Best Lightroom Alternative

digiKam.


My DAM story is, I downloaded digiKam to learn how to use a DAM, planning to buy a more sophisticated one after learning the ins & outs. Spent a year with digiKam, really liked it, moved on to iMatch ($100). I found iMatch so frustrating -- couldn't tag my RAW files, couldn't figure out why -- that I yelled out, "Why can't this be simple like digiKam?!" Then the lightbulb clicked, and I've stuck with digiKam ever since. DigiKam displays all the file info by hovering over a thumbnail, makes tagging easy, has a flexible search function. Very customizable too.
 
digiKam.

https://www.digikam.org/

My DAM story is, I downloaded digiKam to learn how to use a DAM, planning to buy a more sophisticated one after learning the ins & outs. Spent a year with digiKam, really liked it, moved on to iMatch ($100). I found iMatch so frustrating -- couldn't tag my RAW files, couldn't figure out why -- that I yelled out, "Why can't this be simple like digiKam?!" Then the lightbulb clicked, and I've stuck with digiKam ever since. DigiKam displays all the file info by hovering over a thumbnail, makes tagging easy, has a flexible search function. Very customizable too.
Interesting, one vote for Photo Supreme and one vote for digiKam... I'd love to see an in depth comparison of either and/or iMatch, I wonder why DPR & others don't ever tackle this. I definitely wanna move in this direction though, I don't care for the DAM features in DxO or CO but I wanna be able to use either freely (or even try LR again) without being tied to any of them for DAM & organization duties. I appreciate you sharing your experience here!
 
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I used Capture One for a short time (a year or two) and frankly it really messed me up - I discovered that it is VERY difficult to stop using Capture One because of their proprietary image management system and formats.

I believe that I still have quite a few "lost images" from this time because of Capture One's stupid cataloging system (seems more like encrypting your stuff IMHO).

I suspect that it's all done on purpose to keep you stuck with Capture One as a user. So I now view them just a little bit like drug dealers ;)

Never again! Be warned! Use Capture One at your own risk.

You'll almost certainly find that you're stuck using them for better or worse.
Weird. Are you sure it was Capture One that you used? It has no encryption that I've seen. It doesn't edit the raw files other than renaming them if you choose that option.
 
I used Capture One for a short time (a year or two) and frankly it really messed me up - I discovered that it is VERY difficult to stop using Capture One because of their proprietary image management system and formats.

I believe that I still have quite a few "lost images" from this time because of Capture One's stupid cataloging system (seems more like encrypting your stuff IMHO).

I suspect that it's all done on purpose to keep you stuck with Capture One as a user. So I now view them just a little bit like drug dealers ;)

Never again! Be warned! Use Capture One at your own risk.

You'll almost certainly find that you're stuck using them for better or worse.
Weird. Are you sure it was Capture One that you used? It has no encryption that I've seen. It doesn't edit the raw files other than renaming them if you choose that option.
Yeah I've had no such issue with Capture One and I still use other stuff alongside it... I'm on v22, used v20 before. I dislike how aggressively they've pushed subs (not marketing wise but the policy changes they've put in to disincentivize buying a full license), but that's about my only issue with it, well that and that they're way behind on advanced NR. If it wasn't for that I'd probably stick solely to Capture One tbh, but I'm not using it as a DAM.
 
For a Lightroom equivalent, ACDC is excellent, plus you get a DAM & layered pixel editor. Roughly $110, but watch for sales.

I had ACDC on my system for 10 years, used primarily as a back up for when I couldn't get what I wanted from C1. I never bothered to learn the finer points of ACDC, or layered editing / blend mode work on any software.

But I've grown dissatisfied with C1 in that it applies too much contrast to my Sony images, & fiddling with the contrast slider or the other settings didn't work well for me. Maybe my tastes have changed, too, & am tired of the C1 look. I'm not a pro portrait photographer...or pro anything..., & don't need C1's fine skin color adjustments.

