But that entire theory is far too complicated, and I doubt that
they would shoot themselves in the left hand in order to get more
usage out of the right hand. It just doesn't pay, overall.
I'd be the first to agree, which is why I'm still shaking my head slowly at Canon's excision of FEC from the DRebel, especially given that it's present in the G series. It's virtually impossible to believe that the move could have been motivated from any viewpoint other than the need to provide a "class distinction" wrt the 10D.
I'm sure that there are some CF cards that won't exactly comply or
work in a standard way. Happens with some cameras in combination
with some CF cards all too commonly.
Hmmm... yes, I seem to recall some funnies with the E-10/E-20, among others.
Yes, the tool for this has changed. I take it you saw page 73 of
the manual.
First place I visited after the flash section
I found it interesting that Sony is now giving the color
temperature of the various presets in Kelvins. Interesting, and
appreciated.
Indeed. It suggests that numerical configurability has at least been in the back of someone's mind in R&D. Maybe in the 939...
More interesting still is the fact that Auto can adjust in range
from 3,000 - 7,000 K. The the One-Push WB can adjust from an even
wider range from 2,000 - 10,000 K.
Yes, though it will be interesting to see what it makes of this in practice. I can't for the life of me understand why more mfrs don't provide ambient sensors further down their model range, currently only present in the top echelon of DSLRs. AWB'ing off the subject is reminiscent of the fox in charge of the chicken coop.
And in a wonderful follow-up to what the V1 began, you can now
perform a custom WB when using the flash. Excellent.
I noticed that, and also the Flash WB preset which should get around the biggest hassle that's always been present with flash. But the way Custom WB works needs a bit of reading between the lines. Am I correct in gathering that executing One push also fires the flash if it's been enabled as described?
I do have a niggle with the One push feature, and that's that the name appears to have become something of a misnomer. I originally assumed that the traditional One push button had been moved from the barrel to the top, but it turns out that that particular button has disappeared and it's now only the WB Mode button that's adjacent to the shutter release. Phil's review didn't really make the point (or maybe I missed it) that the dedicated calibration button had gone.
The way I read it, you have to press-and-scroll to "One push SET", hit the joystick to calibrate, then press-and-scroll again to "One push" in order to actually shoot with the WB reference you've just grabbed. If you shoot permanently in Custom WB, then re-calibrating it periodically becomes very considerably slower than on F7*7 models. "One push" is certainly no longer an appropriate description IMO. It's now as convoluted as on the 10D/300D, but without the latter's advantage of being able to store reference frames.
(Who knows what will happen when fully compatible third-party
dedicated flashes arrive?)
Yes, that should be interesting. I expect it now that Sony finally
is moving away from that ACC port.
And it would be about time, too (though that still leaves the need for RC connectivity)! I started to wonder that upon first noting how outta the way the ACC jack is now located. It doesn't get a guernsey in the Index, though I note that it was never represented there in the 717 or even 707 manual either.
Mike