Hello, I am considering buying the Panasonic Lumix G7 as my first proper camera, which I think will serve me well given my budget. (I already thought of the G85, but the price is too high, and second-hand is not an option; there is a lack of listing for the m43) I am pulled to the G7 because of its size and the price of the lenses. My other options are the Canon 3000D, 1500D, and the R100. But I am not too keen on buying the first two, given my experience handling a similarly sized camera (the Canon 700D is what I am currently borrowing for my use case); those cameras are too big for me. As for the R100, I am not sure about that because of the reviews I have read online.
Now for my question: is the G7 still a good buy? I will use it for all-around documentation purposes (sports, conferences, etc.) and my hobby. Am I going to miss features that I might need? What do I need to expect? Would choosing a 16mp M43 sensor over 24mp/18mp APS-C make a stark difference? Or should I look for something else?
Thank you.
Background: I've been a professional event photographer for 20+ years. You can see what I've used over the years in my gear list. From 2012 to 2019 I shot exclusively with Micro Four Thirds, first a GX1 + G3, then a GX7 + G6, then GX8 + GX9. In 2020 I began transitioning to a 35mm-format Sony FE kit for dark environments where flash was impractical or forbidden.
I found MFT practical for low-light event work only because I used two or three bodies, each bearing a relatively bright f1.7 or f2.0 prime lens. Even the f2.8 zooms were often not bright enough to get action-stopping shutter speeds in the dim hotel ballrooms and other event venues in which I work, especially for the longer focal lengths (e.g. 35-100/2.8). As a result, I used off-camera flash a lot to light stages and conference rooms. In a nutshell, professional event work
can be done with MFT, and there is amazing wedding work out there by MFT pros, but you'll be pushing the envelope at times, and you'll need the knowledge to use on- and off-camera flash well.
The G7 is a fine camera, but the newer 20MP sensors offer somewhat better dynamic range and less noise, letting you shoot at slightly higher ISO in really low light. Panasonic's S-AF is very fast and reliable in quite low light, but C-AF lags behind other systems. I was always happy working only with S-AF, and Panasonic's TouchPad AF feature for positioning an AF point with my thumb on the rear screen worked marvelously well. Even my $3500 Sony a7RV isn't as good in this regard, though it has other charms.
DxO PhotoLab's DeepPRIME XD noise reduction is an event shooter's best friend, effectively raising the ceiling on usable ISO by about two stops. With it, I consider the max acceptable ISO for event work with my GX9 to be 12,800, which is pretty darn good. Had this been around four years ago, I might not have felt the need to switch to 35mm format.
For event work, I used an Olympus 12/2, Panasonic 20/1.7, Olympus 45/1.8 and Olympus 75/1.8, all plenty sharp. For sports, particularly nighttime or indoor sports, though, things could get tough. Long focal lengths with fast action in low light are a challenge for any system, and MFT lacks the big glass you might want, depending on what, where and when you're shooting. Olympus' 45-150/2.8 might do the trick if you're not far from the action, but it's not cheap.
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Event professional for 20+ years, travel & landscape enthusiast for 30+.
http://jacquescornell.photography
http://happening.photos