I suspect the low end is pretty much addressed by camera phones.. and as basic point and shoot cameras they are pretty good - and I would say better than low end SLRs of yesteryear.
So yes I can see the argument it's not worth playing in the mirrorless low end market .. however where is the gateway product? Nikon I am sure we will need that if its not just to become a niche camera manufacturer.
After all I guess many of us remember starting into Nikon with our entry film SLRs - and I even have some of my original D/AFS lenses - one of which I still use on my z8 and z9.
So perhaps we should see Nikon optics on higher end camera phones - and brand gateway that way?
The "gateway products" today are cameras like the Z30, Z50, and Zfc.
Let's first think about what a "gateway product" or "entry product" is: it is a product that a consumer buys to "enter" into an ecosystem of future purchases. So this could be a Playstation: the customer later buys controllers, games, online subscription, etc. Or an iPhone: the customer later buys airpods, cases, apps, etc. If a customer does not buy anything in the future, it is not a gateway / entry product for that customer...because they did not enter into a system so much as they just bought a standalone product. Nikon glass on a phone wouldn't really be a gateway--it would be brand awareness.
Let's also distinguish between two main features found on hobbyist cameras that a beginner would want to explore as they learn photography:
- Ability to change settings
- Ability to change lenses
These are distinct features that sometimes get lumped together.
And finally, let's list the main "results" reasons people might want to upgrade beyond a phone (in no particular order), that all contribute to "the look":
- Shallow DoF
- Angle of view / zoom
- Noise / low-light
- Dynamic range
- Sharpness
From the point of view of those above properties, let's compare the R100 to the Z50.
In terms of controls & ability to change settings, the cameras are not comparable. The R100 has a single dial, menus, and D-pad; while the Z50 has dual control dials, 2 custom front function buttons, and deep menu options. Even the Z30 has all of these. The R100 is designed for point-and-shoot in auto mode, just like the D3000's and D5000's of last decade; while the Z50 (& Z30) is more like the D7000's in everything except price. For a beginner trying to eventually learn settings, the Z50 would be far superior. And so this would be a better "gateway" camera.
In terms of lenses, The R100 and Z50 both have the ability to change lenses; and both
Canon and
Nikon have some "affordable" options. For most entry-level buyers, "affordable" might be 1-2 lenses that each cost $150-$500 (and $500 is a stretch...$200 would probably be average). The affordable options are the lower-range zoom lenses that are all along the lines of F/4-6.3 and the cheaper prime lenses around F/2 or F/2.8 (usually roughly somewhere between 16mm to 40mm).
And then, there's the results & look, which would be 100% dependent on the lenses. The latest iPhone 15 Pro Max has the following
APS-C equivalent lenses:
- 9mm F/9 (ultrawide)
- 16mm F/4 (wide-standard)
- 80mm F/14 (telephoto)
And they also have intelligent systems to do things like seamlessly stacking multiple frames or images to improve the rest. Not at the pixel-peeping level and not to the same degree as a dedicated ILC; but certainly good enough for most people in most normal viewing conditions...like viewing on a phone. So for differentiated images, people need differentiated lenses. Let's first use the above iPhone specs as a baseline.
Ultrawide: neither system has an ultrawide quite this wide; and for many ultrawide shots, DoF typically doesn't really come into play anyway. But Canon has a 10-18mm F/4.5-6.3 and Nikon has a 12-28mm F/3.5-5.6; each is ~$300 and would offer roughly 1 stop improvement over the phones...were it not for additional variables like optical stabilization and intelligent multi-shot stacking that the phone has that the cameras/lenses don't, that should make up for this 1-stop difference. So is this differentiated? Maybe for sharpness when on a tripod and doing a large print and that's about it. Sharpness when pixel peeping, not today's normal viewing conditions. So no, not well differentiated for most scenarios.
Wide-Standard: Not only do both ultra-wide lenses above overlap here (though 1 stop behind the iPhone by this point), but the standard zooms essentially start around here and add optical stabilization to match the iPhone. Canon additionally has a 16mm F/2.8 for $250, which improves by 1 stop (though again, this is without optical stabilization, so maybe it will help shallower DoF. Except, you shouldn't exactly expect a bokehlicious shot at 16mm F/2.8). So ultimately, maybe sharpness when pixel peeping or printing an enlargement and that's about it. Very few beginners will see an actual difference.
Telephoto: The Canon and Nikon standard zooms when further cropped would be roughly 1 stop better than the iPhone, so this should make a visible difference in telephoto scenarios like portraits. Canon and Nikon both also have longer zoom offerings to push another stop, though these approach the higher-end of the budget at roughly $400. But yes, this one
starts to be well differentiated.
So above, the only scenario with a practical difference for beginners would be telephoto using standard zooms, or when pixel peeping / printing enlargements. But there are more options: Both Canon and Nikon additionally offer some faster primes. Nikon has a 24mm F/1.7 for around $220. Both have a 28mm F/2.8 for roughly $250. And Canon has a 50/1.8 and Nikon has a 40/2, each for around $200. Additionally, if one wants to break past the budget, there are a whole host of lenses, like 85mm F/1.8 or long telephotos, etc. All of these will be well differentiated.
So a good gateway or entry for most beginner general photographers would be along the lines of a Z50 + 24mm F/1.7. A beginner portrait photographer could be Z50 + 40mm F/1.7. Or for a beginner landscape photographer, Z50 + 12-28mm F/3.5-5.6. A beginner wildlife or sports photographer might spend more on a longer lens. Or for anyone, replace the Z50 with a Z30 or Zfc. Here are some typical street prices:
- Nikon Z50 (used) = $575
- 40mm F/2 = $225
- 24mm F/1.7 = $225
- 12-28mm F/3.5-5.6 = $300
Those are the gateways where one actually "enters" hobbyist photography that's well differentiated from phones. The Canon R100 kit (and previously, the D3000 or D5000) isn't so much them "entering" but rather them standing just outside the photography door and realizing they bought the wrong ticket. It doesn't have the controls or IQ, and beginners easily get disillusioned and discouraged when their results don't match their expectations. That's when they realize they need to spend more on lenses for differentiation from their phone's photos, or more on a body to actually learn and change settings, or give up. And most will give up and use their phones.
Nikon's Z50, Z30, Zfc, and cheaper lenses serve as appropriate gateways today. I think what they're missing--though not urgently--would be eventual updates to these (if for no other reason than to drive used prices down a bit), and a handful of primes: maybe a 9mm F/4 and a 16mm F/2 or F/2.8.