So I made an effort to learn ACDC better beyond the basic sliders, and I think it's wonderful. A few videos, and the "fancy" features were easier to learn than I thought they would be. I like adding a color overlay & blending it in, I like the LUTs & blending them in too. Photo effects & blending ditto. I like the color grading. Clone & healing work well. The pixel editor for layered editing is full featured enough, not Photoshop level but most of us don't need that level of graphics manipulation. The AI masking is pretty good, not perfect, but nobody's is. I'm using the AI masking more & more. Sky replacement is good, runs the gamut from realistic to super dramatic skies, & you can import your own sky photos too. I've always loved the Light EQ tool -- less quirky than moving a tiny dot on a tone curve, & easier to undo if I don't like the effect. Noise removal is just ok, but I don't have many super noisy photos anymore. Sharpening is fine.

I will say the UI is overly clicky, imo, seems like they could arrange things more conveniently instead of having to click back & forth on tabs & tool groups. C1 has a customizable Quick Tab where I could combine my most frequently used tools; wish ACDC had something similar. But it's certainly easy to use.

On my soapbox, clearing throat...: Lens Correction is overrated. I've had one lens -- Samyang 14mm mf -- that had extreme distortion, but sometimes the distortion worked with the subject matter (carnivals, e.g.). For all my other lenses, I can't see that using lens correction tools makes a significant difference. No one as ever looked at my photos & said, "Gee, you should have applied lens correction there." A nice feature to have, I guess, but can't say it does that much for my work.
 
For a Lightroom equivalent, ACDC is excellent, plus you get a DAM & layered pixel editor. Roughly $110, but watch for sales.

I had ACDC on my system for 10 years, used primarily as a back up for when I couldn't get what I wanted from C1. I never bothered to learn the finer points of ACDC, or layered editing / blend mode work on any software.

But I've grown dissatisfied with C1 in that it applies too much contrast to my Sony images, & fiddling with the contrast slider or the other settings didn't work well for me. Maybe my tastes have changed, too, & am tired of the C1 look. I'm not a pro portrait photographer...or pro anything..., & don't need C1's fine skin color adjustments.

So I made an effort to learn ACDC better beyond the basic sliders, and I think it's wonderful. A few videos, and the "fancy" features were easier to learn than I thought they would be. I like adding a color overlay & blending it in, I like the LUTs & blending them in too. Photo effects & blending ditto. I like the color grading. Clone & healing work well. The pixel editor for layered editing is full featured enough, not Photoshop level but most of us don't need that level of graphics manipulation. The AI masking is pretty good, not perfect, but nobody's is. I'm using the AI masking more & more. Sky replacement is good, runs the gamut from realistic to super dramatic skies, & you can import your own sky photos too. I've always loved the Light EQ tool -- less quirky than moving a tiny dot on a tone curve, & easier to undo if I don't like the effect. Noise removal is just ok, but I don't have many super noisy photos anymore. Sharpening is fine.

I will say the UI is overly clicky, imo, seems like they could arrange things more conveniently instead of having to click back & forth on tabs & tool groups. C1 has a customizable Quick Tab where I could combine my most frequently used tools; wish ACDC had something similar. But it's certainly easy to use.

On my soapbox, clearing throat...: Lens Correction is overrated. I've had one lens -- Samyang 14mm mf -- that had extreme distortion, but sometimes the distortion worked with the subject matter (carnivals, e.g.). For all my other lenses, I can't see that using lens correction tools makes a significant difference. No one as ever looked at my photos & said, "Gee, you should have applied lens correction there." A nice feature to have, I guess, but can't say it does that much for my work.
Some modern zooms (and even some small primes) are pretty unusable if you're not using their lens corrections... They're designed from the ground up with them in mind and not using them is basically like taking a lens element out, some will borderline look like a fisheye at the wide end without the necessary corrections. I'm not saying what you stated isn't true of the lenses you may have, but eschewing corrections is absolutely not gonna work for everyone.

My 24/2.8 G was one such lens, the very popular 20-70/4 would fall in that category too. I think most of my other current primes would be very usable without any corrections or with minimal manual corrections (the two cheap SY are surprisingly well corrected optically), but that's very much a case of YMMV... My UWA zoom, and most modern UWA zooms, benefits greatly from the distortion and vignetting corrections and the type of distortion some feature isn't easy or possible to correct by hand with a simple slider.

I appreciate you sharing what you've used and are using and the DAM suggestion btw.
 
