ChrisLeong
Active member
Just when my EFS17-55F2.8 broke down, this news is like music to my ears..
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Just when my EFS17-55F2.8 broke down, this news is like music to my ears..
Early this year, I had an R50, which I really liked. But I needed lenses with faster apertures than the nascent RF-S portfolio offered and I could not get comfortable with the age, and weight of the EF-S 17-50mm f/2.8 (apologies if I am a little off on the focal lengths). For a number of reasons, I ended up going to Olympus, which I am pretty happy with. If the Sigma APSC lenses for the RF mount been announced a year ago, I might have invested more in the R series crop sensor line of cameras.Sony has restrictions for frame rate, but that's it, right?Hi all,
Damien Bernal has just released a first review of the new Sigma RF-S 18-50 2.8. The review is in French.
It is not a full review yet, but he makes some interesting observations: according to him, unlike Sony,
I didn't worry about those functions so much.Canon seems to impose no restriction on the lens capabilities. Frame rate, auto focus, stabilization, handling,
lens corrections >> nicelens correction,
--everything works just like a native Canon RF-S lens.
FWIW.
Henri.
Yup, it's all a game of Leap-Frog! Sometimes immediate needs outweigh the long-term.Early this year, I had an R50, which I really liked. But I needed lenses with faster apertures than the nascent RF-S portfolio offered and I could not get comfortable with the age, and weight of the EF-S 17-50mm f/2.8 (apologies if I am a little off on the focal lengths). For a number of reasons, I ended up going to Olympus, which I am pretty happy with. If the Sigma APSC lenses for the RF mount been announced a year ago, I might have invested more in the R series crop sensor line of cameras.
Hmmm, interesting to hear. My Sigma EF-M 56mm f/1.4 (as well as my EF-M 16mm f/1.4) are very good AF performer on my M6 Mark II. May be a different design entirely tho.Ironically, I just bought the Sigma 56mm f/1.4 lens for the micro 4/3 mount. I am delighted with the image quality but on my first two outings, autofocus has been a little slow. I am also seriously considering the Sigma 16mm f/1.4.
But that's exactly what Sigma just did with Canon. I suspect/expect they'll perform up to their full potential.So all I can say at this point is that Sigma can produce high quality crop sensor lenses. The advantage of the M4/3 mount is that once a company joins the M4/3 governing organization, they get access to all electronic and physical aspects of the mount. I asume the L mount is similar. In contrast. CANON, NIKON AND Sony have proprietary mounts and Sigma has to negotiate agreements with each and then work on adaptability. Results are therefore not as predictable.
Had an email from my local bricks-and-mortar today - if I still want the Sigma 18-50 they've got them in stock. July 11, bang on time! So I pootled down on my bike and picked it up, a much nicer experience than waiting in for a delivery.... Christopher Frost, Gordon Laing and Jared Polin in varying English accents.
I have one on pre-order so I'll be able to add my less-qualified comments soon. Sigma has published a launch date of July 11, but when I enquired at the end of last week my supplier here in the UK didn't have a delivery date as yet.
- R2D2 wrote:
Yup, it's all a game of Leap-Frog! Sometimes immediate needs outweigh the long-term.Early this year, I had an R50, which I really liked. But I needed lenses with faster apertures than the nascent RF-S portfolio offered and I could not get comfortable with the age, and weight of the EF-S 17-50mm f/2.8 (apologies if I am a little off on the focal lengths). For a number of reasons, I ended up going to Olympus, which I am pretty happy with. If the Sigma APSC lenses for the RF mount been announced a year ago, I might have invested more in the R series crop sensor line of cameras.
Hmmm, interesting to hear. My Sigma EF-M 56mm f/1.4 (as well as my EF-M 16mm f/1.4) are very good AF performer on my M6 Mark II. May be a different design entirely tho.Ironically, I just bought the Sigma 56mm f/1.4 lens for the micro 4/3 mount. I am delighted with the image quality but on my first two outings, autofocus has been a little slow. I am also seriously considering the Sigma 16mm f/1.4.
I do suspect that AF on these Canon bodies might be better however.
