GFX portrait pros studio image thread

Thanks. Anything outside with people using the LS lenses?
I know you have been asking for a while for outdoor strobe shots with LS lenses but me thinks LS lenses aren't as popular in outdoor shooting. although, I find them very useful when shooting against the sun (with my RX1R).

Even P1 advertises their XF system with LS lenses for studio photography. I don't understand it but perhaps there is a good reason leaf shutter lenses are best for in studio photography with controlled lighting. Maybe for all other outdoor photography FPS is the best solution with HSS.
Why you need a LS lens for studio? You can control your ambient easily so even a camera with sync speed of 1 seconds would do. Unless you shooting moving things like products dropped into water action kind of shots.
i suppose the models are constantly moving during the shoot in studios. Also don't you need a high shutter speed with those bright strobes so you don't over expose the shot esp at wide apertures?
In a typical studio environment with typical interior lighting, with camera settings of, say, ISO100, f/8 and 1/125 SS and without firing the flash, you will get a black frame, ie no ambient recorded. With flash duration usually being way shorter than the shutter speed, the latter doesn't have any effect on the exposure and the flash will generally freeze movement (up to a point, as flash duration increases in proportion to flash power output).

As bobby350z says, in the studio, higher shutter speeds are only really needed for freezing fast moving objects or action. As for "bright strobes", just turn the flash power down if the exposure is too hot. So, yes, perfectly possible to shoot at f/2.8. If a wide aperture like this is starting to let ambient affect the exposure, then turn off some or all of the interior lights and work using just the modelling lights.

When balancing flash and ambient outside, the whole thing becomes trickier as much faster shutter speeds will be needed to keep the ambient exposure where you want it, especially with wider apertures. Although leaf shutters allow faster sync'd shutter speeds, it's not a free lunch. If, say, you are shooting at 1/1000 to get the ambient where you want it, but flash duration for the required flash output is 1/500 (for example, because the flash is being used at full power output), the shutter will be closed before the flash has fully discharged, resulting in the desired balance of ambient and flash not being achieved.

In my own tests (in studio, no ambient light) using an X2D with XCD 38V lens and a Profoto D2 500ws flash at full power, exposure starts falling off around 1/1000 SS. This means that at full power, the D2's flash duration is longer than 1/1000.
 
Thanks. Anything outside with people using the LS lenses?
I know you have been asking for a while for outdoor strobe shots with LS lenses but me thinks LS lenses aren't as popular in outdoor shooting. although, I find them very useful when shooting against the sun (with my RX1R).

Even P1 advertises their XF system with LS lenses for studio photography. I don't understand it but perhaps there is a good reason leaf shutter lenses are best for in studio photography with controlled lighting. Maybe for all other outdoor photography FPS is the best solution with HSS.
Why you need a LS lens for studio? You can control your ambient easily so even a camera with sync speed of 1 seconds would do. Unless you shooting moving things like products dropped into water action kind of shots.
I have scenarios where I need the sync speed to go higher than 1/250s.

Unless you have very powerful lights it is sometimes necessary to open up the aperture and at the same time raise the ISO.

I have an optical spot attachment (Westcott) that uses metal blades and gobos to create interesting light patterns. It is tough on the lights as a lot of the flash light is lost in the attachment.
To compensate for the light loss I have to raise the ISO and open the aperture. This lets more ambient light in.
With the LS I can raise the shutter speed to kill the ambient light. Shooting at 1/500 - 1/800s ensures I don't have ambient light pollution.
I do this all the time.

My studio is not a black box so ambient light is always somewhat present.
 
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GFX 100 II with GF 110 @f5.6 1/125s ISO 80 2xAD200 in 1.2m Pixapro softbox 70-80 degrees off centre angled at 45 degrees above and close to the model so the light wrapped around her with 4 x 8 ft white insulation board as fill reflecting from opposite side and white reflector on the floor as uplighter. Room with white vinyl backdrop, normal ambiant light and domestic fan to lift her hair. Processing was basically dodging and burning using luminosity masks to enhance her toning. Bit overcooked for my taste but it was for a magazine and it's what the punters seem to like.
 
Thanks. Anything outside with people using the LS lenses?
I know you have been asking for a while for outdoor strobe shots with LS lenses but me thinks LS lenses aren't as popular in outdoor shooting. although, I find them very useful when shooting against the sun (with my RX1R).

