In a typical studio environment with typical interior lighting, with camera settings of, say, ISO100, f/8 and 1/125 SS and without firing the flash, you will get a black frame, ie no ambient recorded. With flash duration usually being way shorter than the shutter speed, the latter doesn't have any effect on the exposure and the flash will generally freeze movement (up to a point, as flash duration increases in proportion to flash power output).i suppose the models are constantly moving during the shoot in studios. Also don't you need a high shutter speed with those bright strobes so you don't over expose the shot esp at wide apertures?Why you need a LS lens for studio? You can control your ambient easily so even a camera with sync speed of 1 seconds would do. Unless you shooting moving things like products dropped into water action kind of shots.I know you have been asking for a while for outdoor strobe shots with LS lenses but me thinks LS lenses aren't as popular in outdoor shooting. although, I find them very useful when shooting against the sun (with my RX1R).Thanks. Anything outside with people using the LS lenses?
Even P1 advertises their XF system with LS lenses for studio photography. I don't understand it but perhaps there is a good reason leaf shutter lenses are best for in studio photography with controlled lighting. Maybe for all other outdoor photography FPS is the best solution with HSS.
As bobby350z says, in the studio, higher shutter speeds are only really needed for freezing fast moving objects or action. As for "bright strobes", just turn the flash power down if the exposure is too hot. So, yes, perfectly possible to shoot at f/2.8. If a wide aperture like this is starting to let ambient affect the exposure, then turn off some or all of the interior lights and work using just the modelling lights.
When balancing flash and ambient outside, the whole thing becomes trickier as much faster shutter speeds will be needed to keep the ambient exposure where you want it, especially with wider apertures. Although leaf shutters allow faster sync'd shutter speeds, it's not a free lunch. If, say, you are shooting at 1/1000 to get the ambient where you want it, but flash duration for the required flash output is 1/500 (for example, because the flash is being used at full power output), the shutter will be closed before the flash has fully discharged, resulting in the desired balance of ambient and flash not being achieved.
In my own tests (in studio, no ambient light) using an X2D with XCD 38V lens and a Profoto D2 500ws flash at full power, exposure starts falling off around 1/1000 SS. This means that at full power, the D2's flash duration is longer than 1/1000.