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You can set digiKam so it reads other's xmp files. I don't know all the nuances, so won't advise. I played around with it several years ago, & got it to work, but have forgotten what I did exactly. Would have to reread all about xmp files again.



5ce0344684fd4a6b9dd7c89a0d141df0.jpg



--
"Never let good clouds go to waste." -- Margaret Bourke-White
 
You can set digiKam so it reads other's xmp files. I don't know all the nuances, so won't advise. I played around with it several years ago, & got it to work, but have forgotten what I did exactly. Would have to reread all about xmp files again.

5ce0344684fd4a6b9dd7c89a0d141df0.jpg

--
"Never let good clouds go to waste." -- Margaret Bourke-White
Yeah that would be important to me, that avoids being locked in to anything if I had to switch for any reason. iMatch should be capable of that too but it definitely looks more complex.
 
Some people see this as a question of "where do I want to spend my time and money?"

I see it as "where do I want to invest my time and money?"

The money you send to software companies is gone. You won't see it again. The TIME you spend learning is an investment. Corporations can't take basic knowledge away from you when they change their pricing model or stop supporting your favorite program.

What do I mean by "basic" knowledge? Knowing how to use standard photo editing tools. The tools that work the same across most programs -- not the proprietary bells and whistles. You can learn "secret magic AI filters" that are unique to each program. Or you can learn, for example, the curves tool. Learn curves and you can migrate to other software any time you want.

But, people say, curves is hard and I want software to be easy. It should automate tasks so I don't have to do it myself. That's OK if you want that. But don't be surprised if, a few years down the line, you are stuck in this same pickle again. Software comes and goes. Whatever Lightroom alternative you buy today is a short-term solution. You will probably migrate again. Migrating will be easier next time if you learn the fundamentals. Seriously, do you really need Adobe (or Topaz or ON1 or whomever) to select a subject for you -- or can you learn how to paint a mask yourself like we all did back in the day?

Don't be afraid to invest time in learning the hard stuff. Many Adobe users are afraid to try other software because, indeed, it will be difficult to learn a new interface. Especially the free and open-source programs that are, by their very nature, better geared for a do-it-yourself approach rather than slick automated tools. That is a valid concern. But over the long term, you can invest in yourself or invest in the corporations that sell you software.

In other words, it takes a lot of time for a Lightroom user to learn free programs like darktable, RawTherapee, digiKam and/or GIMP. But you may find the time is well spent. You will be a more confident and knowledgeable user of photo editing software, and you won't have to worry about price hikes ever again.
 
You wouldn't pay the $120 for the year?
Well, my daughter won't. She shoots JPEG only with an RX100V, and she isn't anywhere close to being as involved in photography as you are. Editing software is just not as important to her as it is to you--and not worth even the cost of a few lattes a month.

She's been happily using Lightroom 6.14 for years (mostly as a DAM, but sometimes to make modest edits like exposure and cropping), but now that her laptop is growing creaky she's learned that Adobe will not allow her to activate the program on a new computer.

Accordingly, she'll be looking for something else. Darktable seems like it might work for her--or maybe ACDSee. (I'm not familiar with either program; I use Photo Mechanic and Capture One.)
 
I used Capture One for a short time (a year or two) and frankly it really messed me up - I discovered that it is VERY difficult to stop using Capture One because of their proprietary image management system and formats.

I believe that I still have quite a few "lost images" from this time because of Capture One's stupid cataloging system (seems more like encrypting your stuff IMHO).

I suspect that it's all done on purpose to keep you stuck with Capture One as a user. So I now view them just a little bit like drug dealers ;)

Never again! Be warned! Use Capture One at your own risk.

You'll almost certainly find that you're stuck using them for better or worse.
Weird. Are you sure it was Capture One that you used? It has no encryption that I've seen. It doesn't edit the raw files other than renaming them if you choose that option.
Not exactly but it might as well have been real encryption for all the difference it made for me.

My image files were in a mess, I had to upgrade several times, I ended up with broken "catalogs" that wouldn't or couldn't upgrade and my image files disorganized and all over the place.

And I still have a mess of directories created by this monster.

Nothing like the simplistic and logical organization that I get with Lightroom.

