2) It’s a jpeg focussed camera, so not that exciting to RAW shooters who want to maximise the IQ of their final images.
I agree with most, but the 'jpg extra's' doesn't make it less capable shooting RAW.
Indeed I might buy it eventually. I just meant that all the jpeg capabilities have limited value to a RAW shooter.
I understand. Maybe it's strength, being very capable on many territories, is also it's weakness; jack of all trades, master of none. There are potential users that will never use the jpeg capabilies, others will never need high fps, etc... so not many potential buyers will recognise it as the camera that was made for their specific usecase, although it probably does answer their needs.
For shooting RAW, there could be an advantage to workflow when utilising all of those new colour tools in camera in combination with OM Workspace, but I'd really like to try it out and see how it behaves. If you've set all of your parameters in camera but opted to shoot raw, those parameters should fire across to OM Workspace - at least right now it does if you're making use of the curves tool, colour creator, gradation settings, profile etc. If the colour wheel in the OM-3 also gets sent with the RAW file and read by OM Workspace you'd get the best of both worlds.
In essence, maximise image quality with RAW, but with a faster workflow.
With that said, OM Workspace although preserves the OM jpeg look and rendering, isn't the most powerful image processing tool out there if compared to a paid commercial product like Adobe.
Certainly interested in playing with that side of it though.