Critique/ thoughts

Jaime100

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Does this 'hit or miss' in your eyes?



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jim lehmann https://jimlehmann.squarespace.com
 

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There are different artistic interpretations you could apply, but the one you chose works.
 
Hmm. I don't dislike it, but I think it needs to be part of a series of images with the same style (lots of contrast, Are Bure Boke style) to have much impact. It has a vibe, but I think the vibe can be taken in really quickly, without there being much more to cause the viewer to linger and study it.
 
I like the light and moment, but the crooked horizon really bothers me. I'm not a fan of the dutch tilt, except occasionally in tv shows/movies when it's just don't for a dramatic effect of specific unease. I don't like tilting in still photos.
 
Personally, if I had taken this photo, I would have considered it a miss. I really dislike the popular “lomographic” style with huge flares, exaggerated contrast and grain, etc. (Although I don’t mind the Dutch tilt.) However, I looked at your site and this photo is consistent with your other work, so it could very well be a hit for you.

There is another issue: photographing people from behind. I do this often, but almost never publish these photos. For me, it’s cheating: too lazy and cowardly. I am a sociophobe and almost never have the courage to approach a stranger and ask if I can take their photo. Most people pose badly anyway and look much better when they act naturally and do not notice the camera.

To me, the highest skill of a street photographer is to photograph people in their natural habitat, while remaining stealthy. Sometimes I can do it with my phone, but when I'm outside with a camera and a big zoom, I'm as noticeable as a tarantula on a white tablecloth :)
 
Personally, if I had taken this photo, I would have considered it a miss. I really dislike the popular “lomographic” style with huge flares, exaggerated contrast and grain, etc. (Although I don’t mind the Dutch tilt.) However, I looked at your site and this photo is consistent with your other work, so it could very well be a hit for you.

There is another issue: photographing people from behind. I do this often, but almost never publish these photos. For me, it’s cheating: too lazy and cowardly. I am a sociophobe and almost never have the courage to approach a stranger and ask if I can take their photo. Most people pose badly anyway and look much better when they act naturally and do not notice the camera.

To me, the highest skill of a street photographer is to photograph people in their natural habitat, while remaining stealthy. Sometimes I can do it with my phone, but when I'm outside with a camera and a big zoom, I'm as noticeable as a tarantula on a white tablecloth :)
I do like the lomographic style so you guessed that one right. For quite sometime, I agree, that you have to get the front of the person and I feel in order to show emotion and mood, it does help. But not always as in all things I suppose.

I try to walk around with small cameras and many times I can approach the person from just about any angle and they never see...;-) Thanks for input
 
I like the light and moment, but the crooked horizon really bothers me. I'm not a fan of the dutch tilt, except occasionally in tv shows/movies when it's just don't for a dramatic effect of specific unease. I don't like tilting in still photos.
Not everyone likes a tile but then again, it does set it apart...I just wouldn't do it all the time..:-)
 
Hmm. I don't dislike it, but I think it needs to be part of a series of images with the same style (lots of contrast, Are Bure Boke style) to have much impact. It has a vibe, but I think the vibe can be taken in really quickly, without there being much more to cause the viewer to linger and study it.
I feel that photographs, unlike a painting as an example....many times needs a series of shots. I can easily have a Lone Ranger painting on the wall but not so much a photograph. Just my thinking....
 
I like the light and moment, but the crooked horizon really bothers me. I'm not a fan of the dutch tilt, except occasionally in tv shows/movies when it's just don't for a dramatic effect of specific unease. I don't like tilting in still photos.
Not everyone likes a tile but then again, it does set it apart...I just wouldn't do it all the time..:-)
You asked for critique....if you like the photo as is, why would you ask for comments?
 
I like the light and moment, but the crooked horizon really bothers me. I'm not a fan of the dutch tilt, except occasionally in tv shows/movies when it's just don't for a dramatic effect of specific unease. I don't like tilting in still photos.
Not everyone likes a tile but then again, it does set it apart...I just wouldn't do it all the time..:-)
You asked for critique....if you like the photo as is, why would you ask for comments?
I wasn't too sure on this one Molly. It has a lot of noise...a bit quirky maybe too light as I thought of darkening it up. ...It is nice to toss out to the group and see what comes of it though. :-)

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jim lehmann https://jimlehmann.squarespace.com
 
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I see your point about photographing people from behind—it can feel like a shortcut sometimes. But I think it depends on the context. A well-composed shot from behind can still tell a compelling story, leaving some mystery for the viewer. And yeah, staying unnoticed with a big camera is definitely a challenge!
 

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