Your take on value proposition of MFT in 2025?

> The L mount system could become a sole system.

Only a few 'small' items (S9 and a handful of lenses)
The L mount system has the versatility to become a sole system, which the GFX lacks. I already mentioned the trad-off in cost, size and weight. The word here is compromise.

I'm thinking the S1R as a high resolution body, with a few legacy lenses, running alongside the micro four thirds system. This could then slowly transition to a L mount only system, if desired, without sacrificing versatility, but compromising on size and weight.

Sadly, it looks like micro four thirds has abandoned the original ethos of being a small system.
 
A Pen Type.
 
A quarter-sized sensor can never be as good as APS-c or FF in the same way that MF will be better Vs FF.
Gotta love the bigger is better guys. I suggest the next time you go duck hunting you take a bazooka. Much bigger than a 12 gauge. Better in all situations.
 
> The L mount system could become a sole system.

Only a few 'small' items (S9 and a handful of lenses)
The L mount system has the versatility to become a sole system, which the GFX lacks. I already mentioned the trad-off in cost, size and weight. The word here is compromise.

I'm thinking the S1R as a high resolution body, with a few legacy lenses, running alongside the micro four thirds system. This could then slowly transition to a L mount only system, if desired, without sacrificing versatility, but compromising on size and weight.

Sadly, it looks like micro four thirds has abandoned the original ethos of being a small system.
I wish other systems were as small as my micro four thirds system! Every time I visit the store to piece out a FF system it is much larger, heavier and more expensive than I what I currently carry.
 
Think about Leica, Rebadged Lumix for twice the price eg: SL3
  • Funny. Which Lumix is the rebadged SL3 please?
Prety sure he meant SL3S... which is basically a (worse) rebadged Lumix S5 mark II (with a better EVF and IP54 body)

So far the SL3 has no equivalents, but if you look at the previous gens, the S1R was basically a rebadged SL2, and the S1 was basically a rebadged SL2S.
"Rebadged" is disingenuous, at best. As you noted it's a (completely) different body with completely different ergonomics, better viewfinder and also has a top LCD panel, it's own operating system, etc. Leica has intelligently leveraged their partnership with Lumix to re-use the commoditized parts of a camera but have thoroughly made it their own.

That's not to say that I think the differences are worth it, but it's unfair to call it "rebadged".
If the difference between those two cameras matter to you, that's en entirely new debate.

What I see is that it's the same sensor, with basically the same AF performance (actually slightly worse), with the same burst rate and with an interface that is cleaned up compared to what Lumix does, but less versatile with way less parameters that you have access to as a result (especially in regard to audio) and no active cooling.

You think it's disingenuous to say that it's a rebranded Lumix, I don't agree with that.
It's like saying the Lotus Elise was a "rebadged" Toyota because they use the same engine with the same torque and horsepower numbers. It's a very narrow-minded view of what makes a camera a camera, IMO.
That comparison doesn't hold. An engine has horsepower and torque numbers, but this isn't what says how fast a car is. The power to weight ratio does. A lotus Elise has a Toyota engine, but it also has a super lightweight, rigid chassis which gives it a considerably better cornering ability and much better acceleration and top speed than let's say... the Camry that uses the same engine. The Elise is more expensive than the Camry, because it's more focused, requires more hours to get assembled and tuned, and as a result is substantially faster and nimble. In short : it has capabilities and performance that isn't even in the same league as the Camry.

The SL3-S? It's exactly the same as the S5IIX.
No, it's not. That's the reason I chose the comparison I did. The "engine" is the same, the chassis is different.

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You read what I wrote but chose to ignore the main point I was making...
Yeah, I stopped at you claiming they're "exactly the same", which is patently false unless you're solely referring to specs.
I said several times that I was referring to the specs, almost exclusively. You do not read the entire response, yet you bother to respond.

Why?
I read it, I'm just responding to the most relevant parts. I'm at work and don't have time for line-by-line refutations.
Trying to boil a camera down to the "performance" you're referring to - the sensor specs, codecs, etc - is simply a way of winning the argument.
Yes. And? Should we try to actively lose arguments now?
I try to enter into these kinds of discussion with a genuine desire to "seek first to understand, then be understood".
Correct me if I'm wrong but... do you put more emphasis on the camera experience or on the results you get from it?

