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I had the D200 many years ago, the B&W output of that CCD was among the best I ever got from any DSLR.Just finding my way back to this friend of twelve years ago. It's less responsive in lots of ways than my D850, no surprise there. But that also simplifies things, and I'm getting used to that (again).
I'm pleasantly surprised by the almost film like quality of the b&w images the CCD sensor produces, and yes, by the colour as well.
LR Classic gives me a myriad of rendering possibilities to choose from; still stumbling around there.
The most pleasant surprise is that, either with the 35/1.8 AF-S DX (great little cheapo) or the 24/2.8 AiS (great lens) it feels so much closer in handling and using to my FM2n or FM3a.
Goodbye analog? That was my intention anyway; an alternative for analog cameras/processes in general use (the hassle and the cost), approaching film like quality.
Mission accomplished for just over 200 Eur for body and 35 DX?
Good to hear from you!I had the D200 many years ago, the B&W output of that CCD was among the best I ever got from any DSLR.Just finding my way back to this friend of twelve years ago. It's less responsive in lots of ways than my D850, no surprise there. But that also simplifies things, and I'm getting used to that (again).
I'm pleasantly surprised by the almost film like quality of the b&w images the CCD sensor produces, and yes, by the colour as well.
LR Classic gives me a myriad of rendering possibilities to choose from; still stumbling around there.
The most pleasant surprise is that, either with the 35/1.8 AF-S DX (great little cheapo) or the 24/2.8 AiS (great lens) it feels so much closer in handling and using to my FM2n or FM3a.
Goodbye analog? That was my intention anyway; an alternative for analog cameras/processes in general use (the hassle and the cost), approaching film like quality.
Mission accomplished for just over 200 Eur for body and 35 DX?
Very recently I myself bought a Fuji S5 Pro, the D200 body and essential hardware like AF, metering, etc. but with Fuji's own SuperCCD sensor. In it's time skin tones and dynamic range were class leading, and it was a firm favorite with wedding photographers. B&W output wasn't in the same league as the D200. And as for responsiveness, well, let's say the D200 beats it hands down anytime.
Greetings from a fellow Dutchy!
I really like my D200. I keep it in Downtown Chicago at my office, so pretty much only use it in good light where it plays to it's strengths. I'm still learning a lot from shooting with it, and I'm pretty sure the camera isn't holding me back any at this pointI can't make myself put my old D200 back in the old camera drawer again. It's staying in the active file this time.
Thank you! Shot RAW (I always do), converted to B&W in LrC.Nice photos! Are the B&W images straight out of camera or converted to B&W in lightroom?
The D700 is a truly amazing camera! I sold mine and bought a Df which is also fantastic but I must say the colors from the D700 were more interesting.Thank you! Shot RAW (I always do), converted to B&W in LrC.Nice photos! Are the B&W images straight out of camera or converted to B&W in lightroom?
I've actually just sold the D200 plus its three primes to get a D700 (again, after thirteen years).
So there's the end of that journey. Lovely camera though.
My pleasure! Normally I'm not all that fond of American classic imports, but "ll make an axception for this one!
For an American classic import, it does have a surprisingly Germanic outlook on life
I know lol; but this was a German US export (hence the reflectors etc), reimported to the Netherlands (dry chassis etc). But I'm sure you knew all that ;-) .For an American classic import, it does have a surprisingly Germanic outlook on life![]()
Hi Michiel,
After seeing some of the D200 thread , I bought a used D200 recently. Nice camera for a good price. So far I like the camera except once in a while I get "Err".
Thanks,
VadiV