As I mentioned they do pretty much tie you in IMHO - I personally have no wish to revisit Capture One.

And yes, to answer the other person here it was indeed Capture One (vers. 11 and then 12 I think).

Only in my opinion it is the user of this product who actually gets "Captured" ;)

Your results may vary and it has been some time so they may well have improved but I won't be testing that myself (I also hated their user interface and tool layout).

In any case, nothing comes close to the sheer power of Photoshop for those who take the time to learn how to use it IMHO.

Currently I use Adobe, DxO and Luminar with some Topaz tools.

These all support my new A1ii RAW files except for DxO who have been a big disappointment to me in this regard,
 
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I have had iMatch on my computer for years but it is not intuitive and in some ways far too complicated.
As always, if you have questions about specific IMatch features, you can contact me via the IMatch user community or via email.

Over the years, I've prioritized making onboarding for new users quicker and simpler. Typically, new users are up and running within a few hours with all typical DAM tasks.

Delving into more complex features like file versioning, personalizing the user interface, metadata propagation, design & print, etc., takes time. The IMatch help system and many free tutorial videos offer assistance.

But as I always say: 10 IMatch users have 12 different workflows ;-)

It's challenging to meet everyone's needs. Users come to IMatch with diverse backgrounds and requirements, ranging from professional photographers to enthusiasts seeking a reliable DAM solution. This is likely true for all DAM software, whether paid or free.

And, not everyone out there needs a robust DAM like IMatch. Like not everybody needs Photoshop. Which is also very powerful, but takes some effort to learn fully.

Many people get by with whatever is integrated in their RAW processor. And that's perfectly fine. If it works for you, it's good!

As long as you ensure that the software you use does not lock you in with some sort of proprietary catalog/database or half-assed sub-standard support for metadata standards (unfortunately very common), you're good.

If all the metadata like keywords, descriptions, headlines, copyright info, location data, GPS data, face regions etc. you create is safely stored in a standard-compliant way in your images and XMP sidecar files, you are free to change to another software or platform any time. This is how it should be.
 
Odd thoughts about darktable.

It does lens correction either by "Lensfun" data or by embedded data. I don't think new lenses will be a problem. Mind you, it is never going to win the race on new cameras.

You can copy/paste adjustments from one to another or several pics. You can create "styles" for a one-click application of multiple module settings to one or numerous pics, eg for your chosen starting point.

It is a "steep learning curve," yes. It is probably a lifelong learning curve! But wouldn't that be true if getting deeper into Lightroom and the others?

I forget how dt comes as a new installation, but I think one already has a tab with common sliders on it. Of course, you can customise that tab. One can make an immediate start with colour temperature, highlights, mids, shadows, contrast and one or two other things that we all easily understand. It is not so step that one cannot immediately produce nice pics. There are dozens of modules in dt, including different ways of doing the same, but one can process a whole pic with just one or two (plus a few others simply at their default setting).

This (plus "exposure" and "colour Calibration" for temperature: I'm usual working in funny indoor lighting) can do the bulk of my editing on many pics:

78b206d6404e4d5b958203607edf60bc.jpg.png

Is that harder than Lightroom?

One reason that I settled for dt over rawtherapee is that rt felt like I had to know more maths, colour science, etc: most of the dt doccumentation is not heavy going. But if one wants to go deep, go heavy, the option is always going to be available.

You can talk with heavyweight users, and even the devopers themselves, on pixls.us (which has forums for a lot of other FOSS software as well as dt). Even stupid questions are accepted, although they are not shy about pointing us at the manual. I've been there, done that, and it beats some phone line where one begins with a menu, progresses to a bot, and might one day talk to another human :D

I din't want to be a FOSS warrior here! I'm not one. But it deserves a fairer hearing than it usually gets

--
Carnatic Portraits. South Indian Classical Music in my South Indian home city. With occasional cat, flower, and holiday pics.
 
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I have had iMatch on my computer for years but it is not intuitive and in some ways far too complicated.
As always, if you have questions about specific IMatch features, you can contact me via the IMatch user community or via email.

Over the years, I've prioritized making onboarding for new users quicker and simpler. Typically, new users are up and running within a few hours with all typical DAM tasks.