I personally consider both important, but in the case of the SL3-S... they're not 3500 USD important, if you catch my drift.
They're both important to me. But I would agree that the differences between the two aren't enough for me to pay extra for it. That said, if a few years from now the SL3-S is way cheaper on the used market I could see it replacing my S5 II.

But again, that doesn't qualify this as "rebadged", IMO. Here was one of your prior characterizations:
The SL3-S doesn't provide anything more than a red badge logo on the front, an IP rating, and a full metal body.
That is an unfair characterization, IMO.
Well, besides the build, upgraded screens and the menu system, what does the SL3-S provide over the S5IIX?
Much in the way that attaching the same engine to a manual gearbox vs. an automatic gearbox fundamentally changes the experience, so does the body and user interface of the camera.
Except in our case, the SL3 isn't more practical or more automated than an S5II. It has nice materials, feels better in the hand and has a simpler menu system.

That's basically what you get when paying 10k more for an Audi instead of a VW. You need to stop with those comparisons if you can't get them right.
Okay, if you want to stick with VW and Audi, I would say I don't agree with your characterization of those being rebadged either. Yes, they share the same platform and share a ton of components but they're packaged differently enough to not fall into that category, IMO.

In my mind it comes down to the percentage of the platform that's being shared. The difference between the S5 IIX and the SL3-S is much more akin to your VW/Audi example than it is something like a Toyota Matrix vs. the Pontiac Vibe, for example.
But to quote Ferdinand Piech (again), about the Audi and the VW (and the whole group, could apply this to Skoda, Seat, Cupra, ...) : everything that you see is different, everything that you don't is the same.

It's the same thing happening with the S5II and the SL3. Everything that you see is different : the build, EVF, back screen, interface... luxury product comes with standards.

But everything that you don't see, is the same : same sensor, same burst rate, same autofocus, same video...

The SL3-S is an S5II in fancy clothes, just like the A4 is a Passat in fancy clothes.

--
(G.A.S. and collectionnite will get my skin one day)
 
A quarter-sized sensor can never be as good as APS-c or FF in the same way that MF will be better Vs FF.
Gotta love the bigger is better guys. I suggest the next time you go duck hunting you take a bazooka. Much bigger than a 12 gauge. Better in all situations.
Larger sensors give better IQ. There is no advantage to M43 Vs APSc as far as I am aware.

The firearms analogy doesn't work in my view.
 
Think about Leica, Rebadged Lumix for twice the price eg: SL3
  • Funny. Which Lumix is the rebadged SL3 please?
Prety sure he meant SL3S... which is basically a (worse) rebadged Lumix S5 mark II (with a better EVF and IP54 body)

So far the SL3 has no equivalents, but if you look at the previous gens, the S1R was basically a rebadged SL2, and the S1 was basically a rebadged SL2S.
"Rebadged" is disingenuous, at best. As you noted it's a (completely) different body with completely different ergonomics, better viewfinder and also has a top LCD panel, it's own operating system, etc. Leica has intelligently leveraged their partnership with Lumix to re-use the commoditized parts of a camera but have thoroughly made it their own.

That's not to say that I think the differences are worth it, but it's unfair to call it "rebadged".
If the difference between those two cameras matter to you, that's en entirely new debate.

What I see is that it's the same sensor, with basically the same AF performance (actually slightly worse), with the same burst rate and with an interface that is cleaned up compared to what Lumix does, but less versatile with way less parameters that you have access to as a result (especially in regard to audio) and no active cooling.

You think it's disingenuous to say that it's a rebranded Lumix, I don't agree with that.
It's like saying the Lotus Elise was a "rebadged" Toyota because they use the same engine with the same torque and horsepower numbers. It's a very narrow-minded view of what makes a camera a camera, IMO.
That comparison doesn't hold. An engine has horsepower and torque numbers, but this isn't what says how fast a car is. The power to weight ratio does. A lotus Elise has a Toyota engine, but it also has a super lightweight, rigid chassis which gives it a considerably better cornering ability and much better acceleration and top speed than let's say... the Camry that uses the same engine. The Elise is more expensive than the Camry, because it's more focused, requires more hours to get assembled and tuned, and as a result is substantially faster and nimble. In short : it has capabilities and performance that isn't even in the same league as the Camry.

