new NIKKOR Z 100-400mm/4.5-5.6 s lens

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I have just received a NIKKOR Z 100-400mm f/4.5-5.6 VR S lens and trying it out with my Z 8. It's the longest lens I have shot with, my other longish lens is the AF-S NIKKOR 70-200mm f/2.8G ED VR II.

I couple of observations:
  • it is autumn here now and the sun is lower in the sky and the air is cold and frosty. I notice that shooting long distances with this lens it's not as sharp as I had expected (my 24-120 is tack sharp) but I put this off to the air quality, more ambient humidity or whatever soften the image a tad. And my default sharpening in ACR, which is fine for my 24-120 lens may need to be rethought for this new lens.

  • and this is the only Z lens I have with VR. There is no VR on-off switch on this lens so that must be controller in the shooting menu under vibration reduction. What surprised (and was a bit disconcerting at first) was the way the image jumped in the viewfinder at the moment the shutter was pressed. If I turn VR off then this doesn't happen. I guess this is normal?
Appreciate hearing other peoples thoughts on the above. As well as suggestions and recommendations for this lens.

Peter
 
Yes, probably a little soft because of hot/cold air. My copy is very sharp under 'normal' conditions.

If you switch to VR Sport the viewfinder j'umping' will go away.
 
Yes, probably a little soft because of hot/cold air. My copy is very sharp under 'normal' conditions.

If you switch to VR Sport the viewfinder j'umping' will go away.
Ah, thanks - muchly. I had left it in Normal thinking that Sport would exasperate the issue - not make it better. I will give that a try.

Peter
 
Yes, probably a little soft because of hot/cold air. My copy is very sharp under 'normal' conditions.

If you switch to VR Sport the viewfinder j'umping' will go away.
Ah, thanks - muchly. I had left it in Normal thinking that Sport would exasperate the issue - not make it better. I will give that a try.
Worth noting that stabilisation is better in normal mode - so unless the jumping bothers you or causes a problem with accurate composition (or if you are panning, of course), normal may be the better choice.
 
I have just received a NIKKOR Z 100-400mm f/4.5-5.6 VR S lens and trying it out with my Z 8. It's the longest lens I have shot with, my other longish lens is the AF-S NIKKOR 70-200mm f/2.8G ED VR II.

I couple of observations:
  • it is autumn here now and the sun is lower in the sky and the air is cold and frosty. I notice that shooting long distances with this lens it's not as sharp as I had expected (my 24-120 is tack sharp) but I put this off to the air quality, more ambient humidity or whatever soften the image a tad. And my default sharpening in ACR, which is fine for my 24-120 lens may need to be rethought for this new lens.
Of course, atmospheric distortion is real with long lenses and can be a problem at long distances. But make sure you test this thoroughly before your return period and/or warranty run out (to verify it is the air and not the lens). The 100-400 VR should be very, very sharp at 100-200 mm and still very decent at 400 mm. If you feel it is not up to par with the 24-120 at 100-200 mm, something may be amiss.
 
Yes, probably a little soft because of hot/cold air. My copy is very sharp under 'normal' conditions.

If you switch to VR Sport the viewfinder j'umping' will go away.
Ah, thanks - muchly. I had left it in Normal thinking that Sport would exasperate the issue - not make it better. I will give that a try.

Peter
Something to point out, it only jumps because you're not stable. The more stable you are, the less the elements have to move to correct for the motion.

Sport gives up some correction to make the correction less sharp.
 
Yes, probably a little soft because of hot/cold air. My copy is very sharp under 'normal' conditions.

If you switch to VR Sport the viewfinder j'umping' will go away.
Ah, thanks - muchly. I had left it in Normal thinking that Sport would exasperate the issue - not make it better. I will give that a try.
Worth noting that stabilisation is better in normal mode - so unless the jumping bothers you or causes a problem with accurate composition (or if you are panning, of course), normal may be the better choice.
OK, good to know.

Thanks,
Peter
 
Yes, probably a little soft because of hot/cold air. My copy is very sharp under 'normal' conditions.

If you switch to VR Sport the viewfinder j'umping' will go away.
Ah, thanks - muchly. I had left it in Normal thinking that Sport would exasperate the issue - not make it better. I will give that a try.