But that's exactly what Sigma just did with Canon. I suspect/expect they'll perform up to their full potential.So all I can say at this point is that Sigma can produce high quality crop sensor lenses. The advantage of the M4/3 mount is that once a company joins the M4/3 governing organization, they get access to all electronic and physical aspects of the mount. I asume the L mount is similar. In contrast. CANON, NIKON AND Sony have proprietary mounts and Sigma has to negotiate agreements with each and then work on adaptability. Results are therefore not as predictable.
We'll just have to see.
R2
They simply 'outsourced' the development of lenses for the aps-c rf cameras.according to him, unlike Sony, Canon seems to impose no restriction on the lens capabilities.
I have a friend who is champing at the bit to get that Sigma 56! If it's anything like the EF-M lens, it'll make a much better portrait lens than the Canon RF 50/1.8 IMHO.I was just making the point that joining a multi-manufacturer alliance is, I assume, a transparent process vs. bilateral negotiations between two competitors. Regardless, it is a win win for both. No capital investment for Canon and for Sigma, it capitalizes on existing proven designs to produce incremental revenue. I hope the RF Sigma primes come to market soon.
- R2D2 wrote:
Yup, it's all a game of Leap-Frog! Sometimes immediate needs outweigh the long-term.Early this year, I had an R50, which I really liked. But I needed lenses with faster apertures than the nascent RF-S portfolio offered and I could not get comfortable with the age, and weight of the EF-S 17-50mm f/2.8 (apologies if I am a little off on the focal lengths). For a number of reasons, I ended up going to Olympus, which I am pretty happy with. If the Sigma APSC lenses for the RF mount been announced a year ago, I might have invested more in the R series crop sensor line of cameras.
Hmmm, interesting to hear. My Sigma EF-M 56mm f/1.4 (as well as my EF-M 16mm f/1.4) are very good AF performer on my M6 Mark II. May be a different design entirely tho.Ironically, I just bought the Sigma 56mm f/1.4 lens for the micro 4/3 mount. I am delighted with the image quality but on my first two outings, autofocus has been a little slow. I am also seriously considering the Sigma 16mm f/1.4.
I do suspect that AF on these Canon bodies might be better however.
But that's exactly what Sigma just did with Canon. I suspect/expect they'll perform up to their full potential.So all I can say at this point is that Sigma can produce high quality crop sensor lenses. The advantage of the M4/3 mount is that once a company joins the M4/3 governing organization, they get access to all electronic and physical aspects of the mount. I asume the L mount is similar. In contrast. CANON, NIKON AND Sony have proprietary mounts and Sigma has to negotiate agreements with each and then work on adaptability. Results are therefore not as predictable.
We'll just have to see.
R2
Yes I saw this too. This confirms the extent of Sigma's compatibility with the R mount.He also shows that focus breathing correction for this lens can be turned on for video. Another useful feature I don’t think any of the English speaking reviewers have commented on.
Can you develop?Canon's company camera strategy is to obvious.
I wouldn't want to; there would be no size saving over keeping an adapter on the lens, the conversation service costs around there times the price of the plain adapter (1½× the price of the control ring adapter) and (for my country at least) takes weeks as it's done in Japan. Of course, it would also rule out the use of the rear filter mount adapter on my only Sigma lens. That's important to me because that lens won't take front mounted filters.Now I wonder if there will be a way to convert existing Sigma EF lenses to RF. This should be technically possible, if only to get rid of the adapter. Sigma claimed that you could change the mount on their lenses, but this was at the time of DSLRs.
It also means that either Sigma have given their lenses’ optical characteristics data to Canon, or that Canon have measured them, in order to apply optical and focus breathing corrections. This shows close collaboration and bodes well for future RF mount lenses from Sigma.Yes I saw this too. This confirms the extent of Sigma's compatibility with the R mount.He also shows that focus breathing correction for this lens can be turned on for video. Another useful feature I don’t think any of the English speaking reviewers have commented on.
That makes sense...I wouldn't want to; there would be no size saving over keeping an adapter on the lens, the conversation service costs around there times the price of the plain adapter (1½× the price of the control ring adapter) and (for my country at least) takes weeks as it's done in Japan. Of course, it would also rule out the use of the rear filter mount adapter on my only Sigma lens. That's important to me because that lens won't take front mounted filters.