The SL3-S? It's exactly the same as the S5IIX.
No, it's not. That's the reason I chose the comparison I did. The "engine" is the same, the chassis is different.

ba4a88e712d049daa182cc79ce51966f.jpg.png

4c80c378c1404386bfc209d7ab9145be.jpg.png
You read what I wrote but chose to ignore the main point I was making...
Yeah, I stopped at you claiming they're "exactly the same", which is patently false unless you're solely referring to specs.
I said several times that I was referring to the specs, almost exclusively. You do not read the entire response, yet you bother to respond.

Why?
I read it, I'm just responding to the most relevant parts. I'm at work and don't have time for line-by-line refutations.
Trying to boil a camera down to the "performance" you're referring to - the sensor specs, codecs, etc - is simply a way of winning the argument.
Yes. And? Should we try to actively lose arguments now?
I try to enter into these kinds of discussion with a genuine desire to "seek first to understand, then be understood".
Correct me if I'm wrong but... do you put more emphasis on the camera experience or on the results you get from it?

I personally consider both important, but in the case of the SL3-S... they're not 3500 USD important, if you catch my drift.
They're both important to me. But I would agree that the differences between the two aren't enough for me to pay extra for it. That said, if a few years from now the SL3-S is way cheaper on the used market I could see it replacing my S5 II.

But again, that doesn't qualify this as "rebadged", IMO. Here was one of your prior characterizations:
The SL3-S doesn't provide anything more than a red badge logo on the front, an IP rating, and a full metal body.
That is an unfair characterization, IMO.
Well, besides the build, upgraded screens and the menu system, what does the SL3-S provide over the S5IIX?
Much in the way that attaching the same engine to a manual gearbox vs. an automatic gearbox fundamentally changes the experience, so does the body and user interface of the camera.
Except in our case, the SL3 isn't more practical or more automated than an S5II. It has nice materials, feels better in the hand and has a simpler menu system.

That's basically what you get when paying 10k more for an Audi instead of a VW. You need to stop with those comparisons if you can't get them right.
Okay, if you want to stick with VW and Audi, I would say I don't agree with your characterization of those being rebadged either. Yes, they share the same platform and share a ton of components but they're packaged differently enough to not fall into that category, IMO.

In my mind it comes down to the percentage of the platform that's being shared. The difference between the S5 IIX and the SL3-S is much more akin to your VW/Audi example than it is something like a Toyota Matrix vs. the Pontiac Vibe, for example.
But to quote Ferdinand Piech (again), about the Audi and the VW (and the whole group, could apply this to Skoda, Seat, Cupra, ...) : everything that you see is different, everything that you don't is the same.

It's the same thing happening with the S5II and the SL3. Everything that you see is different : the build, EVF, back screen, interface... luxury product comes with standards.

But everything that you don't see, is the same : same sensor, same burst rate, same autofocus, same video...

The SL3-S is an S5II in fancy clothes, just like the A4 is a Passat in fancy clothes.
Again, fundamentally we just disagree with what makes something "rebadged" or not. Platform sharing is a pretty common practice in numerous industries. It's a smart way to do business. But I wouldn't call a my Hyundai Ioniq 5 a "rebadged" Kia EV6 - they share a lot in common and have very similar performance, but they are different enough to be their own distinct products and there are things about both that would lead consumers to buy one of the other.

Needless to say, if all you care about is the files a camera creates, the speed at which it creates them, etc then you should be pretty happy that S5 II's go for nearly $1,200 on the used market at this point.

--
Sam Bennett
Instagram: @swiftbennett
 
The camera bodies have more features, less limitations and/or better specs than any FF cameras at their respective price ranges - at the cost of more noise.

The lenses are smaller and cheaper - at the cost of a deeper DoF.

Seems pretty clear cut to me.
Your friends and my friends are looking at the Canon R50, Sony ZVE10, or that new Fuji X-M5, not the OM-1 or OM-3 though. Or they may not even get an "actual camera", but something like Osmo Pocket 3.

The Panasonic G100 is cheap, but they really thought they could get away with calling that camera having "5-axis stabilization" and that the heavy 4K crop was acceptable. As for the E-M10IV, same core problem, autofocus is not competitive. I'm not asking these bodies to track birds in flight, just normal things people do... like focusing on peoples faces or their pets.

At some point I feel like some M4/3 users are out of touch with what entry level bodies from other companies can do. Even the old Sony A6000 is still a great choice used because of the autofocus alone... and you can even USB charge it too. :-P

--
I like cameras, they're fun.
 