Delving into more complex features like file versioning, personalizing the user interface, metadata propagation, design & print, etc., takes time. The IMatch help system and many free tutorial videos offer assistance.

But as I always say: 10 IMatch users have 12 different workflows ;-)

It's challenging to meet everyone's needs. Users come to IMatch with diverse backgrounds and requirements, ranging from professional photographers to enthusiasts seeking a reliable DAM solution. This is likely true for all DAM software, whether paid or free.

And, not everyone out there needs a robust DAM like IMatch. Like not everybody needs Photoshop. Which is also very powerful, but takes some effort to learn fully.

Many people get by with whatever is integrated in their RAW processor. And that's perfectly fine. If it works for you, it's good!

As long as you ensure that the software you use does not lock you in with some sort of proprietary catalog/database or half-assed sub-standard support for metadata standards (unfortunately very common), you're good.

If all the metadata like keywords, descriptions, headlines, copyright info, location data, GPS data, face regions etc. you create is safely stored in a standard-compliant way in your images and XMP sidecar files, you are free to change to another software or platform any time. This is how it should be.
 
I appreciate this response! Question, out of what some see as the 3 major paid RAW processors (say, Adobe LR, Capture One, and DxO) do any of them do better in this regard? (ie writing metadata in a standard way readable by others, keywords in particular)
Since Adobe is the driving force behind XMP metadata and the go-to in the professional imaging world, their XMP metadata support in products Like Photoshop, Lightroom, InDesign etc. is very good.

I have not used C1 and DxO for a while, so I'm no expert. From my past experiences, these applications are not as good as Lr when it comes to metadata management.

I know that many IMatch users work with DxO and C1, because they get better image processing results from these applications. And they have IMatch to properly deal with metadata. If you want detailed answers, feel free to post a question in the IMatch user community. You can also use the community search for terms like DxO and C1 and see past discussions. This comes up frequently.

There are of course always some gray areas, where to store what and how in XMP metadata, leaving room for interpretation.

For example, how to flatten hierarchical keywords like "location|beach|Daytona Beach" into the single word XMP subject or legacy IPTC keywords. Some applications write only "Daytona Beach", some write 3 keywords "location", "beach, "Daytona Beach" and some write the hierarchical keyword as is.

This often causes friction for other applications which don't handle the original hierarchical keywords or interpret the flat keywords written by the other software in the wrong way.

Some software stores keywords not in the official XMP standard subject / lr hierarchical subject fields, but inside a proprietary XMP namespace, which makes the data inaccessible for most other applications.

Some software stores user-created keywords in the official XMP subject fields, but AI-generated keywords in a proprietary and undocumented XMP namespace. This makes them less portable to other applications.

If you're happy with simple keywords like "beach" or "dog", you're probably fine.

If you work with more complex keywords, hierarchies, scientific taxonomies etc., make sure all applications in your workflow agree on how to deal with hierarchical keywords in XMP, or have at least options/features to deal with the varieties in use.

Another real minefield is the area of synchronizing data between different standards.

For example, EXIF metadata in images has counterparts in XMP.
When the user changes a field covered by EXIF and XMP (maybe a timestamp, because the camera clock was wrong), these changes must be saved into both EXIF and XMP - else he ends up with two sources of truth, and this is never good.
Same goes for other EXIF data, descriptions, GPS coordinates and suchlike. A surprising number of applications, even popular ones, lack in this area.

For images created in professional environments (press, stock), legacy IPTC metadata, if available, must be synchronized with the corresponding counterparts in XMP. The IPTC committee even has a test suite for this, enabling applications to test and verify their compliance. Here are the results for IMatch, for example.

This is what I mean when I say you should check/test before committing to a free or paid DAM system or RAW processor.

If you look into purchasing one of the three products you mentioned, I would recommend to install their trial versions, process some of your images, add the metadata you need and want to preserve, and then open these images in the two other applications.

Check if the metadata is still complete. keywords are there etc. If you use a language that has special characters like German umlauts or accents, check if they survived.

Testing this will maybe cost you a day, but it's worth it, I believe.

If you put in the work in to rate, label, describe your files, to add keywords, maybe GPS coordinates, location data etc., you should have to do this only once.
And from then on the data should safely travel with the image and be accessible for all capable and XMP-compliant applications.