Even P1 advertises their XF system with LS lenses for studio photography. I don't understand it but perhaps there is a good reason leaf shutter lenses are best for in studio photography with controlled lighting. Maybe for all other outdoor photography FPS is the best solution with HSS.
Why you need a LS lens for studio? You can control your ambient easily so even a camera with sync speed of 1 seconds would do. Unless you shooting moving things like products dropped into water action kind of shots.
i suppose the models are constantly moving during the shoot in studios. Also don't you need a high shutter speed with those bright strobes so you don't over expose the shot esp at wide apertures?
In the studio in absence of ambient, flash duration is what stops the movement, so high shutter speed is not needed. Unless you shooting things being dropped into water for example, even then you can do without LS lenses. Most people use lower powered hot shoe flashes or like broncolor strobes with faster durations.
 
Thanks. Anything outside with people using the LS lenses?
I know you have been asking for a while for outdoor strobe shots with LS lenses but me thinks LS lenses aren't as popular in outdoor shooting. although, I find them very useful when shooting against the sun (with my RX1R).

Even P1 advertises their XF system with LS lenses for studio photography. I don't understand it but perhaps there is a good reason leaf shutter lenses are best for in studio photography with controlled lighting. Maybe for all other outdoor photography FPS is the best solution with HSS.
Why you need a LS lens for studio? You can control your ambient easily so even a camera with sync speed of 1 seconds would do. Unless you shooting moving things like products dropped into water action kind of shots.
I have scenarios where I need the sync speed to go higher than 1/250s.

Unless you have very powerful lights it is sometimes necessary to open up the aperture and at the same time raise the ISO.

I have an optical spot attachment (Westcott) that uses metal blades and gobos to create interesting light patterns. It is tough on the lights as a lot of the flash light is lost in the attachment.
To compensate for the light loss I have to raise the ISO and open the aperture. This lets more ambient light in.
With the LS I can raise the shutter speed to kill the ambient light. Shooting at 1/500 - 1/800s ensures I don't have ambient light pollution.
I do this all the time.

My studio is not a black box so ambient light is always somewhat present.
I am all for LS lenses but most studios it is easy to control ambient or keep it low. That's all I was saying. I have the bowens spot attachment thing too somewhere in my garage.
 
Thanks. Anything outside with people using the LS lenses?
I know you have been asking for a while for outdoor strobe shots with LS lenses but me thinks LS lenses aren't as popular in outdoor shooting. although, I find them very useful when shooting against the sun (with my RX1R).

Even P1 advertises their XF system with LS lenses for studio photography. I don't understand it but perhaps there is a good reason leaf shutter lenses are best for in studio photography with controlled lighting. Maybe for all other outdoor photography FPS is the best solution with HSS.
Why you need a LS lens for studio? You can control your ambient easily so even a camera with sync speed of 1 seconds would do. Unless you shooting moving things like products dropped into water action kind of shots.
I have scenarios where I need the sync speed to go higher than 1/250s.

Unless you have very powerful lights it is sometimes necessary to open up the aperture and at the same time raise the ISO.

I have an optical spot attachment (Westcott) that uses metal blades and gobos to create interesting light patterns. It is tough on the lights as a lot of the flash light is lost in the attachment.
To compensate for the light loss I have to raise the ISO and open the aperture. This lets more ambient light in.
With the LS I can raise the shutter speed to kill the ambient light.
Ah now I get it. You are basically able to control ambient light with a fast SS so you can direct the lights from flash the way you want.
Shooting at 1/500 - 1/800s ensures I don't have ambient light pollution.
I do this all the time.

My studio is not a black box so ambient light is always somewhat present.
Makes sense now.
--
Mads Bjerke
__________________________________________________________________
www.madsbjerke.com
https://www.instagram.com/madsbjerkephoto/
 
Not a pro, but here are some from a while ago when I was fortunate enough to shoot this beautiful model. It was a try-out. It proved to be quite a challenge, as I actually prefer a dark background, but everything around me was as white as it could be. Every image has been edited, but except for the "anamorphic effect" (horizontal light streaks) in the first two, I did not add anything to the photos. The shadows on the background were created using Damien Lovegrove's Scatterflash. She asked to shoot again, which would be great!

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One main flash on the left. Second flash to fill the shadows on the right. Third flash with Damien Lovegrove's Scatterflash to project shadows on the background.
 
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You are looking at the flash and not the sun. I removed the light stand. Horizontal light streaks added using Boris FX. The smoke was created using a smoke machine and not added in post.

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The flash was standing really close in an attempt to overpower the sun



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And with the fake light. I just like editing and playing around to see what happens.
 
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What is meant by "strobes"? Is it a synonym for electronic flashgun or something else? The word "Strobe" makes me think of one of those flashing lights that give people fits...
There is hot shoe flash, called simply flash and then there is a lot more powerful studio flash which is called just a strobe.
Strobe is more of an American term. I would call them flash or studio flash, and flashguns "speedlights" or "flashgun" or "on camera flash".
Thanks all, so strobe is just another term for flash, particularly the powerful studio version. Good to know.
 

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