Peter
Something to point out, it only jumps because you're not stable. The more stable you are, the less the elements have to move to correct for the motion.

Sport gives up some correction to make the correction less sharp.
Also good to know. I was hand holding (in cold weather) at 400mm and 1/1000 sec

Thanks,
Peter
 
I have just received a NIKKOR Z 100-400mm f/4.5-5.6 VR S lens and trying it out with my Z 8. It's the longest lens I have shot with, my other longish lens is the AF-S NIKKOR 70-200mm f/2.8G ED VR II.

I couple of observations:
  • it is autumn here now and the sun is lower in the sky and the air is cold and frosty. I notice that shooting long distances with this lens it's not as sharp as I had expected (my 24-120 is tack sharp) but I put this off to the air quality, more ambient humidity or whatever soften the image a tad. And my default sharpening in ACR, which is fine for my 24-120 lens may need to be rethought for this new lens.
Of course, atmospheric distortion is real with long lenses and can be a problem at long distances. But make sure you test this thoroughly before your return period and/or warranty run out (to verify it is the air and not the lens). The 100-400 VR should be very, very sharp at 100-200 mm and still very decent at 400 mm. If you feel it is not up to par with the 24-120 at 100-200 mm, something may be amiss.
Way too early for me to be questioning the lens. And I was comparing at 400mm and I was shooting at subjects a couple miles away, across a harbour. I guess the 24-120 has spoiled me.

Thanks,
Peter
 
Way too early for me to be questioning the lens. And I was comparing at 400mm and I was shooting at subjects a couple miles away, across a harbour.
Well yes, that sounds like a likely case of "too much air between lens and subject". ;)
 
Way too early for me to be questioning the lens. And I was comparing at 400mm and I was shooting at subjects a couple miles away, across a harbour.
Well yes, that sounds like a likely case of "too much air between lens and subject". ;)
Here are three from that outing this morning. These are screen captures from ACR zoomed to actual size (i.e. 100%). To me, 100mm and 200mm are quite sharp but 400 is a bit softer. The subject area was near center frame in each case.

100 mm f/8.0
100 mm f/8.0



 200 mm f/7.1
200 mm f/7.1



400 mm f/7.1
400 mm f/7.1
 
Yes, probably a little soft because of hot/cold air. My copy is very sharp under 'normal' conditions.

If you switch to VR Sport the viewfinder j'umping' will go away.
Ah, thanks - muchly. I had left it in Normal thinking that Sport would exasperate the issue - not make it better. I will give that a try.

Peter
Something to point out, it only jumps because you're not stable. The more stable you are, the less the elements have to move to correct for the motion.

Sport gives up some correction to make the correction less sharp.
Also good to know. I was hand holding (in cold weather) at 400mm and 1/1000 sec
BTW, when you test the lens for sharpness, be sure and put it on the tripod, turn VR off, and use a cable release or delay when firing. You're looking for zero vibrations when testing, so any wind or passing traffic is out.
Thanks,
Peter
 
...
BTW, when you test the lens for sharpness, be sure and put it on the tripod, turn VR off, and use a cable release or delay when firing. You're looking for zero vibrations when testing, so any wind or passing traffic is out.
Yup, got that. This was just a first outing to get a first impression. I will check it out with a tripod, VR 0ff, WR shutter release. At least I won't have to worry about mirror slap.

Thanks,
Peter
 
Way too early for me to be questioning the lens. And I was comparing at 400mm and I was shooting at subjects a couple miles away, across a harbour.
Well yes, that sounds like a likely case of "too much air between lens and subject". ;)
Here are three from that outing this morning. These are screen captures from ACR zoomed to actual size (i.e. 100%). To me, 100mm and 200mm are quite sharp but 400 is a bit softer. The subject area was near center frame in each case.

400 mm f/7.1
400 mm f/7.1
That is 100% atmospheric distortion with warm air rising and creating a wave-like effect. Doesn't matter how cold it is, the ground is still going to be warmed by the sun and make air rise. It's most obvious to the naked eye on a warm mid-summer day.