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The camera bodies have more features, less limitations and/or better specs than any FF cameras at their respective price ranges - at the cost of more noise.

The lenses are smaller and cheaper - at the cost of a deeper DoF.

Seems pretty clear cut to me.
Your friends and my friends are looking at the Canon R50, Sony ZVE10, or that new Fuji X-M5, not the OM-1 or OM-3 though. Or they may not even get an "actual camera", but something like Osmo Pocket 3.

The Panasonic G100 is cheap, but they really thought they could get away with calling that camera having "5-axis stabilization" and that the heavy 4K crop was acceptable. As for the E-M10IV, same core problem, autofocus is not competitive. I'm not asking these bodies to track birds in flight, just normal things people do... like focusing on peoples faces or their pets.

At some point I feel like some M4/3 users are out of touch with what entry level bodies from other companies can do.
I think they do know what the competition offers, it's just cognitive biases kicking in that makes them defensive and give all types of excuses to justify m4/3 as being competitive.
Even the old Sony A6000 is still a great choice used because of the autofocus alone... and you can even USB charge it too. :-P

--
I like cameras, they're fun.
 
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> There is no advantage to M43 Vs APSc as far as I am aware.

The biggest advantage is that certain manufacturers (Nikon, Canon and to a lesser extent Sony) haven't built out their APS-C lens range whereas M4/3 has a full lens system (and more). Even Fuji is still short of the m4/3 lens collection. Does anyone else have a lens similar (size, weight, focal length) to the Panasonic 100-300 for example.

Mark
 
> There is no advantage to M43 Vs APSc as far as I am aware.

The biggest advantage is that certain manufacturers (Nikon, Canon and to a lesser extent Sony) haven't built out their APS-C lens range whereas M4/3 has a full lens system (and more). Even Fuji is still short of the m4/3 lens collection. Does anyone else have a lens similar (size, weight, focal length) to the Panasonic 100-300 for example.

Mark
Think it's only Fuji who really give the love to APS; even though their lens suite isn't huge, the quality is there. The Bigs continue making them, but put their energies into 135, which I also understand.

IMHO APS advantage over 4/3 is greatest for folks who prefer the 3:2 aspect ratio and use the entire frame much of the time. A lot more image area. But, cropping down to 4:3 the size difference is minimal. After shooting 4/3 since the E-series, I am more comfortable composing in that ratio and would not consider jumping to APS.

It all becomes a lot harder to choose, for anybody just beginning with building a system. I'd be paralyzed for a good while, trying to choose format and maker.

Rick
 
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OM Systems did just release some nice small lenses (17 and 25) that are well suited to the OM-3. The smaller zooms like 12-35 f2.8 and 35-100 f2.8 are still around and with new versions relatively recently.

Mark
 
> There is no advantage to M43 Vs APSc as far as I am aware.

The biggest advantage is that certain manufacturers (Nikon, Canon and to a lesser extent Sony) haven't built out their APS-C lens range
I think one advantage for at least some APS makes, is the availability of a wide range of AF third party lenses including

Sigma alone has a heap of lenses for Sony covering from m43 equiv 7.5-450mm with several fast fixed aperture zooms . There are other options AF options from Tamron , Samyang etc and a host of manual focus offerings

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whereas M4/3 has a full lens system (and more). Even Fuji is still short of the m4/3 lens collection. Does anyone else have a lens similar (size, weight, focal length) to the Panasonic 100-300 for example.
You can cherry pick a lot of lenses across both formats where there is no true equivalent. It only matters if a certain lens is vital to what you shoot
--
Jim Stirling:
"Cogito, ergo sum" Descartes
Feel free to tinker with any photos I post
 
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It’s interesting Guy, on the very rare occasions I take out my LX3 I always end up questioning how much difference there is in the images compared with my MFT (Olympus or Panasonic).
Back years with the LX3 I would not use it above ISO 400, move forward to DxO Photolab DeepPRIME versions with raw files and now I can safely run it up to ISO 3200.

Such a nice little compact but mine of course was still using the original battery that was really getting tired, so a cheap clone battery and it is alive again.

I like using the LX3 way more than my "way better" Sony RX100M6.

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Just a shot showing how I anchored that lens cap cord to the right side where is is way more easily restrained from flipping about by using the right hand.

