inside the camera so you can have them sitting next to your door and just grab the one you want as you leave. This would get people into collecting the set. I think at $299, it could reach a lot of people. Then top it off with a higher-priced edition with "swirly" lens.

There's a much more detailed discussion to be had here about user expectations, light leaks, film lifespan, focal lengths, production costs, margins, and development costs. But Ricoh have repeatedly emphasised their body of market research. I hope they asked the right questions.

I'm also just about expecting Sigma to enter this market with an optically stabilised film compact. That might be a world first, unless someone can correct me.
 
Frankly all they had to do was update the DA*60-250 f/4 with a PLM motor .... and happy days.
Sir: Are you not abandoning hope for that special lens you have desired for several years now?
Of course not, I’m as patient as a leopard.

But a PLM DA* 60-250 f/4 would be a great combination lens to the main prize, a HD DA 55-550mm f4.5-6.3 mounted on the new K5III :)
 

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