That's the drawback of having a lot of reach, you want to take pictures of things very, very far away, but actually the biggest benefit of a telephoto lens is getting even closer to something you're already kind of close to. :-D That, or accept the barrier that is rising air. That's one reason (besides great light on subjects) wildlife photographers like to shoot early in the morning and late in the day, when this effect is minimized.

P.S. I don't own this lens, but I see this happen with every telephoto (including primes) I've ever owned. Different days & times of day offer better or worse clarity into the distance. I'm done trying to take pictures of a vulture or hawk a mile away. No point in it. :-D

--
http://www.dreamsourcestudio.com
 
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That is 100% atmospheric distortion with warm air rising and creating a wave-like effect. Doesn't matter how cold it is, the ground is still going to be warmed by the sun and make air rise. It's most obvious to the naked eye on a warm mid-summer day.

That's the drawback of having a lot of reach, you want to take pictures of things very, very far away, but actually the biggest benefit of a telephoto lens is getting even closer to something you're already kind of close to. :-D That, or accept the barrier that is rising air. That's one reason (besides great light on subjects) wildlife photographers like to shoot early in the morning and late in the day, when this effect is minimized.

P.S. I don't own this lens, but I see this happen with every telephoto (including primes) I've ever owned. Different days & times of day offer better or worse clarity into the distance. I'm done trying to take pictures of a vulture or hawk a mile away. No point in it. :-D
Totally agree.

Thanks,
Peter
 
Agreed. And it doesn't even have to be a very long ways off.

I sometimes have to wait for hurdlers and sprinters to get at least half way down the track (within about 60 meters) before the image clears up, if the sun is still hitting the black track surface and not shaded by the stands.
 
A decade ago during a trip to San Diego, CA, I had a drastic exposure to the problem of atmospheric heat messing up landscape shots taken with a D7100 (DX format) and the Nikon 80-400 F4.5-5.6 G lens, of which the 100-400 Z is a subtle improvement optically, at best, due probably to updated lens coating technology.

Here is a shot I took at 400mm (600mm effective) of the Hotel Del Coronato from the Cabrillo National Monument, where the subject is really a mush, despite 1/1000 shutter speed..

54106104290_81aeec6c41_o.jpg


Here is one I took of downtown San Diego at the wide setting, where the effect isn't as obvious:

54106104315_7d14136a3a_o.jpg


This same scene zoomed to 400mm:

54104784597_d5eb2da701_o.jpg


The next two shots represent more appropriate use of the zooming features of the lens, taken during the same trip.

53197258352_4fea7806c6_o.jpg


54105667881_c23913800b_o.jpg


This more recent shot shows what I really use the 400mm for, and it's sharp:

52873936650_989fc223e6_o.jpg


As part of your acceptance testing of your new 100-400 Z lens, I recommend you take it to your local zoo and zoom in on the animals.

Good luck!

--
Fred
Shot Minolta SLR/DSLR and Sony DSLR 1978-2008. Switched to Nikon in 2009.
 
...
BTW, when you test the lens for sharpness, be sure and put it on the tripod, turn VR off, and use a cable release or delay when firing. You're looking for zero vibrations when testing, so any wind or passing traffic is out.
Yup, got that. This was just a first outing to get a first impression. I will check it out with a tripod, VR 0ff, WR shutter release. At least I won't have to worry about mirror slap.
Or AF fine tuning! :)
Thanks,
Peter
 
...
BTW, when you test the lens for sharpness, be sure and put it on the tripod, turn VR off, and use a cable release or delay when firing. You're looking for zero vibrations when testing, so any wind or passing traffic is out.
Yup, got that. This was just a first outing to get a first impression. I will check it out with a tripod, VR 0ff, WR shutter release. At least I won't have to worry about mirror slap.
Or AF fine tuning! :)
My 600 PF + TC1.4x needs a -1 AF fine tune. ;)
 
Atmospheric distortion is real for sure! 100-400 is my longest lens. I've used it a good amount and my copy is a good one. My 24-120 is my go-to but the 100-400 is a great one.

THis July my son was playing in the PG 16yr old World Series in Atlanta. It was mid-90's and humid. The turf fields were well over 100F and it took me a few shots to realize the turf was giving off some vapor and it was affecting my images.
 

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