Such a nice camera to use and that "24-60mm" lens is so spectacularly good for what seems to be a simple compact.

91c8aefe6fe946ffbd26956f6acae8a0.jpg

Some random tourist activity on Miyajima Island, Japan in 2009 with the LX3.

Sadly I was not taking RAW+jpeg the every shot at that time so have to rely on the jpegs for most of my 2009 trip.
 
> There is no advantage to M43 Vs APSc as far as I am aware.

The biggest advantage is that certain manufacturers (Nikon, Canon and to a lesser extent Sony) haven't built out their APS-C lens range whereas M4/3 has a full lens system (and more). Even Fuji is still short of the m4/3 lens collection. Does anyone else have a lens similar (size, weight, focal length) to the Panasonic 100-300 for example.

Mark
There are no M43 lenses that can provide the limited DOF of a fast APS-C or FF lens of course.
 
Of course, but that limited of comes at a price in the size of the lens (at least for normal focal lengths and longer). The volume I can carry is limited by the size of my bar bag (and they don't come much bigger than the one I have).
 
It's all too expensive and in terms of value propostions, there aren't any. Photography is a very expensive hobby. Many hobbies are. I have no idea what golfers pay yearly to get onto a course once or twice a week, or guys who are serious about fishing. I also play guitar and that is just as ridiculous.
Yeah, photography doesn't hold a candle to high-end audio equipment. I feel bad for those who are married to someone with audio GAS. Ouch!

--
Great photographs are not constrained by technical perfection.
 
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It's all too expensive and in terms of value propostions, there aren't any. Photography is a very expensive hobby. Many hobbies are. I have no idea what golfers pay yearly to get onto a course once or twice a week, or guys who are serious about fishing. I also play guitar and that is just as ridiculous.
Yeah, photography doesn't hold a candle to high-end audio equipment. I feel bad for those who are married to someone with audio GAS. Ouch!
Relatable. Was caught in that whirlpool when we found out a kid was coming. Friends warned "You won't be using that gear for years" and while I didn't believe it, they were right.

What I avoided were any "You paid WHAT for cables???" convos over the next couple decades. OTOH planning on being there for the birth gave me a reason to buy a high end compact camera. That proved a photographic slippery slope, as things turned out. Digital age intervened heavily.

Rick
 
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It's all too expensive and in terms of value propostions, there aren't any. Photography is a very expensive hobby.
No, photography is not an expensive hobby at all

People can choose to make it expensive, though

Photography is one of the most popular hobbies worldwide, for the rich and the poor (if you include phones of course). Most popular hobbies:

cooking

travelling

video games

collecting

writing

photography

arts & crafts

painting

music

dancing
Many hobbies are. I have no idea what golfers pay yearly to get onto a course once or twice a week, or guys who are serious about fishing. I also play guitar and that is just as ridiculous. I turn to the used market for all my hobbies now. New gear is just too much money and even if I have it I generally don't feel comfortable dropping thousands on a single purchase. Even the used market is rather pricey but there is value there if you are patient and take the time to look. I really like the new OM-3, beautiful camera, but where I live it's over 3k after tax, without a lens. No thank you. I'm not cheap, but I have to work really hard for my money and I don't like the feeling of buyer's remorse after spending a big chunk of it on a single item. My last new purchase was the Sony a6000 when it was released and I paid full price. I still have it and use it lol. I have 3 mft cameras and some lenses that I bought used. The newest one is an EM-1 mark I. I really don't see myself ever buying a new camera again. My cutoff point seems to be $500. Beyond that I start to get cranky lol.
 
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It's all too expensive and in terms of value propostions, there aren't any. Photography is a very expensive hobby.
No, photography is not an expensive hobby at all

People can choose to make it expensive, though

Photography is one of the most popular hobbies worldwide, for the rich and the poor (if you include phones of course). Most popular hobbies:

cooking

travelling

video games

collecting

writing

photography

arts & crafts

painting

music

dancing
There's lists and then there's lists, I also found this one....
  • reading
  • doing puzzles
  • walking
  • cooking
  • gardening
  • yoga/pilates/stretching
  • creative writing/blogging
  • crossword puzzles/sudoku
  • sightseeing
  • photography
Seen a few lists like that and all are dramatically different.

So far not found where my stalled at birth backyard model railway sits in any list. Must get back to that as it also allows a lot of practice of getting semi realistic photos of railway activity.
 

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