Thanks for this. Do you know if corrections were applied to the Sigma images? I'd think that they would be to the Canon.Sigma RF-S 18-50 IQ comparisons now on Canon R7 (previously on Sony only). I was interested to compare to the RF-S 18-150 which I have. My conclusion - Canon at 18mm f3.5 vs Sigma f2.8 or f4, the Canon is slightly better at peripheries. From f8 both similar. At 35mm, Canon at f5 markedly softer, little improvement at f8, Sigma very good at f2.8 and much better at f8. No other directly comparable focal lengths unfortunately.
Also comparing the Sigma on R7 vs Canon EF-S 17-55/2.8 on 7D2, though a different image scale, the Sigma appears significantly better at every setting.
He doesn’t say specifically. But I think we’ll see an updated review for the Sigma on a Canon body, and Canon does provide in-camera corrections (in the menu) for the Sigma. Brian Carnathan does respond to emails so it may be worth asking.Thanks for this. Do you know if corrections were applied to the Sigma images? I'd think that they would be to the Canon.Sigma RF-S 18-50 IQ comparisons now on Canon R7 (previously on Sony only). I was interested to compare to the RF-S 18-150 which I have. My conclusion - Canon at 18mm f3.5 vs Sigma f2.8 or f4, the Canon is slightly better at peripheries. From f8 both similar. At 35mm, Canon at f5 markedly softer, little improvement at f8, Sigma very good at f2.8 and much better at f8. No other directly comparable focal lengths unfortunately.
Also comparing the Sigma on R7 vs Canon EF-S 17-55/2.8 on 7D2, though a different image scale, the Sigma appears significantly better at every setting.
R2
I don't think they do, by now the corrections are generally stored in the lens so that the cameras don't need to be updated every time Canon bring out a new lens. Sigma had to do a lot of reverse engineering around 2015-16 to get rid of those concentric rings that appeared with some of their lenses when Peripheral illumination correction was enabled. Canon may well have told Sigma how to encode the in-camera corrections properly now, but I'm sure those corrections are provided by Sigma, not Canon.He doesn’t say specifically. But I think we’ll see an updated review for the Sigma on a Canon body, and Canon does provide in-camera corrections (in the menu) for the Sigma. Brian Carnathan does respond to emails so it may be worth asking.Thanks for this. Do you know if corrections were applied to the Sigma images? I'd think that they would be to the Canon.Sigma RF-S 18-50 IQ comparisons now on Canon R7 (previously on Sony only). I was interested to compare to the RF-S 18-150 which I have. My conclusion - Canon at 18mm f3.5 vs Sigma f2.8 or f4, the Canon is slightly better at peripheries. From f8 both similar. At 35mm, Canon at f5 markedly softer, little improvement at f8, Sigma very good at f2.8 and much better at f8. No other directly comparable focal lengths unfortunately.
Also comparing the Sigma on R7 vs Canon EF-S 17-55/2.8 on 7D2, though a different image scale, the Sigma appears significantly better at every setting.
R2
OK, thanks!He doesn’t say specifically. But I think we’ll see an updated review for the Sigma on a Canon body, and Canon does provide in-camera corrections (in the menu) for the Sigma. Brian Carnathan does respond to emails so it may be worth asking.Thanks for this. Do you know if corrections were applied to the Sigma images? I'd think that they would be to the Canon.Sigma RF-S 18-50 IQ comparisons now on Canon R7 (previously on Sony only). I was interested to compare to the RF-S 18-150 which I have. My conclusion - Canon at 18mm f3.5 vs Sigma f2.8 or f4, the Canon is slightly better at peripheries. From f8 both similar. At 35mm, Canon at f5 markedly softer, little improvement at f8, Sigma very good at f2.8 and much better at f8. No other directly comparable focal lengths unfortunately.
Also comparing the Sigma on R7 vs Canon EF-S 17-55/2.8 on 7D2, though a different image scale, the Sigma appears significantly better at every setting.
R2
Lens correction data sits on the lens, so the collaboration here is same as that for AF. Sigma know what to do (as part of whatever spec/protocol they have been privy to as part of the deal with Canon) and they are doing it as part of their product developmentIt also means that either Sigma have given their lenses’ optical characteristics data to Canon, or that Canon have measured them, in order to apply optical and focus breathing corrections. This shows close collaboration and bodes well for future RF mount lenses from Sigma.Yes I saw this too. This confirms the extent of Sigma's compatibility with the R mount.He also shows that focus breathing correction for this lens can be turned on for video. Another useful feature I don’t think any of the English speaking reviewers have commented on.