I didn't mean you can use PP to correct a problem with the camera and make it more like it's big brother, I meant the difference is not inherent to the cameras, it's either a lighting difference or one caused by differences in editing.
Lighting was changing fast as sun was coming in/out of the clouds for the winery shot. The bldg shot was at evening similar lighting changes between one shot and the next. Also due to ISO being 125 on XT5, I had to make some changes on the fly. The only adjustment in post is very small change in exposure to make them look same.
Ok! That clarifies what I had also asked before. So I don't think we should be looking at this photo in that case. It has been amusing and the rest hopefully helpful to folks that don't know the difference.
Nothing in life is perfect unless you are as accurate a tester as Jim. There is nothing amusing about this series of comparisons, I find them quite shocking.
But I am getting the clear message from you that you made up your mind in advance that the GFX is going automatically to be vastly superior and you have no intention of being dissuaded of that by mere evidence. So these examples which show that the the cameras produce remarkably similar results, are just going to be dismissed and laughed away.
Good afternoon Daniel
First, may I just say I love your photos and find you have a great ability of isolating a subject. Many folks can learn from you on that front.
About Fuji X vs GFX, I can see why you may think that about me. Let me inform you I have been a Fuji X user since the X100, and eventually since the XT5, came out, and having shot over 100k photos on them, I have some clue of what that system can do. I have also done my own and looked at more than the couple of GFX comparisons shown here, some of which I posted in this forum very recently. And I hope you realize I was replying to a blind test, Before the OP confirmed which photo belongs to which camera. So I agree with you that I have made up my mind, just Not in advance.
And nobody is laughing away at anything by the way, which I believe is evident via my courteous and objective exchange and discussion with the OP. Not sure why you would think all that.
Finally, of course nothing is perfect but, in case it wasn't obvious, I was supporting that the last two photos were doing a disservice to the XT5, not the other way round.
I'm mightily impressed by the 40MP APS-C files. I expected the GFX to absolutely slaughter it, but to my eyes, while the medium format has the edge, the differences are quite subtle, almost close to negligible.
Were I completely camera-less at this point in time, with a bunch of cash lined up to spend on new gear, I would certainly be inclined to pursue further comparisons and take a closer look at the APS-C system. The advantages of smaller formats in convenience, portability and flexibility, cost, are undeniable, MF relies on far superior image quality, but I'm not seeing it here.
It very much looks to me from this comparison, that with today's modern sensors, the advantage largely goes to the sensor with the highest pixel count. The sensor size may not be so important. Medium format has the edge, not because of the sensor size per se, but because the big sensor allows more pixels, and more pixels allows more detail. But here I'm seeing that even a massive 2.5x the pixel count advantage doesn't seem to make that much difference. And noise and DR advantages at base ISO don't really seem to be that useful any more, because all sensors are so thoroughly scrubbed of noise.
The question I am left with after this demo is why aren't the GFX results much, much better, rather than hardly better at all? The sensor is 3x the area and has 250% more pixels. It should annihilate the 40MP sensor, but it doesn't. Have we reached the era of diminishing returns where you pay 10x the price for a 5% improvement? How big do you have to print to be able to see any difference at all?
It would be very interesting to see the comparison with the 50MP MF sensor...
Thank you for your thoughts and opinion.