If users do the work, they either need it for professional reasons or because they want to preserve the info for future generations.

I ramble about all this (and care so much) because new users coming to IMatch often face exactly these problems with their existing image collections:
  • Metadata is missing in their files because their old system tucked it away in some proprietary catalog.
  • XMP metadata is incomplete and not standard-compliant.
  • EXIF metadata is out-of-synch with XMP.
  • Legacy IPTC metadata is broken, out-of-sync or in parts unreadable, because the wrong character set was used or not specified correctly.
  • Flat keywords out-of-sync with hierarchical keywords
  • Different timestamps in EXIF, XMP and IPTC
  • GPS coordinates only in EXIF or XMP
  • Different GPS coordinates in EXIF and XMP
  • ...
See Metadata for Beginners for more information about all this.

Even if IMatch has special tools to support users with identifying and remedying this metadata mess, it's still a lot of work and unpleasant. And data lost has to be re-entered completely.

Spending a bit of time to test such issues before you commit to a product is worth your time. Also check the results you can produce for your RAW files in these applications. There will be differences more or less important for you.

Users (often) switch RAW processors when they find a product that produces better results / is cheaper / non-subscription.
But if this means that they'll loose much (or all) of the metadata they have meticulously entered over the years, it's much harder to switch. Proprietary metadata management can indeed be used as a customer lock-in / retention tool :-(
 
I appreciate this response! Question, out of what some see as the 3 major paid RAW processors (say, Adobe LR, Capture One, and DxO) do any of them do better in this regard? (ie writing metadata in a standard way readable by others, keywords in particular)
Since Adobe is the driving force behind XMP metadata and the go-to in the professional imaging world, their XMP metadata support in products Like Photoshop, Lightroom, InDesign etc. is very good.

I have not used C1 and DxO for a while, so I'm no expert. From my past experiences, these applications are not as good as Lr when it comes to metadata management.

I know that many IMatch users work with DxO and C1, because they get better image processing results from these applications. And they have IMatch to properly deal with metadata. If you want detailed answers, feel free to post a question in the IMatch user community. You can also use the community search for terms like DxO and C1 and see past discussions. This comes up frequently.

There are of course always some gray areas, where to store what and how in XMP metadata, leaving room for interpretation.

For example, how to flatten hierarchical keywords like "location|beach|Daytona Beach" into the single word XMP subject or legacy IPTC keywords. Some applications write only "Daytona Beach", some write 3 keywords "location", "beach, "Daytona Beach" and some write the hierarchical keyword as is.

This often causes friction for other applications which don't handle the original hierarchical keywords or interpret the flat keywords written by the other software in the wrong way.

Some software stores keywords not in the official XMP standard subject / lr hierarchical subject fields, but inside a proprietary XMP namespace, which makes the data inaccessible for most other applications.

Some software stores user-created keywords in the official XMP subject fields, but AI-generated keywords in a proprietary and undocumented XMP namespace. This makes them less portable to other applications.

If you're happy with simple keywords like "beach" or "dog", you're probably fine.

If you work with more complex keywords, hierarchies, scientific taxonomies etc., make sure all applications in your workflow agree on how to deal with hierarchical keywords in XMP, or have at least options/features to deal with the varieties in use.

Another real minefield is the area of synchronizing data between different standards.

For example, EXIF metadata in images has counterparts in XMP.
When the user changes a field covered by EXIF and XMP (maybe a timestamp, because the camera clock was wrong), these changes must be saved into both EXIF and XMP - else he ends up with two sources of truth, and this is never good.
Same goes for other EXIF data, descriptions, GPS coordinates and suchlike. A surprising number of applications, even popular ones, lack in this area.

For images created in professional environments (press, stock), legacy IPTC metadata, if available, must be synchronized with the corresponding counterparts in XMP. The IPTC committee even has a test suite for this, enabling applications to test and verify their compliance. Here are the results for IMatch, for example.

This is what I mean when I say you should check/test before committing to a free or paid DAM system or RAW processor.

If you look into purchasing one of the three products you mentioned, I would recommend to install their trial versions, process some of your images, add the metadata you need and want to preserve, and then open these images in the two other applications.

Check if the metadata is still complete. keywords are there etc. If you use a language that has special characters like German umlauts or accents, check if they survived.

Testing this will maybe cost you a day, but it's worth it, I believe.

If you put in the work in to rate, label, describe your files, to add keywords, maybe GPS coordinates, location data etc., you should have to do this only once.
And from then on the data should safely travel with the image and be accessible for all capable and XMP-compliant applications.

If users do the work, they either need it for professional reasons or because they want to preserve the info for future generations.

I ramble about all this (and care so much) because new users coming to IMatch often face exactly these problems with their existing image collections:
  • Metadata is missing in their files because their old system tucked it away in some proprietary catalog.
  • XMP metadata is incomplete and not standard-compliant.
  • EXIF metadata is out-of-synch with XMP.
  • Legacy IPTC metadata is broken, out-of-sync or in parts unreadable, because the wrong character set was used or not specified correctly.
  • Flat keywords out-of-sync with hierarchical keywords
  • Different timestamps in EXIF, XMP and IPTC
  • GPS coordinates only in EXIF or XMP
  • Different GPS coordinates in EXIF and XMP
  • ...
See Metadata for Beginners for more information about all this.

Even if IMatch has special tools to support users with identifying and remedying this metadata mess, it's still a lot of work and unpleasant. And data lost has to be re-entered completely.

Spending a bit of time to test such issues before you commit to a product is worth your time. Also check the results you can produce for your RAW files in these applications. There will be differences more or less important for you.

Users (often) switch RAW processors when they find a product that produces better results / is cheaper / non-subscription.
But if this means that they'll loose much (or all) of the metadata they have meticulously entered over the years, it's much harder to switch. Proprietary metadata management can indeed be used as a customer lock-in / retention tool :-(
I already own Capture One, used LR years ago, and wanna try DxO; but I'm committed to finding a separate DAM from the functionality in any of those (largely because I don't like what's offered in that regard on CO or DxO and just don't wanna depend on one program doing both well). I really appreciate the comprehensive answer in this regard, didn't seem like rambling at all to me.

My needs aren't very complex at all (which is the only reason I've shied away from iMatch), but my current collection isn't well tagged well at all so I'll be going thru stuff and handling that nearly from scratch; mostly just adding locations, names, and maybe festivity names, plus ratings. I definitely wanna do it just once and do it well, in a way that'll be available to as many other programs as possible.

I'll probably give iMatch a try once I get organized and have the time to, thanks again!
 
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My needs aren't very complex at all (which is the only reason I've shied away from iMatch), but my current collection isn't well tagged well at all so I'll be going thru stuff and handling that nearly from scratch; mostly just adding locations, names, and maybe festivity names, plus ratings. I definitely wanna do it just once and do it well, in a way that'll be available to as many other programs as possible.

I'll probably give iMatch a try once I get organized and have the time to, thanks again!
IMatch can do all that, of course. And it will store your metadata as rich and standard-compliant as possible. I don't want to sell you anything, but I would be happy if you would consider IMatch. I offer a free trial and support it via the user community.
IMatch 2025 is nearly finished and will be released soon.
 
What’s the best alternative? Adobe just bumped my monthly subscription by 50% and enough is enough. I’ve cancelled and am going elsewhere. What’s the best option, preferably cheap as I’m not an everyday user
I tried yearly and found I didn’t use it enough and then tried to cancel. They would only cancel in a short window near the renewal date despite my asking months ahead. They charged me - I changed my card filed a fraud charge with the bank and I told them to pound sand. I’ve never been back. I spend as much or more on DXO but it’s mine to decide. Lightroom is powerful but I’m holding a grudge.

Look at Affinity for a more affordable package not subscription based.

raw therapee and darktable are free also these don’t cover the catalog aspect only the processing
 
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What’s the best alternative? Adobe just bumped my monthly subscription by 50% and enough is enough. I’ve cancelled and am going elsewhere. What’s the best option, preferably cheap as I’m not an everyday user
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raw therapee and darktable are free also these don’t cover the catalog aspect only the processing
Darktable does catalogue/media-manage. As I have no knowledge of Lightroom, I can't say if it competes.
 

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